U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry – this time from behind the register – as he opens his own fast food restaurant. U.S. Premiere (Sundance 2018)
Category Archives: Service Workers
A new documentary about high tech, political hustle, and the future of cities.
Directors: Alan Snitow and Deborah Kaufman <email@example.com>
“Company Town” Trailer:
“Riveting…This high minded film lets the personal stories it has uncovered speak the truth to us in a way that “disrupts the disrupters…the best kind of story-telling.”
— Steven Hill, Huffington Post
“Company Town” is a shot of political energy — a valentine to the weird and wild hurly-burly of the electoral process at the grassroots level, from where true democracy springs.”
— David Talbot, founder of Salon and bestselling author of “Season of the Witch” and “The Devil’s Chessboard”
“I was thrilled by Company Town’s virtuoso storytelling, its compassion, and the message that democracy can actually win the fight (sometimes!) against our corporate overlords.” — Josh Kornbluth, Monologuist & Filmmaker
96 min | Documentary | 2 October 2015 (USA)
Director/writer: Jennifer Peedom
A fight on Everest? It seemed incredible. But in 2013 news channels around the world reported an ugly brawl at 21,000ft as European climbers fled a mob of angry Sherpas. In 1953, New Zealander Edmund Hillary and Sherpa Tenzing Norgay had reached the summit in a spirit of co-operation and brave optimism. Now climbers and Sherpas were trading insults – even blows. What had happened to the happy, smiling Sherpas and their dedication in getting foreigners to the top of the mountain they hold so sacred? Determined to explore what was going on, the filmmakers set out to make a film of the 2014 Everest climbing season, from the Sherpas’ point of view. Instead, they captured a tragedy that would change Everest forever. At 6.45am on 18th April, 2014, a 14 million ton block of ice crashed down onto the climbing route through the Khumbu Icefall, killing 16 Sherpas. It was the worst tragedy in the history of Everest. The disaster provoked a drastic reappraisal about the role of the Sherpas in the Everest industry. SHERPA, tells the story of how, in the face of fierce opposition, the Sherpas united in grief and anger to reclaim the mountain they call Chomolungma.
‘Sherpa’ Delves Into a Risky Profession
The documentary makers, who were at Mount Everest when 16 sherpas died in an ice avalanche in 2014, explore the tensions between these guides and their wealthy clients.
Filmmaker: Ting-Ging YU
Taiwan | 2014 | Fiction | 18 minutes
Acen’s girlfriend, Yuli, is a caregiver, and she always waits for him to come back; Anan misses his home in Indonesia by viewing the sea. One day, he meets Dora. They fall in love with each other, and Anan feels the love of a girl who comes from his homeland.
2015 Brazilian International Labour Film Festival; http://www.bilff.org
Starting in 2011 artist, curator, and author Antje Ehmann and filmmaker, video artist and author Harun Farocki initiated video production workshops in 15 cities around the world in which participants were to engage with the subject of ‘labour’: paid and unpaid, material and immaterial, traditional or new. The videos could not be longer than two minutes and they had to be taken in a single shot. The camera could be static, panning or travelling but cuts were not allowed. This concept references the Brother Lumière’s famous film Workers Leaving the Factory which was filmed in one continuous take from a fixed camera position.
The result of these workshops, which were organised together with local branches of the Goethe-Institut, are 400 films which show people engaged in all kinds of work, each film taking a different stance, literally and figuratively, towards its subject while also recording the diverse mental attitudes and bodily relation people have to their work.
Facing the challenge of filming something that might be essentially repetitive, continuous and boring, the films also foreground the work of the camera operator and his or her aesthetic decisions. In the multitude and diversity the films form a visual compendium and an archive of labour and cinema in the 21st century that is never boring or repetitive but enhances and simultaneously questions our perception and understanding of work.
All the films can be watched on a dedicated website, at random, or sorted by city, colour or type of work. A selection of 90 films was shown as an installation at the House of World Culture in Berlin from 27 February to 6 April 2015 with an accompanying conference. This exhibition also presented the project ‘Workers Leaving the Factory in 15 Cities’ (2011 – 2014), consisting of contemporary remakes of the famous film by the Lumière Brothers which were shot in 15 cities all over the world. Also included in the exhibition was the installation ‘Workers Leaving the Factory in Eleven Decades’ (2006), which showed scenes of workers leaving the factory throughout the history of cinema, from the Lumière Brothers (1895) to Lars van Trier’s Dancer in the Dark (2000).
The project is currently on view at the Venice Biennale, where it can be seen until 22 November 2015. Past presentations took place at the Boston Center for the Arts and the Sherman Gallery at Boston University between September and December 2014.
‘Labour in a Single Shot’ is a co-production of the Harun Farocki Filmproduktion with the Goethe-Institut.
Director: Gary Burns
Writers: Gary Burns, James Martin, Patrick McLaughlin
This satirical lens into office work, corporate culture, and urban life involves a wager between co-workers as to who can last the longest without venturing outdoors. With their office building connected to both a well-stocked shopping center and their apartments, this appears a cinch. However, nearly a month into the contest at a retirement party, things go awry when one of the bettors, assigned to follow the CEO, discovers an unsavory secret about him.
“A Day’s Work” is a documentary film that examines the landmark workplace death of 21-year-old Lawrence
DaQuan “Day” Davis through the eyes of his family and the analysis of experts. Day was an employee of a
temporary staffing agency working at the Bacardi bottling plant in Jacksonville Florida in 2012. He was killed
90 minutes into the first day of the job – the first job of his life. The film introduces the prospective that the
temporary staffing industry makes workplaces more dangerous, is used to hide the safety records of some of
the biggest employers in the country, and makes the American Dream harder to reach for millions of working
people. With thousands killed in preventable workplaces accidents every year in the US, the film provides a
reminder of the cost of just one individual by vividly looking into the life and perspective of Day’s 17-year-old
90 minutes before he was killed on his first day of work as a temporary employee, 21-year-old Day Davis
texted a picture of himself to his girlfriend, excited for their future. Now Day’s sister, 17-year-old Antonia,
searches for answers. An investigation reveals the issues that led to Day’s death and how the $100 billion
temporary staffing industry is putting millions of American workers at risk.
Film Website: http://www.tempfilm.com/film2/
Director’s Website: DavidMGarcia.com
Producer’s Organization: TemporaryEmployees.org