The documentary A Fine Line explores why less than 7% of head chefs and restaurant owners are women, when traditionally women have always held the central role in the kitchen.
Featuring candid interviews with world-renowned chefs including World’s Best Female Chef Dominique Crenn, Emmy Award-winning TV host Lidia Bastianich, two Michelin-starred chef April Bloomfield, Iron Chef Cat Cora, World’s Best Chef Daniel Humm and many more, A Fine Line grapples with themes sparking national conversations right now, including workplace harassment, equal pay, paid parental leave and career advancement.
“In the urban jungle of Manila, the call centre capital of the world, anonymous call centre agents from Manila spill the beans on the Philippines’ most in-demand job. Their stories reveal prevalent truths about the effects of rapid westernization, all of which take place just on the other side of our phone calls.”
NYT article here
“Sorry to Bother You” comes out in wide release in July 2018. The film is visually ingenious and funny, yet grounded by pointed arguments about the obstacles to black success in America, the power of strikes and the soul-draining predations of capitalism.
A WOMAN CAPTURED follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person.
Germany, 2018, 125 min., Director: Thomas Stuber, Screenplay: Clemens Meyer, Thomas Stuber, Cast: Sandra Hüller, Franz Rogowski, Peter Kurth, Distribution: MusicBox Films
After the shy and reclusive Christian loses his job, he finds work at a wholesale market. Bruno from the beverage aisle takes him under his wing and quickly becomes a fatherly friend to him. He shows him the ropes and patiently teaches him how to operate the fork lift. Among the aisles of the store, Christian meets “Sweets”-Marion. He is instantly smitten by her enigmatic charm. The coffee machine becomes their regular meeting point, and the two start getting to know each other. But Marion is married, and Christian’s feelings for her seem to remain unrequited. Christian slowly becomes a member of the wholesale market family, and his days of driving fork lifts and stacking shelves mean much more to him than meets the eye—especially when Marion does not return to work one day.
German Film Guild Award & Ecumenical Jury Award Berlin 2018
German Film Award 2018 (Best Leading Actor)
Thomas Stuber was born in 1981 in Leipzig and completed his degree in Media and Directing at the Filmakademie Baden-Württemberg in 2011. With the short film Es geht uns gut he won the Young Talent Award of the Film Industry in Baden-Württemberg in 2006. His first feature film Teenage Angst was selected for the Berlinale/Perspektive Deutsches Kino in 2008 and won the German Young Talent Award at the Sehsüchte International Student Film Festival. In 2011 his short film Of Dogs and Horses was nominated for the First Steps Award. It won the Gold German Short Film Award and received a second prize Student-Oscar in 2012. His feature film A Heavy Heart premiered at the Toronto International Film Festival and won the Silver German Film Award in 2016. His latest film, In the Aisles, premiered in Competition at the Berlinale 2018.
U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry – this time from behind the register – as he opens his own fast food restaurant. U.S. Premiere (Sundance 2018)
A new documentary about high tech, political hustle, and the future of cities.
Directors: Alan Snitow and Deborah Kaufman <firstname.lastname@example.org>
“Company Town” Trailer:
“Riveting…This high minded film lets the personal stories it has uncovered speak the truth to us in a way that “disrupts the disrupters…the best kind of story-telling.”
— Steven Hill, Huffington Post
“Company Town” is a shot of political energy — a valentine to the weird and wild hurly-burly of the electoral process at the grassroots level, from where true democracy springs.”
— David Talbot, founder of Salon and bestselling author of “Season of the Witch” and “The Devil’s Chessboard”
“I was thrilled by Company Town’s virtuoso storytelling, its compassion, and the message that democracy can actually win the fight (sometimes!) against our corporate overlords.” — Josh Kornbluth, Monologuist & Filmmaker
A fight on Everest? It seemed incredible. But in 2013 news channels around the world reported an ugly brawl at 21,000ft as European climbers fled a mob of angry Sherpas. In 1953, New Zealander Edmund Hillary and Sherpa Tenzing Norgay had reached the summit in a spirit of co-operation and brave optimism. Now climbers and Sherpas were trading insults – even blows. What had happened to the happy, smiling Sherpas and their dedication in getting foreigners to the top of the mountain they hold so sacred? Determined to explore what was going on, the filmmakers set out to make a film of the 2014 Everest climbing season, from the Sherpas’ point of view. Instead, they captured a tragedy that would change Everest forever. At 6.45am on 18th April, 2014, a 14 million ton block of ice crashed down onto the climbing route through the Khumbu Icefall, killing 16 Sherpas. It was the worst tragedy in the history of Everest. The disaster provoked a drastic reappraisal about the role of the Sherpas in the Everest industry. SHERPA, tells the story of how, in the face of fierce opposition, the Sherpas united in grief and anger to reclaim the mountain they call Chomolungma.
‘Sherpa’ Delves Into a Risky Profession The documentary makers, who were at Mount Everest when 16 sherpas died in an ice avalanche in 2014, explore the tensions between these guides and their wealthy clients.
Acen’s girlfriend, Yuli, is a caregiver, and she always waits for him to come back; Anan misses his home in Indonesia by viewing the sea. One day, he meets Dora. They fall in love with each other, and Anan feels the love of a girl who comes from his homeland.