52m; Canada
Director: Jean-Claude Burger
Synopsis: Globalization and the impacts of plant closings.
Contact: First Run/Icarus Films 718-488-8642 f 718-488-8900 v Tom Hyland
52m; Canada
Director: Jean-Claude Burger
Synopsis: Globalization and the impacts of plant closings.
Contact: First Run/Icarus Films 718-488-8642 f 718-488-8900 v Tom Hyland
70m; U.S.
Director: Stephanie Black
Synopsis: Stephanie Black has a record of making films about the real costs of economic development including Life and Debt about the economic destruction in Jamaica because of IMF policies. In H-2 worker, we learn about the real labor conditions of agricultural workers who are brought to the US and then used virtually as slave labor in the H-2 program. These workers who are brought in to Florida’s Lake Okeechobee area from Jamaica and the Caribbean are the “slave” workers of America providing great profits for the agricultural owners and misery for the workers and their families. It also is connected with the efforts in California by some leading politicians to bring back the “guest workers” program.
Contact: http://www.lifeanddebt.org/h2worker/
Trailer
75m; U.S.
Director: Vicky Funari, Julia Query
Cast: Stephanie Batey, Darrell Davis and Julia Query
Synopsis (IMDB): Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers’ surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
Watch Online
http://www.hulu.com/watch/362936
80m; U.K./Jamaica
Director: Stephanie Black
Cast: Michael Manley, Stanley Fischer
Synopsis: Documentary looks at the effects of neo-liberal globalization on Jamaica, including policies of the World Trade Organization and free trade zones. Features wonderful interviews with the late democratic socialist Prime Minister of Jamaica Michael Manley and narration by novelist Jamaica Kincaid.
Trailer
81m; U.S.
Director: Ben Niles
In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?
Pianos rest in the conditioning room for up to eight weeks to season the wood.The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.
Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.
From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.
Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.
The bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.
Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.
In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.
Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.
PBS website source: http://www.pbs.org/programs/note-by-note/
91m; U.S.
Director: Michael Moore
Synopsis: Michael Moore’s documentary about the decline of Flint, Michigan and the role of GM in the deindustrialization of a once-thriving industrial city.
Trailer
58m; Canada
Color, DVD, French/Japanese/English, Subtitled
Director: Maya Gallus
View trailer
Why do women bring your food at local diners, while in high-end establishments waiters are almost always men? DISH, by Maya Gallus, whose acclaimed GIRL INSIDE (2007) won Canada’s Gemini Award for documentary directing, answers this question in a delicious, well-crafted deconstruction of waitressing and our collective fascination with an enduring popular icon. Digging beyond the obvious, Gallus, who waited tables in her teens, explores diverse dynamics between food servers and customers, as well as cultural biases and attitudes they convey. Her feminist analysis climbs the socio-economic ladder—from the bustling world of lower-end eateries, where women prevail as wait staff, to the more genteel male-dominated sphere of haute cuisine. Astute, amusing observations from women on the job in Ontario’s truck stop diners, Montreal’s topless”sexy restos,” a Parisian super-luxe restaurant, and Tokyo’s fantasy “maid cafés”, as well as male customers’ telling comments, disclose how gender, social standing, earning opportunities, and working conditions intersect in the food service industry.
– Women Make Movies
49m; Argentina
Director: Dario Doria
Documentary film which reflects the injustice suffered by millions of retired people in Argentina. It narrates the daily struggle of a group of elderly people who don’t resign to the fact that their rights are being violated. Under the motto “with the strength of those who do not give up”, they meet every Wednesday across from the National Congress to request a minimum monthly retirement payment of 450 pesos that will allow them to lead a dignified life. Demonstrations have been inexorably done for over ten years now, though weakened day after day by the disappearance of some participants. Those that remain cannot give up the fight, which so far has obtained no response whatsoever from the State, whose idea of a solution seems to be to let time go by.
– 5th Seoul International Labor Film and Video Festival
139m; UK
Director: Michael Apted
Stars: Bruce Balden, Jacqueline Bassett and Symon Basterfield
The Up Series is a series of documentary films produced by Granada Television that have followed the lives of fourteen British children since 1964, when they were seven years old. The documentary has had seven episodes spanning 49 years and the documentary has been broadcast on both ITV and BBC. In a 2005 Channel 4 programme, the series topped the list of The 50 Greatest Documentaries. The children were selected to represent the range of socio-economic backgrounds in Britain at that time, with the explicit assumption that each child’s social class predetermines their future. Every seven years, the director, Michael Apted, films new material from as many of the fourteen as he can get to participate. According to Apted, 56 Up is expected to have its broadcast premiere from 13 to 15 May 2012
– Wikipedia