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Category Archives: A: Highly Recommended Labor Films

Highly Recommended Labor Films INDEX

This list of classic labor films is drawn from recommendations by experienced labor film festival organizers; if you have suggestions for additions, please submit them in the comments section below or email them to us at streetheat@dclabor.org

At The River I Stand (1993)
The Axe (Le Couperet) [2005]
The Bicycle Thief (1948)
Bound for Glory (1976)
Burn! (1969)
Baran (2001)
Brassed Off (1996)
Black Girl (La Noire de…) (1965)
Bread and Roses (2000)
Billy Elliot (2000)
Cradle Will Rock (2000)
Chicken Run (2000)
Clerks (1994)
Chop Shop (2007)
The Company Men (2010)
For Man Must Work or The End of Work (2000)
The Full Monty (1997)
The Grapes of Wrath (1940)
Great Pretenders, The (2007)
The Gronholm Method (El Método) [2005]
H-2 Worker (1990)
Happy Lands, The (2012)
Harlan County, USA (1976)
How Green Was My Valley (1941)
Hula Girls (2006)
Human Resources (1999)
I Am a Fugitive from a Chain Gang (1932)
It’s a Free World (2007)
The Killing Floor (1985)
Live Nude Girls Unite! (2000)
Life and Debt (2001)
Man Push Cart (2005)
Mondays in the Sun (2002)
Modern Times (1936)
Matewan (1987)
9 to 5 (1980)
Native Land (1942)
The Navigators (2001)
Norma Rae (1979)
North Country (2005)
Note by Note: The Making of Steinway L1037 (2007)
Nothing But A Man (1964)
The Organizer (I Compagni) [1963]
Office Space (1999)
Our Daily Bread  (1934)
Outsourced (2006)
Riffraff (1936)
Roger & Me (1989)
Reds (1981)
Silkwood (1983)
The Soul’s Haven (Il posto dell’anima) [2003]
Salt of the Earth (1954)
Strike (Stachka) [1925]
Time Out (2001)
Uprising of ’34 (1995)
The Wind that Shakes the Barley (2006)
Work Hard, Play Hard (Violence des échanges en milieu tempéré) [2006]
Workingman’s Death (2006)
The Young Karl Marx [Le Jeune Karl Marx; Der Junge Karl Marx)

 

YOUNG KARL MARX, THE [LE JEUNE KARL MARX; DER JUNGE KARL MARX]

Following his documentary I AM NOT YOUR NEGRO, Raoul Peck takes on the story of the formative friendship of Karl Marx (August Diehl) and Friedrich Engels (Stefan Konarske). From Germany to France to England, the young thinkers pursue justice for the working class, who toiled under obscenely exploitative conditions to enrich their employers (including Engels’ father, a mill owner) during the peak of the Industrial Revolution. Peck crafts an accessible biopic about these two larger-than-life thinkers, taking them down from their historicized pedestals and allowing viewers to relate to them as young strivers disrupting an inequitable status quo through the power of persuasion and organization. Official selection, 2017 Berlin International Film Festival. DIR/SCR/PROD Raoul Peck; SCR Pascal Bonitzer; PROD Nicolas Blanc, Rémi Grellety, Robert Guédiguian. Germany/France/Belgium, 2017, color, 118 min. In German, English and French with English subtitles. NOT RATED
Run Time: 118 Minutes
Genre: Historical drama

 

The Uprising of ’34 (1995)

87m; U.S.

Director: George Stoney, Judith Helfand & Susanne Rostock

Synopsis: THE UPRISING OF ’34 tells the story of the General Strike of 1934, a massive but little-known strike by hundreds of thousands of Southern cotton mill workers during the Great Depression. The mill workers’ defiant stance – and the remarkable grassroots organizing that led up to it – challenged a system of mill owner control that had shaped life in cotton mill communities for decades.

Contact: First Run Icarus Films (http://www.frif.com/cat97/t-z/the_upri.html) / http://www.pbs.org/pov/uprisingof34/

 

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Native Land (1942)

80m; U.S.

Director: Leo Hurwitz, Paul Strand

Cast:  Paul Robeson, Fred Johnson and Mary George

Synopsis (IMDB): Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. In dramatizations, we see a farmer beaten for speaking up at a meeting, a union man murdered in a boarding house, two sharecroppers near Fort Smith Arkansas shot by men deputized by the local sheriff, a spy stealing the names of union members, and a dead Chicago union man eulogized. In archival footage we witness police and goons beating lawfully assembled union organizers, and we see men at work and union families at play. The narration celebrates patriotism and democracy.

 

Nothing But A Man (1964)

95m; U.S.

Director: Michael Roemer

Cast:  Ivan Dixon, Abbey Lincoln and Julius Harris

Synopsis (IMDB): Born in Birmingham, Duff Anderson, the father of a male toddler, who lives with a nanny, re-locates to a small town to work on the railroad. He meets with and is attracted to Josie much to the chagrin of her preacher father. The marriage does take place nevertheless, both re-locate to live in their own house and he gets a job in a mill. He decides not to bring his son to live with them. Challenges arise when the Mill Foreman finds out that Duff is attempting to unionize the workers, forcing Duff to quit, and look for work elsewhere. Unable to reconcile himself to working on a daily wage of $2.50 picking cotton nor even as a waiter, he gets a job at a garage. He is enraged at a customer for belittling him and Josie, and is let go. Unemployed, unable to support his wife and son, he gets abusive and leaves – perhaps never to return.

 

Our Daily Bread (1934)

80m; U.S.

Director: King Vidor

Cast: Karen MorleyTom Keene and Barbara Pepper

Synopsis (IMDB): John and Mary sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community – a socialist mini-society based upon the teachings of Edward Gallafent. The newborn community suffers many hardships – drought, vicious raccoons and the long arm of the law – but ultimately pull together to reach a bread-based Utopia.

 

The Killing Floor (1985)

118m; U.S.
Director: Bill Duke
Cast: Cynthia BakerDennis Farina and Clarence Felder

Synopsis (IMDB): During World War I, a poor black Southerner travels north to Chicago to get work in the city’s slaughterhouses, where he becomes embroiled in the organized labor movement. He becomes prominent as a leader of fellow African-Americans in the union, though many, including his best friend, view him as a sell-out.

Contact: Elsa Rassbach elsarassbach@gmail.com http://www.thekillingfloor-thefilm.com

 

I Am a Fugitive from a Chain Gang (1932)

92m; U.S.

Director: Mervyn LeRoy

Cast: Paul MuniGlenda Farrell and Helen Vinson

Synopsis: Wrongly convicted James Allen serves in the intolerable conditions of a southern chain gang, which later comes back to haunt him.

 

How Green Was My Valley (1941)

118m; U.S.how-green-was-my-vally-300x225

Director: John Ford

Cast: Maureen O”Hara, Roddy McDowall, Walter Pidgeon

Synopsis: Huw Morgan, an old man who has decided to leave his Welch valley forever, tells his story. Huw is the youngest in a family of 6 brothers and 1 sister and the film centers on his struggle toward manhood amid conflicting demands of faith, economics, education and family loyalty. Set in a Welsh mining community at the beginning of the 20th century, based on the novel by Richard Llewellyn. Welsh choral music and quaint patterns of speech are nice period details.

 

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Harlan County U.S.A. (1976)

103m; U.S.2015.02.05_harlan-county-usa
Director: Barbara Kopple
Cast: Norman Yarborough (Himself – Eastover Mining President); Houston Elmore (Himself – UMW organizer); Phil Spark (Himself – UMW staff); John Corcoran (Himself – Consolidated Coal President); John O’Leary (Himself – former Bureau of Mines director); Dr. Donald Rasmussen (Himself – Blackwing Clinic, WV); Dr. Hawley Wells Jr. (Himself); Tom Williams (Himself – Boyle campaigner); Chip Yablonski (Himself); Ken Yablonski (Himself); Logan Patterson (Himself – negotiator); Harry Patrick (Himself – UMW secretary-treasurer); Mike Trbovich (Himself – UMW VP); Bernie Aronson (Himself – UMW staff); Guy Farmer Himself (BCPA General Counsel)
http://www.cabincreekfilms.com/films_harlancounty.html

Synopsis: Harlan County, USA is a 1976 documentary film covering the efforts of 180 coal miners on strike against the Eastover Mining Company in Harlan County, Kentucky in 1973. It was directed by Barbara Kopple, who has long been an advocate of workers’ rights. Harlan County, U.S.A. Coal miners.  The film won the 1976 Oscar for Best Documentary. Kopple and her crew spent three years filming within the mining community and 180 families’ bitter struggle to win a contract.  Facing dangerous and violent anti-union gun thugs and the brutal murder of one of their own, the striking miners fearlessly face the picket line day in and day out in the hopes of securing a fare wage and a better way of life for their families.  The film is a tribute to the working families of America, particularly the women of Harlan County who actively organized and spearheaded efforts to keep the struggle alive.

View complete film online.

 

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