The small harbor of Tickle Cove is in dire need of a doctor so that the town can land a contract to secure a factory which will save the town from financial ruin. Village resident Murray French (Gleeson) leads the search, and when he finds Dr. Paul Lewis (Kitsch) he employs – along with the whole town – tactics to seduce the doctor to stay permanently.
DIR Roger Michell; SCR Aline Brosh McKenna PROD J.J. Abrams, Bryan 
Burk. US, color, 107 min. RATED PG-13
After hard-working producer Rachel McAdams gets fired from her lackluster suburban New Jersey morning show, she lands a new job producing the lowest-rated network morning talk show in New York City. This decidedly mixed blessing includes wrangling randy host Ty Burrell, in bad need of training about sexual harassment in the workplace, and former beauty queen Diane Keaton, frosty behind her fake smile. Meanwhile, disgruntled serious newsman Harrison Ford, McAdams’ idol, is idling away, playing out his contract before retirement. Would he go for a morning show makeover? Time to get to work! Director Roger Michell gets the best from his game cast; screenplay by Aline Brosh McKenna (THE DEVIL WEARS PRADA). “It grows from human nature and is about how people do their jobs and live their lives. It is wisely not about a May-October romance between McAdams and Ford. It’s more about their love for their work.”—Roger Ebert.
122m; Brazil
Director: Leon Hirszman
Cast: Gianfrancesco Guarnieri, Fernanda Montenegro and Carlos Alberto Riccelli
Synopsis (NYT): At the beginning of the Brazilian film “They Don’t Wear Black Tie,” a middle-class boy and girl are making plans to live happily ever after. Maria (Bete Mendes) is pregnant by the handsome young Tiao (Carlos Alberto Ricelli), and that helps accelerate their plan to rush into marriage. Everything looks rosy. “They Don’t Wear Black Tie” is an extremely successful politically aware drama about how the bloom falls off the rose . . . The film chronicles the process by which Maria realizes that Tiao is not the man she thought he was. Her understanding of Tiao’s weakness is heightened by the political activity surrounding a local strike, at the factory where Tiao, his father and Maria are all employed. When the labor trouble begins, Tiao manfully wanrs Maria that she’d better stay home, exhibiting just the hind of stubborn sexism this courageous heroine refuses to tolerate. Later on, he violates the most basic tenets of his upbringing by becoming a scab. And Maria declares that her child will be bery, very proud of his grandfather, even if he never has a kind thought about his father at all.
“They Don’t Wear Black Tie” is an outstandingly good film in this year’s New Directors/New Films lineup.
84m; U.S.
Director: John Ford
Cast: Charley Grapewin, Gene Tierney and Marjorie Rambeau
Synopsis (IMDB): Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank’s plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May.
81m; France
Director: Jean Renoir
Cast: Charles Blavette, Celia Montalván and Jenny Hélia
Synopsis (IMDB): In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down permanently – like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.
139m; East Germany
Director: Frank Beyer
Cast: Manfred Krug, Krystyna Stypulkowska and Jutta Hoffmann
Synopsis (IMDB): Hannes Balla is the foreman of a group of building construction workers at the large construction site “Schkona” in the GDR. They spend most of their time working hard and drinking harder – to some they are fun, to some they are a public nuisance. Things get more complicated when the good-looking Kati Klee is employed as a young technician, and the ambitious new Party Secretary, Werner Horrath, aims to boost work efficiency and downsize Balla’s ego. Kati slowly warms up to Werner, but is also attracted to Balla’s nonconformity. A contemporary movie about work, love, and everything in between.
119m; U.S.
Director: Tay Garnett
Cast: Greer Garson, Gregory Peck and Donald Crisp
Synopsis (IMDB): Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the mill. Mary catches the attention of handsome scion Paul Scott, but their romance is complicated by Paul’s engagement to someone else and a bitter strike among the mill workers.
90m; U.S.
Director: John M. Stahl
Cast: Irene Dunne, Charles Boyer and Barbara O’Neil
Synopsis: Washington Post columnist and American Prospect editor Harold Meyerson is one of the most incisive political commentators in the United States. Harold has also written about movies and entertainment (He is author of the book “Who Put the Rainbow in the Wizard of Oz?” about the lyricist Yip Harburg) so I asked him to write about anything he wanted to related to movies and politics. Harold can write authoritatively about almost anything. His fascinating review of the 1930s movie When Tomorrow Comes – a film he calls the “Lefty-est Thirties studio movie you’ve never heard of,” can be found at http://www.politicsfilm.blogspot.com/ Hope you enjoy this look back in film history which is an implicit critique of the state of filmmaking today. Kelly Candaele
102m; China
Director: Zhu Chuan-ming
Cast: Mao Mao, An Qi
Synopsis: Broad, realistic love story set in a cold winter in a poor outer suburb of Beijing. In the middle of the bustle and the crowds, a clothes seller and a prostitute find each other. But will it make them any happier?
Contact: International Film Festival Rotterdam Production Department: production@filmfestivalrotterdam.com
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