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Category Archives: Labor History

The Wobblies (1979)

89m; U.S.
Directors: Stewart Bird, Deborah Shaffer

Synopsis: Documentary chronicling the history of the Industrial Workers of the World (IWW), including interviews with many former Wobblies who were in their seventies, eighties, and nineties when the film was made.

“Solidarity! All for One and One for All!” Founded in Chicago in 1905, the Industrial Workers of the World (IWW) took to organizing unskilled workers into one big union and changed the course of American history. This compelling documentary of the IWW (or “The Wobblies” as they were known) tells the story of workers in factories, sawmills, wheat fields, forests, mines and on the docks as they organize and demand better wages, healthcare, overtime pay and safer working conditions. In some respects, men and women, Black and white, skilled and unskilled workers joining a union and speaking their minds seems so long ago, but in other ways, the film mirrors today’s headlines, depicting a nation torn by corporate greed. Filmmakers Deborah Shaffer and Stewart Bird weave history, archival film footage, interviews with former workers (now in their 80s and 90s), cartoons, original art, and classic Wobbly songs (many written by Joe Hill) to pay tribute to the legacy of these rebels who paved the way and risked their lives for the many of the rights that we still have today. Restored by the Museum of Modern Art and recently inducted into the National Film Registry of the Library of Congress.

 

Workers Newreel (Volume 1, Number 10) [1931]

8m; U.S.

Director: Workers Film and Photo League of the WIR

Synopsis: Unemployment demo in Union Square in 1931

 

Working for American Workers (2010)

55m; U.S.

Director: College of Labor and Employment Lawyers

Synopsis: Documentary highlighting labor turbulence in the 60s and 70s through the eyes of former Labor Secretaries Willard Wirtz and Bill Usery. Includes the pilots strike among other events, and shows “vividly how labor secretaries can differ in interests and style, with very different effects on labor.”

Contact: College Executive Director Susan Wan SWan@gibsondunn.com 202-955-8225

 

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Xica da Silva (1976)

Release Date: 1996   Duration: 107 min
Cast: José Wilker

Xica da Silva (released as Xica in the United States) is a 1976 Brazilian film directed and written by Carlos Diegues, based on the novel by João Felício dos Santos pt:João Felício dos Santos. It stars Zezé Motta, Walmor Chagas and José Wilker. It was chosen as the Brazilian submission for the Academy Award for Best Foreign Language Film at the 49th Academy Awards, but it failed to get a nomination. The film is based on the novel Memórias do Distrito de Diamantina, written by João Felicio dos Santos (who has a small role in the film as a Roman Catholic pastor). It is a romanticized retelling of the true story of Chica da Silva, an 18th century African slave in the state of Minas Gerais, who attracts the attention of João Fernandes de Oliveira, a Portuguese sent by Lisbon with the Crown’s exclusive contract for mining diamonds, and eventually becomes his lover. He quickly asserts control, letting the intendant and other authorities know that he’s onto their corruption scheme. Eventually Lisbon hears of João’s excesses and sends an inspector. José, a political radical, provides Xica refuge.

 

You May Call Her Madam Secretary

58m; U.S.

Director: Robert & Marjory Potts

Synopsis: Biography of the first woman cabinet secretary and “mother” of Social Security, Frances Perkins.

 

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Even the Rain (También la Lluvia) [2010]

103m; Spain/Mexico/France

Director: Icíar Bollaín

Cast: Gael García Bernal, Luis Tosar and Karra Elejalde

Synopsis: A Spanish film crew comes to Cochabamba, Bolivia in 1999 to make a film about Christopher Columbus.  The intent is to do a revisionist account portraying Columbus not as a hero, but as a conqueror.  The film crew is not well financed and looking to cut costs, which includes to indigenous Bolivians being hired to star in the movie.  At the same time, a mounting wave of protests is occurring, with one of the film extras serving as a major leader, over the privatization of Cochabamba’s water supply.  The film crew becomes entangled in the protests in an ever more complex and deep ways.  A superb film about the intersections and limits of art and politics.

 

Westinghouse Works (1904)

40m; U.S.

Director: G.W. Bitzer

Synopsis (Wikipedia): A collection of 21 short films, averaging about three minutes each, taken of various Westinghouse manufacturing plants from April 13, 1904 to May 16, 1904. They were made by G. W. Bitzer of the American Mutoscope and Biograph Company, were shown at the Westinghouse Auditorium at the 1904 St. Louis World’s Fair, and may have been made for that purpose. At least 29 films were shot. The films are now part of the National Film Registry of the Library of Congress.

Contact: All available on Youtube via the Wikipedia page: http://en.wikipedia.org/wiki/Westinghouse_Works,_1904

 

We Were There

5m; U.S.

Synopsis: Theme song by Bev Grant, written for a multi-media show by the same name, about women’s labor history.

Contact: available online: http://www.youtube.com/watch?v=Cjnyk06MZRY

 

The Trotsky (2009)

120m; Canada

Director: Jacob Tierney

Cast: Liane Balaban, Jay Baruchel and Taylor Baruchel

Synopsis: Leon Bronstein is a high school student in Montreal West who is absolutely convinced he is the reincarnation of Leon Trotsky.  After leading a hunger strike with some of his fellow private school peers against his father, the owner of a textile factory who will not allow the workers to unionize, Leon is sent to public school.  There he finds apathy, but also potential and begins to organize a student union, while also pursuing an older woman he is convinced he must marry.  A very funny and smart film that includes a lot of genuine moments about the power of organizing, and a lot of jokes about labor and left-wing history.

Trailer

 

Secret File (2003)

85m; Italy

Director: Paolo Benvenuti

Cast: Antonio Catania, David Coco and Sergio Graziani

Synopsis (Best of Sicily Magazine): The film recounts the story of the “Massacre of Ginestra” of May 1947. This was the murder by gunfire of eleven Communists during a political march at rural Portella della Ginestra, outside the Sicilian town of Piana degli Albanesi. Not only were people killed, but nearly thirty were injured. The crime, historically blamed on the band of the charismatic bandit Salvatore Giuliano, was previously depicted in Michael Cimino’s film The Sicilian, starring Christopher Lambert and John Turturro, which portrayed the rustic renegade as a Sicilian Robin Hood. The real Giuliano was killed under mysterious circumstances and a number of alleged accomplices arrested, but officially the mass murder was never solved. Mafia complicity has always been claimed, because organised crime opposed the Communist Party while supporting the Christian Democrats, who effectively controlled Italian politics for forty years. Obviously, the case was politically charged and hotly controversial. – http://www.bestofsicily.com/mag/art103.htm