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Category Archives: Occupation/Type of Work

Human Resources (1999)

100m; France

Director: Laurent Cantet

Cast: Jalil Lespert, Jean-Claude Vallod and Chantal Barré

Synopsis: The 35-hour work week has all of France in its thrall. This film turns it into a feature about economic and familial politics. Frank, a business school graduate, returns to his provincial hometown to take a management position in the factory where his father has been working for 30 years. First Frank makes the mistake of actually asking the workers on the assembly line for their opinions. Then upper management manipulates his findings to lay off employees. This creates a huge rift, not only between labor and management, but between father and son. A human morality tale that evokes paternal and filial love, and illustrates the personal risk behind political ideas.

Full Film (in multiple parts)

 

Hula Girls (2006)

110m; Japan

Director: Lee Sang-il

Cast: Yasuko Matsuyuki, Etsushi Toyokawa and Yû Aoi

Synopsis: Billy Elliot meets “Shall We Dance?” Japanese coal-mining town tries to deal with loss of jobs.

Contact: http://www.fortissimofilms.com/catalogue/title.asp?filmID=311

 

 

 

Trailer

 

 

 

H-2 Worker (1990)

70m; U.S.

Director: Stephanie Black

Synopsis: Stephanie Black has a record of making films about the real costs of economic development including Life and Debt about the economic destruction in Jamaica because of IMF policies. In H-2 worker, we learn about the real labor conditions of agricultural workers who are brought to the US and then used virtually as slave labor in the H-2 program. These workers who are brought in to Florida’s Lake Okeechobee area from Jamaica and the Caribbean are the “slave” workers of America providing great profits for the agricultural owners and misery for the workers and their families. It also is connected with the efforts in California by some leading politicians to bring back the “guest workers” program.

Contact: http://www.lifeanddebt.org/h2worker/

Trailer

 

It’s a Free World (2007)

96m; U.K.

Director: Ken Loach

Cast: Kierston Wareing, Juliet Ellis and Leslaw Zurek

Synopsis (IMDB): Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With immigrants desperate to work the opportunities are considerable, particularly for two girls so in tune with these times

Contact: Please feel free to show whichever of Ken’s films you feel your audience would most appreciate. You should be able to get a copy of most of them but a couple of them are dogged by convoluted rights issues with the BBC. However, the BFI and the British Council are a great source and will help you get most of the films. The best person to contact in the first instance is: Geraldine.higgins@britishcouncil.org (from “Ann Cattrall”)

Trailer

 

Live Nude Girls Unite! (2000)

75m; U.S.

Director: Vicky Funari, Julia Query

Cast: Stephanie Batey, Darrell Davis and Julia Query

Synopsis (IMDB): Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers’ surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.

Watch Online

http://www.hulu.com/watch/362936

 

Life and Debt (2001)

80m; U.K./Jamaica

Director: Stephanie Black

Cast: Michael Manley, Stanley Fischer

Synopsis: Documentary looks at the effects of neo-liberal globalization on Jamaica, including policies of the World Trade Organization and free trade zones.  Features wonderful interviews with the late democratic socialist Prime Minister of Jamaica Michael Manley and narration by novelist Jamaica Kincaid.

 

 

 

Trailer

 

Mondays in the Sun (2002)

113m; Spain

Director: Fernando Leon de Aranoa

Cast: Javier Bardem, Luis Tosar and José Ángel Egido

Synopsis (IMDB): 2001: men without jobs, in the port city of Vigo. Six men worked in a shipyard, now shuttered. They pass the time at La Naval, a bar opened by one of them after the yard closed. They face their futures in makeshift ways: Rico has his bar and a sharp 15-year-old daughter, Reina has become a watchman and a moralizer, Lino fills out job applications, Amador drinks heavily and talks of his wife’s return; José is married to Ana, who works at a cannery and tires of being the breadwinner amidst José’s emasculated moodiness; Santa, the group’s conscience and troublemaker, occasionally fantasizes about Australia. In truth, all are joined like Siamese twins, adrift.

Contact: distributor: Lions Gate Films Alyssa Chinn Ph: 310 314-9597 Fax: 310 396-6041 achinn@lgecorp.com

Watch on YouTube

 

 

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Modern Times (1936)

87m; U.S.

Director: Charlie Chaplin

Cast: Charlie Chaplin, Paulette Goddard and Henry Bergman

Synopsis (IMDB): Chaplin’s last ‘silent’ film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital… When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.

Trailer

 

Note by Note: The Making of Steinway L1037 (2007)

81m; U.S.
Director: Ben Niles

In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?

Pianos in the conditioning roomPianos rest in the conditioning room for up to eight weeks to season the wood.

The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.

Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.

From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.

Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.

The bridgeThe bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.

Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.

 

Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.

In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.

Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.

PBS website source: http://www.pbs.org/programs/note-by-note/

 

The Navigators (2001)

96m; U.K.

Director: Ken Loach

Cast: Dean Andrews, Thomas Craig and Joe Duttine

Synopsis (IMDB): In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords. A cheery camaraderie is soon replaced by uncertainty and turmoil when their depot manager fills them in on the details of the new arrangement. Privatization means that the customer now comes first, something that is instilled into the men in new training sessions. But there are inconsistencies and shortsightedness to the new ways. Men used to working together now find themselves belonging to different, competing companies. Some even have to tender for their old jobs. Others decide to take the redundancy packages offered by the firm. As always, corners are cut in the interest of lowering costs, leading to a series of misadventures.

Contact: “From: Cary Jones cjones@firstlookmedia.com To: manderson@igc.org Subject: Date: Tue, May 7, 2002, 9:35 PM Dear Mr. Garlock: Jon Flanders sent me a copy of your inquiry regarding our film “The Navigators”. We do not have any plans to open the film until later in the fall at the very earliest. When we do open the film in the Rochester area, it might be possible to arrange a special premiere in conjunction with the opening. While I can’t tell you for sure where we will open the film, in the past we’ve often booked our films in the Little Theatre. You may want to contact them about your interest in the film. Thanks for your interest in the Navigators. Cary Jones Tiffany Naiman International Marketing Coordinator Overseas Filmgroup A Division of First Look Media 8000 Sunset Blvd., East Penthouse Los Angeles, CA 90046 Tel: 323.337.1000 Fax: 323.337.1078

Trailer

 

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