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Category Archives: Netflix Watch Instantly

Live Nude Girls Unite! (2000)

75m; U.S.

Director: Vicky Funari, Julia Query

Cast: Stephanie Batey, Darrell Davis and Julia Query

Synopsis (IMDB): Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers’ surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.

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http://www.hulu.com/watch/362936

 

Mondays in the Sun (2002)

113m; Spain

Director: Fernando Leon de Aranoa

Cast: Javier Bardem, Luis Tosar and José Ángel Egido

Synopsis (IMDB): 2001: men without jobs, in the port city of Vigo. Six men worked in a shipyard, now shuttered. They pass the time at La Naval, a bar opened by one of them after the yard closed. They face their futures in makeshift ways: Rico has his bar and a sharp 15-year-old daughter, Reina has become a watchman and a moralizer, Lino fills out job applications, Amador drinks heavily and talks of his wife’s return; José is married to Ana, who works at a cannery and tires of being the breadwinner amidst José’s emasculated moodiness; Santa, the group’s conscience and troublemaker, occasionally fantasizes about Australia. In truth, all are joined like Siamese twins, adrift.

Contact: distributor: Lions Gate Films Alyssa Chinn Ph: 310 314-9597 Fax: 310 396-6041 achinn@lgecorp.com

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Modern Times (1936)

87m; U.S.

Director: Charlie Chaplin

Cast: Charlie Chaplin, Paulette Goddard and Henry Bergman

Synopsis (IMDB): Chaplin’s last ‘silent’ film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital… When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.

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Note by Note: The Making of Steinway L1037 (2007)

81m; U.S.
Director: Ben Niles

In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?

Pianos in the conditioning roomPianos rest in the conditioning room for up to eight weeks to season the wood.

The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.

Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.

From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.

Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.

The bridgeThe bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.

Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.

 

Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.

In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.

Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.

PBS website source: http://www.pbs.org/programs/note-by-note/

 

Salt of the Earth (1954)

94m; US

Directed by Herbert Biberman

Cast: Juan Chacón, Rosaura Revueltas and Will Geer

Synopsis: Salt of the Earth is based on a 1950 strike by zinc miners in Silver City, New Mexico. Against a backdrop of social injustice, a riveting family drama is played out by the characters of Ramon and Esperanza Quintero, a Mexican-American miner and his wife. In the course of the strike, Ramon and Esperanza find their roles reversed: an injunction against the male strikers moves the women to take over the picket line, leaving the men to domestic duties. The women evolve from men’s subordinates into their allies and equals.

NYT: Movies don’t get much more Labor Day-appropriate than a film backed by the International Union of Mine, Mill and Smelter Workers. But “Salt of the Earth” was perceived as a dangerous object in 1954, when the principal members of its creative team — the director Herbert J. Biberman, the producer Paul Jarrico and the screenwriter Michael Wilson, working independently of Hollywood — were subject to the blacklist. (The Congress of Industrial Organizations had separately expelled the union from its ranks.) This chronicle of a New Mexico miners’ strike, dramatized from real events and now a favorite of film programmers, looks ahead of its time in its foregrounding of Mexican-American characters; its emphasis on racial and especially gender equality; and its powerful depiction of unity against strikebreaking tactics. BEN KENIGSBERG

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Strike (Stachka) [1925]

82m; U.S.S.R.

Director: Sergei M. Eisenstein

Cast: Grigori Aleksandrov, Maksim Shtraukh and Mikhail Gomorov

Synopsis: In Russia’s factory region during Czarist rule, there’s restlessness and strike planning among workers; management brings in spies and external agents. When a worker hangs himself after being falsely accused of thievery, the workers strike. At first, there’s excitement in workers’ households and in public places as they develop their demands communally. Then, as the strike drags on and management rejects demands, hunger mounts, as does domestic and civic distress. Provocateurs recruited from the lumpen and in league with the police and the fire department bring problems to the workers; the spies do their dirty work; and, the military arrives to liquidate strikers.

Trailer