110m; Japan
Director: Lee Sang-il
Cast: Yasuko Matsuyuki, Etsushi Toyokawa and Yû Aoi
Synopsis: Billy Elliot meets “Shall We Dance?” Japanese coal-mining town tries to deal with loss of jobs.
Contact: http://www.fortissimofilms.com/catalogue/title.asp?filmID=311
Trailer
70m; U.S.
Director: Stephanie Black
Synopsis: Stephanie Black has a record of making films about the real costs of economic development including Life and Debt about the economic destruction in Jamaica because of IMF policies. In H-2 worker, we learn about the real labor conditions of agricultural workers who are brought to the US and then used virtually as slave labor in the H-2 program. These workers who are brought in to Florida’s Lake Okeechobee area from Jamaica and the Caribbean are the “slave” workers of America providing great profits for the agricultural owners and misery for the workers and their families. It also is connected with the efforts in California by some leading politicians to bring back the “guest workers” program.
Contact: http://www.lifeanddebt.org/h2worker/
Trailer
96m; U.K.
Director: Ken Loach
Cast: Kierston Wareing, Juliet Ellis and Leslaw Zurek
Synopsis (IMDB): Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With immigrants desperate to work the opportunities are considerable, particularly for two girls so in tune with these times
Contact: Please feel free to show whichever of Ken’s films you feel your audience would most appreciate. You should be able to get a copy of most of them but a couple of them are dogged by convoluted rights issues with the BBC. However, the BFI and the British Council are a great source and will help you get most of the films. The best person to contact in the first instance is: Geraldine.higgins@britishcouncil.org (from “Ann Cattrall”)
Trailer
75m; U.S.
Director: Vicky Funari, Julia Query
Cast: Stephanie Batey, Darrell Davis and Julia Query
Synopsis (IMDB): Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers’ surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
Watch Online
http://www.hulu.com/watch/362936
80m; U.K./Jamaica
Director: Stephanie Black
Cast: Michael Manley, Stanley Fischer
Synopsis: Documentary looks at the effects of neo-liberal globalization on Jamaica, including policies of the World Trade Organization and free trade zones. Features wonderful interviews with the late democratic socialist Prime Minister of Jamaica Michael Manley and narration by novelist Jamaica Kincaid.
Trailer
87m; U.S.
Contact: Ramin Bahrani
Cast: Ahmad Razvi, Leticia Dolera and Charles Daniel Sandoval
Synopsis (IMDB): A night in the life of a former Pakistani rock star who now sells coffee from his push cart on the streets of Manhattan.
Trailer
113m; Spain
Director: Fernando Leon de Aranoa
Cast: Javier Bardem, Luis Tosar and José Ángel Egido
Synopsis (IMDB): 2001: men without jobs, in the port city of Vigo. Six men worked in a shipyard, now shuttered. They pass the time at La Naval, a bar opened by one of them after the yard closed. They face their futures in makeshift ways: Rico has his bar and a sharp 15-year-old daughter, Reina has become a watchman and a moralizer, Lino fills out job applications, Amador drinks heavily and talks of his wife’s return; José is married to Ana, who works at a cannery and tires of being the breadwinner amidst José’s emasculated moodiness; Santa, the group’s conscience and troublemaker, occasionally fantasizes about Australia. In truth, all are joined like Siamese twins, adrift.
Contact: distributor: Lions Gate Films Alyssa Chinn Ph: 310 314-9597 Fax: 310 396-6041 achinn@lgecorp.com
Watch on YouTube
87m; U.S.
Director: Charlie Chaplin
Cast: Charlie Chaplin, Paulette Goddard and Henry Bergman
Synopsis (IMDB): Chaplin’s last ‘silent’ film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital… When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.
Trailer
135m; U.S.
Director: John Sayles
Cast: Chris Cooper, James Earl Jones, Mary McDonnell, David Strathairn
Synopsis: John Sayles, one of the leading independent directors in the world, came to WV in 1983 to film one of the most famous confrontations between laborer and owners in the town of Matewan, Mingo County, WV, 1920. It took him four years to finally finish the film, directing “Brother from another Planet” during that time period. Coal miners, struggling to form a union, are up against company operators and Baldwin-Felts agents. Black and Italian miners, brought in by the company to break the strike, are caught between the two forces. Union activist and ex-Wobbly Joe Kenehan (Chris Cooper), sent to help organize the union, determines to bring the local, black, and Italian groups together. Drawn from an actual incident; the characters of Sheriff Sid Hatfield (David Strathairn), Mayor Cabell Testerman (Josh Mostel), C. E. Lively (Bob Gunton) , and Few Clothes Johnson were based on real people. James Earl Jones plays Few Clothes Johnson, a black coal miner who joins the union to stop massive abuses. The execution of Sheriff Hatfield on the steps of the McDowell County Courthouse steps by Baldwin-Felts agents led to the 1921 Battle of Blair Mountain, the largest armed labor conflict in American history. Music by WV native Hazel Dickens. Nominated for an Oscar by Haskell Wexler for best cinematography. Filmed in Thurmond and the New River Gorge, WV.
Trailer
Key Clip
In this scene, Chris Cooper’s organizer character gives an impassioned speech about the meaning of being in a union, with an explicit attack on racism and other forces that would divide workers.
81m; U.S.
Director: Ben Niles
In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?
Pianos rest in the conditioning room for up to eight weeks to season the wood.The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.
Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.
From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.
Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.
The bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.
Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.
In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.
Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.
PBS website source: http://www.pbs.org/programs/note-by-note/
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