France, Germany / 2017/143 min
Ben Russell’s third feature is an apparent simplicity that is only matched by its power of evocation. Divided into two distinct parts (and an epilogue), this conceptual ethnographic film takes us to the heart of two sites of intense manual work poles apart from each other. The first is a Serbian underground copper mine. The second is an open-pit gold mine in Suriname. Sublimely shot in super 16mm, in black and white and color, Good Luck is openly a study of contrasts that encourages us to reflect on the differences – and the similarities – between the anxious atmosphere of the state mine and the sinking sun of the semi-legal career. Constantly emphasizing the individuality and mutual aid of the workers, Good Luck is also, and above all, a great gesture of humanist solidarity. (BD)
Ben Russell’s third feature is as powerful as it is apparently simple. Presented in two distinct parts plus an epilogue, this conceptual ethnographic film transports us to two intense and very different manual labor sites. The first is an underground copper mine in Serbia, the second year open-pit gold mine in Suriname. Beautifully shot in 16mm, in both color and black and white, Good Luck is a study in contrasts that encourages us to think about the differences and similarities between the tense atmosphere of the state-run mine and the brutal sun beating down on the semi- legal quarry. Always highlighting the workers’ individuality and solidarity, Good Luck is also a work of deep humanist solidarity.
A music critic in midlife crisis seeks revenge on the boss who fired him in this satirical seriocomedy, the directorial debut of actor Josef Hader (THE BONEMAN, STEFAN ZWEIG: FAREWELL TO EUROPE). Unwilling to come clean about his termination, Georg (Hader) pretends to go to work each day, but instead hangs out in Vienna’s Prater amusement park, where he befriends ride operator Erich (Georg Friedrich), previously his childhood tormentor. Georg becomes increasingly attracted to Erich’s Romanian girlfriend Nicoletta (Crina Semciuc), more alienated from his therapist wife, Johanna (Pia Hierzegger) and more aggressive in his stealth harassment of his ex-boss (Jörg Hartmann). Official Selection, 2017 Berlin Film Festival. DIR/SCR Josef Hader; PROD Veit Heiduschka, Michael Katz. Austria/Germany, 2017, color, 103 min. In German and Italian with English subtitles. NOT RATED
Run Time: 103 Minutes
Genre: Dark comedy
76 min | Comedy | 28 August 2015 (USA)
Director/writer: Bob Byington
Stars: Jason Schwartzman, Stephen Root, Olympia Dukakis
Larry (Jason Schwartzman) is content with his dog Arrow and booze, barely tolerating anything or anyone else. His marginally successful relationships include his grandmother, who keeps him afloat financially, and his best friend Norwood, who provides him with pharmaceuticals. But a chance encounter at a Jiffy Lube gives Larry a beguiling new boss and the impetus to head in another direction for a while. This movie showcases all that may be needed to help a person get unstuck in life: love (or an unrequited crush), friendship (or someone your family likes better than you) and family (or in this case a grandmother who will support you whenever you get fired from a job).
This droll film, written and directed by Bob Byington, drifts aimlessly but appealingly with Mr. Schwartzman as its lost hero.
Filmmaker: Martin Aletta
Argentina/Japan | 2013 | Fiction | 15 minutes
Tokyo. Ryo goes to his job at the railway company where he’s task is remove the remains of the railroad due to the numerous suicides. Saki, a young girl, wanders around her city contemplating an apathetic society. Her walk drives her to the platform of station where Ryo finds her…
2015 Brazilian International Labour Film Festival; http://www.bilff.org