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Category Archives: Available Online

Night Shift

1982
Comedy/Sex comedy ‧ 1h 46m

Chuck (Henry Winkler) has given up life as a stockbroker because it was too stressful. Now, he works an easy gig as a night shift attendant at a New York City morgue. His co-worker, Bill Blazejowski (Michael Keaton), on the other hand, is always looking to make a quick buck. When Bill finds out that Chuck’s prostitute neighbor, Belinda (Shelley Long), needs a place to do her work, he convinces Chuck to turn the morgue into a brothel where they can work as her pimps.

Release date: July 30, 1982 (USA)
Director: Ron Howard
Screenplay: Babaloo Mandel, Lowell Ganz
Music composed by: Burt Bacharach, Carole Bayer Sager, David Foster

(NYT) This Ron Howard comedy takes the mantra “Do what you love” to some zany and enterprising places. The high-concept idea is a slam dunk (two guys run a prostitution ring out of a morgue), but its stars, Henry Winkler and Michael Keaton, bring so much charm to their odd-couple roles that they move them beyond cliché. While the movie has plenty of ’80s sex comedy silliness (and songs by Burt Bacharach), its pimps (or “love brokers,” as Keaton’s character calls them) take a respectful career-style approach to sex work, seeing that their employees get health and dental insurance, while also giving them an ownership stake in a fast-food restaurant. A 401(k) may not be far behind. MEKADO MURPHY

 

The Price of Free (Kailash)

Kailash (original title)

1h 32min | Documentary | 2 November 2018 (USA)

The story of how Kailash Satyarthi launched a built a global movement to rescue children from slavery.

WEBSITE

Entire film available online here

Initial releaseJanuary 18, 2018
 

Life on the Line

2015 ‧ Drama/Action ‧ 1h 37m

After a family tragedy, Beau Ginner rises to be foreman in a Texas lineman team, upgrading overhead power cables and preventing disasters. However, there is friction when his college-bound niece Bailey’s on-off boyfriend Duncan joins the crew, while another new recruit is hiding PTSD symptoms.

Release date: 2016 (USA)
Director: David Hackl
Music composed by: Jeff Toyne
Executive producers: Chad Dubea, Rosa Morris Peart, Shawn Williamson, Bryant Pike, Jamie Goehring
Producers: Phillip Glasser, Marvin Peart

https://www.nytimes.com/2016/11/18/movies/life-on-the-line-review-john-travolta-kate-bosworth.html

https://www.rogerebert.com/reviews/life-on-the-line-2016

 

They Don’t Wear Black Tie (1981) Eles Não Usam Black-Tie

2h | Drama | 18 April 1982 (USA)

Brazilian drama film directed by Leon Hirszman, based on Gianfrancesco Guarnieri’s play of the same name. Union leader’s son doesn’t want to engage in a strike, because his wife is pregnant, thus disregarding his father’s tradition of political activism. The film revolves around a working-class family in São Paulo in 1980. Otávio, a syndicalist leader, and Romana are the parents of Tião, whose girlfriend, Maria, becomes pregnant. Fearing to be fired and thus unable to support his now fiancée, Tião does not participate on a strike, which starts a series of family conflicts.

Full film here

 

From the Land of Gandhi

2019; 49min

Director: Prakash Wadhwa
prakash.wadhwa@gmail.com

A story of 4 high-skilled immigrants from India, a decade after they came to study in the United States, which places a human face to high-skilled immigration. The film also highlights the need for reforming America’s legal immigration at a time of intense globalization and retirement of the baby boomers.

Genres Documentary, Special Interest
Director Prakash Wadhwa
Starring Richard B. Freeman, Vivek Wadhwa, Jacob Kirkegaard

 

Union Maids (1976)

Directed By: Julia Reichert
Runtime: 50 min
Stars: Kate Hyndman, Stella Nowicki, Sylvia Woods

Synopsis: actions of the time and the current state of the labor movement. Accompanied by a lot of vintage folk music.

 

Last Reel (2015)

Directed by: Steven Bognar
Running Time: 8 min
Starring:  

Website: N/a

Synopsis:  Film projectionists at the Little Art Theatre in Ohio speak about the craft of 35mm projection and the heartache in transitioning to digital formats, feeling the loss of yet another handcrafted profession.