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Category Archives: Class

The Molly Maguires (1970)

124m; U.S.

Director: Martin Ritt

Cast: Sean Connery, Richard Harris and Samantha Eggar

Synopsis (IMDB): Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish emigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage and murder. A detective, also an Irish emigrant, is hired to infiltrate the group and report on its members. But on which side do his sympathies lie?

 

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Native Land (1942)

80m; U.S.

Director: Leo Hurwitz, Paul Strand

Cast:  Paul Robeson, Fred Johnson and Mary George

Synopsis (IMDB): Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. In dramatizations, we see a farmer beaten for speaking up at a meeting, a union man murdered in a boarding house, two sharecroppers near Fort Smith Arkansas shot by men deputized by the local sheriff, a spy stealing the names of union members, and a dead Chicago union man eulogized. In archival footage we witness police and goons beating lawfully assembled union organizers, and we see men at work and union families at play. The narration celebrates patriotism and democracy.

 

Newsies (1992)

121m; U.S.

Director: Kenny Ortega

Cast: Christian Bale, Bill Pullman and Robert Duvall

Synopsis (IMDB): July, 1899: When Joseph Pulitzer and William Randolph Hearst raise the distribution price one-tenth of a cent per paper, ten cents per hundred, the newsboys, poor enough already, are outraged. Inspired by the strike put on by the trolley workers, Jack “Cowboy” Kelly (Christian Bale) organizes a newsboys’ strike. With David Jacobs (David Moscow) as the brains of the new union, and Jack as the voice, the weak and oppressed found the strength to band together and challenge the powerful.

 

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Nothing But A Man (1964)

95m; U.S.

Director: Michael Roemer

Cast:  Ivan Dixon, Abbey Lincoln and Julius Harris

Synopsis (IMDB): Born in Birmingham, Duff Anderson, the father of a male toddler, who lives with a nanny, re-locates to a small town to work on the railroad. He meets with and is attracted to Josie much to the chagrin of her preacher father. The marriage does take place nevertheless, both re-locate to live in their own house and he gets a job in a mill. He decides not to bring his son to live with them. Challenges arise when the Mill Foreman finds out that Duff is attempting to unionize the workers, forcing Duff to quit, and look for work elsewhere. Unable to reconcile himself to working on a daily wage of $2.50 picking cotton nor even as a waiter, he gets a job at a garage. He is enraged at a customer for belittling him and Josie, and is let go. Unemployed, unable to support his wife and son, he gets abusive and leaves – perhaps never to return.

 

Occupation (2002)

45m; U.S.

Director: Maple Razsa

Synopsis: Chronicles the 2001 Harvard living wage sit-in.

Contact: Pacho Velez 617-669-7832 http://www.enmassefilms.org/promo.html I am planning on coming to a progressive Jewish student conference to build my list of possible campus showings around the country. But I’m afraid that I’m coming at very short notice (I’ll be in DC next weekend and probably for the monday and tuesday following). I’d love to do some other campus showings so we’re talking to people at American, Johns Hopkins and Loyola. If you have other ideas of possible showings during that period I’d be glad to present. I’d also love your advice on labor forums/festivals that would be receptive to Occupation. Thanks, Maple Razsa (617)852-6304 cel

 

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Office Tigers (2006)

90m; U.K.-Denmark

Director: Liz Mermin

Synopsis: Indian workers, part of the generation whose lives are being transformed by the global marketplace; a glorious meritocracy or the de-humanizing march of capitalism?

Contact: liz@merminfilm.com

 
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Posted by on April 20, 2012 in Class, Documentary, Global Economy

 

Oliver Twist (2005)

130m; U.S.

Director: Roman Polanski

Contact: Barney ClarkBen Kingsley and Jeremy Swift

Synopsis (IMDB): An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

 
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Posted by on April 20, 2012 in Children, Class, Drama, Working Class

 

On a Clear Day (2005)

98m; U.K.

Director: Gaby Dellal

Cast: Peter MullanBrenda Blethyn and Billy Boyd

Synopsis (IMDB): After decades of laboring as a Glasgow shipbuilder, Frank Redmond, a no-nonsense 55-year-old working-class man, suddenly finds himself laid off. For the first time in his life, he is without a job or a sense of direction, and he’s too proud to ask for guidance. His best mates – rascally Danny, timid Norman and cynical Eddie – are there for him, but Frank still feels desperately alone. An offhand remark from Danny inspires Frank to challenge himself. Already contemplating the state of his relationships with loving wife Joan and all-but-estranged son Rob, Frank is determined to shore up his own self-confidence. He will attempt the near impossible – swimming the English Channel. As Frank plunges headlong into his new daily life, his astonished friends are swept along with him. Prodded by stalwart fish-and-chips shop owner Chan, the men support Frank, train him – and keep their goal secret from his wife and son.

 

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Once Upon A Time Proletarian (2009)

75m; China

Director: Guo Xiaolu

Synopsis: These twelve lyrical and politically insightful visual essays unveil the social landscape of China today.

Contact: Marion Klotz marion@memento-films.com

 

One of the Hollywood Ten (2000)

109m; Spain

Director: Karl Francis

Cast: Jeff Goldblum, Greta Scacchi and Ángela Molina

Synopsis (Wikipedia): The film opens at the 1937 Academy Awards, where Biberman’s wife, Gale Sondergaard (Greta Scacchi), wins the first ever “Best Supporting Actress” Oscar. Although the anti-Fascist sentiment in her acceptance speech gets her labeled a “commie” by some observers, she and Biberman (Jeff Goldblum) are placed under contract at Warner Bros. He first comes under scrutiny more for his Jewish background than his political activities. Yet, with Cold War paranoia growing, a group of Hollywood directors and actors — Biberman, Sondergaard, Danny Kaye, and Dalton Trumbo among them—are labeled Communists and questioned before Congress. After refusing to testify against his colleagues, he is imprisoned in the Federal Correctional Institution at Texarkana for a period of six months. Once released, he discovers his Hollywood career is finished.

Sondergaard suggests her husband direct a screenplay about the real-life 1950-51 strike waged by Mexican-American miners against the Empire Zinc Company in Bayard, New Mexico written by Michael Wilson, also a victim of the blacklist, and Biberman’s brother Michael. She feels the lead role of Esperanza Quintero, who rallied the wives of the unemployed miners and urged them to support their husbands, is an ideal way to jump-start her stagnating career. Biberman agrees, but after meeting with the people who participated in the strike and being inspired by their passion, he decides all roles should be played by ethnic actors. Because the film has no studio backing and most Hollywood players fear being associated with Biberman and the project, he eventually casts local residents from Grant County, New Mexico and members of the International Union of Mine, Mill and Smelter Workers, Local 890 to fill most of the roles. Juan Chacón, the Union Local president, is cast as the fiery Ramon Quintero opposite Mexican actress Rosaura Revueltas as his wife Esperanza. Will Geer is one of only five Hollywood actors to accept a role in the production.

The FBI investigates the film’s financing, attempts to steal the film’s negatives, tells film-processing labs not to work on the film when they are unable to locate them, incites locals who are unhappy with the film crew’s presence to set fire to many of the sets, and eventually deports Revueltas on bogus charges. Biberman stands his ground and completes the film, using scenes with Revueltas that were shot in her native Mexico and then smuggled into the US.

Contact: Director Karl Francis: info@karlfrancis.com Jeff Goldblum’s agent: Keith Addi, johnb@industryentertainment.com