dir Peter Farrelly
Category Archives: Entertainment Industry
Directed by: Steven Bognar
Running Time: 8 min
Synopsis: Film projectionists at the Little Art Theatre in Ohio speak about the craft of 35mm projection and the heartache in transitioning to digital formats, feeling the loss of yet another handcrafted profession.
Precious Memories has one act, 84 minutes long. I wrote the script but not the songs, which are by Sarah Ogan Gunning (“I Hate the Capitalist System”); her brother Jim Garland (“I Don’t Want Your Millions Mister,” the real point of which is that we do); and her half-sister Aunt Molly Jackson (“I Am A Union Woman”), plus two traditional ballads and excerpts from three gospel songs.
THE PLAY: Part memory play, part eulogy, part concert, this one-woman show written by legendary folk singer and community organizer Si Kahn traces the life of Sarah Ogan Gunning, an unsung hero of American folk/labor music history. The play finds Sarah alone in her Detroit basement apartment on the evening after her sister Aunt Molly Jackson’s funeral, as she attempts to set the record straight and say goodbye. Although Sarah Ogan Gunning is a name almost unknown to us today, her powerful songs about the coal mining region of Eastern Kentucky in the 1930’s were an influence on Woody Guthrie, Pete Seeger and other famous folk singers of her day.
Si Kahn <firstname.lastname@example.org
Starting in 2011 artist, curator, and author Antje Ehmann and filmmaker, video artist and author Harun Farocki initiated video production workshops in 15 cities around the world in which participants were to engage with the subject of ‘labour’: paid and unpaid, material and immaterial, traditional or new. The videos could not be longer than two minutes and they had to be taken in a single shot. The camera could be static, panning or travelling but cuts were not allowed. This concept references the Brother Lumière’s famous film Workers Leaving the Factory which was filmed in one continuous take from a fixed camera position.
The result of these workshops, which were organised together with local branches of the Goethe-Institut, are 400 films which show people engaged in all kinds of work, each film taking a different stance, literally and figuratively, towards its subject while also recording the diverse mental attitudes and bodily relation people have to their work.
Facing the challenge of filming something that might be essentially repetitive, continuous and boring, the films also foreground the work of the camera operator and his or her aesthetic decisions. In the multitude and diversity the films form a visual compendium and an archive of labour and cinema in the 21st century that is never boring or repetitive but enhances and simultaneously questions our perception and understanding of work.
All the films can be watched on a dedicated website, at random, or sorted by city, colour or type of work. A selection of 90 films was shown as an installation at the House of World Culture in Berlin from 27 February to 6 April 2015 with an accompanying conference. This exhibition also presented the project ‘Workers Leaving the Factory in 15 Cities’ (2011 – 2014), consisting of contemporary remakes of the famous film by the Lumière Brothers which were shot in 15 cities all over the world. Also included in the exhibition was the installation ‘Workers Leaving the Factory in Eleven Decades’ (2006), which showed scenes of workers leaving the factory throughout the history of cinema, from the Lumière Brothers (1895) to Lars van Trier’s Dancer in the Dark (2000).
‘Labour in a Single Shot’ is a co-production of the Harun Farocki Filmproduktion with the Goethe-Institut.
93 min – Documentary – 8 August 2013 (Germany)
Director: Jean-Philippe Tremblay
In this documentary, filmmaker Jean-Philippe Tremblay takes a journey through the darker corridors of the US media. Global conglomerates have called the shots for decades, and their overwhelming influence has distorted news journalism and compromised its values. In highly revealing stories, renowned journalists, activists, and academics give insider accounts of a broken media system. Controversial news reports are suppressed, people are censored for speaking out, and lives are shattered as the arena for public expression is turned into a private profit zone. Tracing the story of media manipulation through the years, Shadows of Liberty poses a crucial question: why have we let a handful of powerful corporations write the news?