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Category Archives: Politics

Mouseland (1962?)

Available on YouTube
7:43m (includes intro by Kiefer Sutherland, Tommy Douglas’ grandson)

The Story of Mouseland was a story told first by Clarence Gillis, and later and most famously by Tommy Douglas, leader of the Saskatchewan Co-operative mouselandCommonwealth Federation and, later, the New Democratic Party of Canada, both social democraticparties. It was a political fable expressing the CCF’s view that the Canadian political system was flawed in offering voters a false dilemma: the choice of two parties, neither of which represented their interests.

The mice voted in black cats, which represented the Progressive Conservative Party, and then they found out how hard life was. Then they voted in the white cats, which symbolized the Liberal Party. The story goes on, and a mouse gets an idea that mice should run their government, not the cats. This mouse was accused of being a Bolshevik, and imprisoned. However, the speech concludes by saying you can lock up a mouse or a person, but you cannot lock up an idea.

 

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Native Land (1942)

80m; U.S.

Director: Leo Hurwitz, Paul Strand

Cast:  Paul Robeson, Fred Johnson and Mary George

Synopsis (IMDB): Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. In dramatizations, we see a farmer beaten for speaking up at a meeting, a union man murdered in a boarding house, two sharecroppers near Fort Smith Arkansas shot by men deputized by the local sheriff, a spy stealing the names of union members, and a dead Chicago union man eulogized. In archival footage we witness police and goons beating lawfully assembled union organizers, and we see men at work and union families at play. The narration celebrates patriotism and democracy.

 

Neoliberalism as Water Balloon (2009)

12m; Canada

Director: Tim McCaskell

Synopsis: A DIY experiment illustrating the impact of neoliberal economics on class, race and gender equality.

 
 

Never Turning Back: The World of Peggy Lipschutz (2007)

30m; U.S.

Director: Jerri Zbiral

Synopsis: Celebrates the life and work of 90 year old artist and activist Peggy Lipschutz, who pioneered the “chalk-talk”— a performance art form combining drawing and music before a live audience. This film explores Peggy’s unwavering commitment to art, peace, justice and social change.

Contact: http://www.neverturningback.net/index.html jerri@thecollectedimage.com jerrizbiral@yahoo.com

 

The New Rulers of the World (2001)

54m; U.K.

Director: Alan Lowery, John Pilger

Synopsis (IMDB): The myths of globalisation have been incorporated into much of our everyday language. “Thinking globally” and “the global economy” are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In 2001, John Pilger made ‘The New Rulers of the World’, a film exploring the impact of globalisation. It took Indonesia as the prime example, a country that the World Bank described as a ‘model pupil’ until its ‘globalised’ economy collapsed in 1998. Globalisation has not only made the world smaller. It has also made it interdependent. An investment decision made in London can spell unemployment for thousands in Indonesia, while a business decision taken in Tokyo can create thousands of new jobs for workers in north-east England..

 

Northern Lights (1978)

95m; U.S.

Director: John Hanson, Rob Nilsson

Cast: Robert Behling, Susan Lynch and Joe Spano

Synopsis: Northern Lights tells the story of North Dakota farmers who rebel against the economic tyranny of the railroads, grain dealers, and bankers by working for the election of Nonpartisan League candidates in 1916. (from http://jetson.unl.edu/cocoon/encyclopedia/doc/egp.fil.051)

 

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Occupation (2002)

45m; U.S.

Director: Maple Razsa

Synopsis: Chronicles the 2001 Harvard living wage sit-in.

Contact: Pacho Velez 617-669-7832 http://www.enmassefilms.org/promo.html I am planning on coming to a progressive Jewish student conference to build my list of possible campus showings around the country. But I’m afraid that I’m coming at very short notice (I’ll be in DC next weekend and probably for the monday and tuesday following). I’d love to do some other campus showings so we’re talking to people at American, Johns Hopkins and Loyola. If you have other ideas of possible showings during that period I’d be glad to present. I’d also love your advice on labor forums/festivals that would be receptive to Occupation. Thanks, Maple Razsa (617)852-6304 cel

 

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One of the Hollywood Ten (2000)

109m; Spain

Director: Karl Francis

Cast: Jeff Goldblum, Greta Scacchi and Ángela Molina

Synopsis (Wikipedia): The film opens at the 1937 Academy Awards, where Biberman’s wife, Gale Sondergaard (Greta Scacchi), wins the first ever “Best Supporting Actress” Oscar. Although the anti-Fascist sentiment in her acceptance speech gets her labeled a “commie” by some observers, she and Biberman (Jeff Goldblum) are placed under contract at Warner Bros. He first comes under scrutiny more for his Jewish background than his political activities. Yet, with Cold War paranoia growing, a group of Hollywood directors and actors — Biberman, Sondergaard, Danny Kaye, and Dalton Trumbo among them—are labeled Communists and questioned before Congress. After refusing to testify against his colleagues, he is imprisoned in the Federal Correctional Institution at Texarkana for a period of six months. Once released, he discovers his Hollywood career is finished.

Sondergaard suggests her husband direct a screenplay about the real-life 1950-51 strike waged by Mexican-American miners against the Empire Zinc Company in Bayard, New Mexico written by Michael Wilson, also a victim of the blacklist, and Biberman’s brother Michael. She feels the lead role of Esperanza Quintero, who rallied the wives of the unemployed miners and urged them to support their husbands, is an ideal way to jump-start her stagnating career. Biberman agrees, but after meeting with the people who participated in the strike and being inspired by their passion, he decides all roles should be played by ethnic actors. Because the film has no studio backing and most Hollywood players fear being associated with Biberman and the project, he eventually casts local residents from Grant County, New Mexico and members of the International Union of Mine, Mill and Smelter Workers, Local 890 to fill most of the roles. Juan Chacón, the Union Local president, is cast as the fiery Ramon Quintero opposite Mexican actress Rosaura Revueltas as his wife Esperanza. Will Geer is one of only five Hollywood actors to accept a role in the production.

The FBI investigates the film’s financing, attempts to steal the film’s negatives, tells film-processing labs not to work on the film when they are unable to locate them, incites locals who are unhappy with the film crew’s presence to set fire to many of the sets, and eventually deports Revueltas on bogus charges. Biberman stands his ground and completes the film, using scenes with Revueltas that were shot in her native Mexico and then smuggled into the US.

Contact: Director Karl Francis: info@karlfrancis.com Jeff Goldblum’s agent: Keith Addi, johnb@industryentertainment.com

 

Only A Bookseller (2009)

60m; U.K.

Director: Chris Reeves

Synopsis: The story of Jack Firestein, a bookseller, an champion of the labor movement throughout his lifetime: as co-founder of London Socialist Film Co-op, member of the Communist Party, Camden Labour Party, and his union.

 

Our Daily Bread (1934)

80m; U.S.

Director: King Vidor

Cast: Karen MorleyTom Keene and Barbara Pepper

Synopsis (IMDB): John and Mary sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community – a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships – drought, vicious raccoons and the long arm of the law – but ultimately pull together to reach a bread-based Utopia.