RSS

Category Archives: Comedy

YOUNG KARL MARX, THE [LE JEUNE KARL MARX; DER JUNGE KARL MARX]

Following his documentary I AM NOT YOUR NEGRO, Raoul Peck takes on the story of the formative friendship of Karl Marx (August Diehl) and Friedrich Engels (Stefan Konarske). From Germany to France to England, the young thinkers pursue justice for the working class, who toiled under obscenely exploitative conditions to enrich their employers (including Engels’ father, a mill owner) during the peak of the Industrial Revolution. Peck crafts an accessible biopic about these two larger-than-life thinkers, taking them down from their historicized pedestals and allowing viewers to relate to them as young strivers disrupting an inequitable status quo through the power of persuasion and organization. Official selection, 2017 Berlin International Film Festival. DIR/SCR/PROD Raoul Peck; SCR Pascal Bonitzer; PROD Nicolas Blanc, Rémi Grellety, Robert Guédiguian. Germany/France/Belgium, 2017, color, 118 min. In German, English and French with English subtitles. NOT RATED
Run Time: 118 Minutes
Genre: Historical drama

 

WILD MOUSE [WILDE MAUS]

A music critic in midlife crisis seeks revenge on the boss who fired him in this satirical seriocomedy, the directorial debut of actor Josef Hader (THE BONEMAN, STEFAN ZWEIG: FAREWELL TO EUROPE). Unwilling to come clean about his termination, Georg (Hader) pretends to go to work each day, but instead hangs out in Vienna’s Prater amusement park, where he befriends ride operator Erich (Georg Friedrich), previously his childhood tormentor. Georg becomes increasingly attracted to Erich’s Romanian girlfriend Nicoletta (Crina Semciuc), more alienated from his therapist wife, Johanna (Pia Hierzegger) and more aggressive in his stealth harassment of his ex-boss (Jörg Hartmann). Official Selection, 2017 Berlin Film Festival. DIR/SCR Josef Hader; PROD Veit Heiduschka, Michael Katz. Austria/Germany, 2017, color, 103 min. In German and Italian with English subtitles. NOT RATED
Run Time: 103 Minutes
Genre: Dark comedy

 

Overtime

Written & Produced by: Emma McKenna & Craig D. Foster
Directed by: Craig D. Foster
Principal Cast: Aaron Glenane, Adam Dunn, Ainslie Clouston, Arka Das
Country: Australia
Time: 9:00
Synopsis: It’s getting late on a Friday night and Ralph is keen to get out of the office, but the boss won’t let him. No big deal, right? It’s just that the full moon is rising and Ralph is a werewolf.
Trailer: https://vimeo.com/164392779

http://www.manhattanshort.com/finalists/2016/overtime/overtime.html

 
 

Ella Gets a Promotion?

Written by: Mike Pusateri

Directed by: Richard Diaz & Mike Pusateri

Principal Cast: Erin Breen, Jennifer Cudahy

Country: USA

Time: 9:00

Synopsis: Ella, a talented and loyal employee, finally gets the promotion she deserves. Or does she? A humorous look at duplicitous behavior in today’s corporate America.

 
 

La Demolicion (2005) (The Demolition)

Year: 2006LA DEMOLICION
Genre: Comedy.
Country: Argentina.
Format: Color.
Running Time: 78 minutes.
Original Title: La Demolición.
Share on facebookShare on twitterShare on pinterest_share
Share on google_plusone_shareMore Sharing Services1

Directed by: Marcelo Mangone
Written by: Ricardo Cardoso / Marcelo Mangone
Photography: Martín Nico

Trailer: http://www.youtube.com/watch?v=5oCvZTJh52U

Based on a theatrical piece, it tells the story of a man tenacious about defending his company while, at the same time, another man shows up with the mission to destroy it. Osvaldo Lazzari undergoes precarious working conditions at a company that deals with the demolition of abandoned buildings. His boss has put him in charge of supervising the pulling down of an old textile factory where a big supermarket is meant to be built.
During the previous routine inspection, Lazzari finds an unexpected occupant in the building: Alberto Luna, a former employee obsessed with making the factory work again, who thinks that Lazzari has come to the company in order to reactivate production. And, as if that weren’t bad enough, police agents, promotional staff, the press staff and his own wife will turn poor Lazzari‘s situation even more difficult.

 

Buzzard (2014)

97 min | Comedy, Drama | 6 March 2015 (USA)
Director/writer: Joel Potrykus
Stars: Joshua Burge, Joel Potrykus, Teri Ann Nelson

Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.

NYTimes: Review: In ‘Buzzard,’ an Angry, Unkempt Antihero
An unsparing portrait of an office temp and scam artist near the bottom of the economic food chain.
NYTimes: Joel Potrykus’s Film ‘Buzzard’ Is Inspired by Dead-End Jobs
The writer and director’s deadpan comedies have followed a man-child on the skids.

 

Patch Town (2014)

85 min | Adventure, Comedy, Fantasy | 5 June 2015 (USA)
Director: Craig Goodwill
Writers: Christopher Bond, Jessie Gabe (story)
Stars: Zoie Palmer, Julian Richings, Rob Ramsay

In Patch Town’s dark modern fairy tale, newborn babies are plucked from cabbage patches, turned into plastic dolls, and sold as playthings in a nightmarish, oppressive society. Jon (Rob Ramsay), a discontented factory worker slaving away on a baby-harvesting production line, uncovers a secret from his past that sends him searching for his long-lost mother (Zoie Palmer). As Jon embarks on his journey with his loving wife Mary (Stephanie Pitsiladis), the sinister Child Catcher (Julian Richings) and his diminutive beet-munching henchman (Ken Hall) throw a wrench into his plans. An eye-popping fantasy-adventure, quirky comedy, and rousing musical rolled into one, Patch Town “combines Soviet-era iconography, Eastern European folklore and Western consumer-culture critique with a dash of song and dance” (Peter Debruge, Variety).

The director Craig Goodwill’s musical fairy tale, inspired by Eastern European folklore, features vivified toys that revolt against an unscrupulous corporate overlord.
NYT review