Filmmakers: Elisabeth Marjanovic ́ Cronvall and Marta Dauliute
Sweden, 2015, Documentary, 15 minutes
Recipe for fascism: Half a generation unemployed, doctors forced to choose whom to treat, social security disappearing, the public on discount.
We ask our friends in Greece to make a list of their images of the euro crisis. It becomes a warning list for the North.
2015 Brazilian International Labour Film Festival; http://www.bilff.org
http://www.labour-in-a-single-shot.net
Starting in 2011 artist, curator, and author Antje Ehmann and filmmaker, video artist and author Harun Farocki initiated video production workshops in 15 cities around the world in which participants were to engage with the subject of ‘labour’: paid and unpaid, material and immaterial, traditional or new. The videos could not be longer than two minutes and they had to be taken in a single shot. The camera could be static, panning or travelling but cuts were not allowed. This concept references the Brother Lumière’s famous film Workers Leaving the Factory which was filmed in one continuous take from a fixed camera position.
The result of these workshops, which were organised together with local branches of the Goethe-Institut, are 400 films which show people engaged in all kinds of work, each film taking a different stance, literally and figuratively, towards its subject while also recording the diverse mental attitudes and bodily relation people have to their work.
Facing the challenge of filming something that might be essentially repetitive, continuous and boring, the films also foreground the work of the camera operator and his or her aesthetic decisions. In the multitude and diversity the films form a visual compendium and an archive of labour and cinema in the 21st century that is never boring or repetitive but enhances and simultaneously questions our perception and understanding of work.
All the films can be watched on a dedicated website, at random, or sorted by city, colour or type of work. A selection of 90 films was shown as an installation at the House of World Culture in Berlin from 27 February to 6 April 2015 with an accompanying conference. This exhibition also presented the project ‘Workers Leaving the Factory in 15 Cities’ (2011 – 2014), consisting of contemporary remakes of the famous film by the Lumière Brothers which were shot in 15 cities all over the world. Also included in the exhibition was the installation ‘Workers Leaving the Factory in Eleven Decades’ (2006), which showed scenes of workers leaving the factory throughout the history of cinema, from the Lumière Brothers (1895) to Lars van Trier’s Dancer in the Dark (2000).
‘Labour in a Single Shot’ is a co-production of the Harun Farocki Filmproduktion with the Goethe-Institut.
(35 mins: 18 Secs)
Watch the film here.
Finnish Company Nokia Corporation set up its largest mobile phone assembling plant in Sriperumbadur Taluk of Kancheepuram District in Tamil Nadu in 2005. Attracted by the tax concessions offered under Special Economic Zone Act 2005, resource subsidies and an army of cheap labour, Nokia found it profitable to assemble phones in India and sell them globally. In just 5 years the plant produced 500 million phones. It hired over 12,000 workers with majority being young women.
After profiting for 8 years, the company now faces charges of evading taxes to the Indian Government in thousands of crores. Imminent closure of the factory and loss of employment looms large for thousands of workers.
The film documents the voices of workers that have remained largely muted in the din of tax battle between the corporation and the State. They share there experiences of working in Nokia; the happy times of being ‘connected’; of building dreams of becoming ‘middle class’; their fears, anxiety and anger of being ‘dis-connected’ suddenly by the company that they helped ‘profit’ with their hard work; and their resolve to fight for their employment.
For more information contact: Nokia India Thozhilalar Sangam at nokianits@gmail.com
Documentary
China
Director: Tu Qiao
90 Minutes
This is a story about Tian Yu, one of the survivors of the shocking “13 jump” suicides at Foxconn, the primary manufacturer of Apple products. The documentary reflects on the background and deeper causes of the tragedy from the perspectives of international relations, globalization, Chinese local government, and internal enterprise management, and with academic experts as well as media. After three years of silence Tian Yu finally spoke up to tell us the truth. Tian Yu today is an outstanding woman who is passionate about life, independent, and eager to help others. She has not only found love, but also hopes to be able to raise her kids like any normal person.
2014
Documentary
Directors: Patrick Moreau, Grant Peelle
Writers: Margaret Apple, Marshall Davis Jones
Only a 9-year-old would dream a lemonade stand could change the world. After seeing a photo of two enslaved boys in Nepal, Vivienne Harr is moved to help in the only way she knows how: by setting up her lemonade stand. With the goal of freeing 500 children from slavery, she sets up her stand every day, rain or shine. In telling Vivienne’s story, #standwithme examines the realities of modern-day slavery, the role we play in it as consumers, and the importance of knowing the story behind what we buy.
2013
France (in English)
100m
Directors: Gabriella Kessler, Jean-Loïc Portron
Writer: Jean-Loïc Portron
Braddock, Pennsylvania has been the home to key events that have greatly shaped American history. Today, it is struggling to reinvent itself and stay relevant.
In its own way, through immigration, industrialization, the rise of trade unionism and its destiny in question, Braddock tells a story of America: a rebellious, combatant America inhabited by men and women who refuse to accept the violence inflicted upon them. “Resist much, obey little,” Walt Whitman urged his fellow citizens; and indeed his words could be the motto of this film. The Monongahela Valley has been heavily stricken by the steel crisis and the shutdowns of the mills in the 80’s. It is probably easier to find more enchanting places in the world, but if many don’t imagine leaving the valley, it is because they know that this tiny parcel of land bears the traces, buried in its soil and in their memories, of events that helped build the history of their nation. This same awareness leads them to believe that such a special place might one day help map out a future for the United States. http://program33.com/braddock-america/
10/30/2014 NYT review: http://www.nytimes.com/2014/10/31/movies/braddock-america-the-story-of-a-rust-belt-struggle.html?_r=0
2014
Directed by Jesse Moss
Runtime: 1 hr, 30m
In the tiny town of Williston, North Dakota, tens of thousands of unemployed hopefuls show up with dreams of honest work and a big paycheck under the lure of the oil boom. However, busloads of newcomers chasing a broken American Dream step into the stark reality of slim work prospects and nowhere to sleep. The town lacks the infrastructure to house the overflow of migrants, even for those who do find gainful employment.
Over at Concordia Lutheran Church, Pastor Jay Reinke is driven to deliver the migrants some dignity. Night after night, he converts his church into a makeshift dorm and counseling center, opening the church’s doors to allow the “Overnighters” (as he calls them) to stay for a night, a week or longer. They sleep on the floor, in the pews and in their cars in the church parking lot. Many who take shelter with Reinke are living on society’s fringes and with checkered pasts, and their presence starts affecting the dynamics of the small community. The congregants begin slinging criticism and the City Council threatens to shut the controversial Overnighters program down, forcing the pastor to make a decision which leads to profound consequences that he never imagined.
A modern-day Grapes of Wrath, award-winning documentary The Overnighters engages and dramatizes a set of universal societal and economic themes: the promise and limits of re-invention, redemption and compassion, as well as the tension between the moral imperative to “love thy neighbor” and the resistance that one small community feels when confronted by a surging river of desperate, job-seeking strangers.
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