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Category Archives: Occupation/Type of Work

IN THE AISLES (IN DEN GÄNGEN)

Germany, 2018, 125 min., Director: Thomas Stuber, Screenplay: Clemens Meyer, Thomas Stuber, Cast: Sandra Hüller, Franz Rogowski, Peter Kurth, Distribution: MusicBox Films

After the shy and reclusive Christian loses his job, he finds work at a wholesale market. Bruno from the beverage aisle takes him under his wing and quickly becomes a fatherly friend to him. He shows him the ropes and patiently teaches him how to operate the fork lift. Among the aisles of the store, Christian meets “Sweets”-Marion. He is instantly smitten by her enigmatic charm. The coffee machine becomes their regular meeting point, and the two start getting to know each other. But Marion is married, and Christian’s feelings for her seem to remain unrequited. Christian slowly becomes a member of the wholesale market family, and his days of driving fork lifts and stacking shelves mean much more to him than meets the eye—especially when Marion does not return to work one day.

German Film Guild Award & Ecumenical Jury Award Berlin 2018
German Film Award 2018 (Best Leading Actor)

Thomas Stuber was born in 1981 in Leipzig and completed his degree in Media and Directing at the Filmakademie Baden-Württemberg in 2011. With the short film Es geht uns gut he won the Young Talent Award of the Film Industry in Baden-Württemberg in 2006. His first feature film Teenage Angst was selected for the Berlinale/Perspektive Deutsches Kino in 2008 and won the German Young Talent Award at the Sehsüchte International Student Film Festival. In 2011 his short film Of Dogs and Horses was nominated for the First Steps Award. It won the Gold German Short Film Award and received a second prize Student-Oscar in 2012. His feature film A Heavy Heart premiered at the Toronto International Film Festival and won the Silver German Film Award in 2016. His latest film, In the Aisles, premiered in Competition at the Berlinale 2018.

 

From the Land of Gandhi

2019; 49min

Director: Prakash Wadhwa
prakash.wadhwa@gmail.com

A story of 4 high-skilled immigrants from India, a decade after they came to study in the United States, which places a human face to high-skilled immigration. The film also highlights the need for reforming America’s legal immigration at a time of intense globalization and retirement of the baby boomers.

Genres Documentary, Special Interest
Director Prakash Wadhwa
Starring Richard B. Freeman, Vivek Wadhwa, Jacob Kirkegaard

 

Backpack Full of Cash

a film that explores the growing privatization of public schools and the resulting impact on America’s most vulnerable children.

 

Complicit

Complicit is about migrant workers in China. Journey of Chinese factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law and joins the struggle to defend the lives of teenage workers poisoned by toxic working conditions in the making of smartphones.

But defending the lives of millions of Chinese workers from becoming terminally ill due to working conditions necessitates confrontation with some of the world’s largest brands including Apple and Samsung….

Heather White, Producer/Co-Director
heatherhsw@gmail.com

“A Harrowing, Powerful Look at the Real Price of Our Devices”

REVIEWS:
POV: “As one gazes into the screen and taps one’s thumbs on the keyboard icons, one grasps one’s involvement and complicity in a major human rights issue. Even reviewing the film, staring at a screen on a laptop, feels uncomfortably inappropriate and ironic after viewing this compelling documentary.”
http://povmagazine.com/articles/view/review-complicit

The Reel Word: “Complicit is a harrowing and powerful documentary that may be set in fast developing China, but it raises an ethical question that we should all consider: From the smartphones we swipe to the Fitbits we wear, what really happens along the supply chain? Directors Heather White and Lynn Zhang make audiences face the uncomfortable truth that there is a devastating human cost to the conveniences we enjoy on a daily basis.”

THE REEL SCORE: 10/10
https://www.thereelword.net/complicit-documentary-review-china-2017/0/

Film Doo: “COMPLICIT is a shattering comment on inequality and the forces that work to maintain the unjust status-quo.”
https://www.filmdoo.com/blog/2017/03/08/review-complicit-2017/

Faze: “Complicit, A Shocking Film On Global Outsourcing Featured At Human Rights Watch Film Festival”
http://faze.ca/movie-review-complicit-global-outsourcing/

Toronto Globe and Mail: “In this year’s festival, the most complex film to assess was Complicit, a doc about Chinese activists struggling to help factory workers poisoned by the chemicals used to make cellphones and computers. In that instance, Human Rights Watch had to call on the expertise of three different departments: its China division; the health division; and the business division.”
http://www.theglobeandmail.com/arts/film/human-rights-watch-film-festival-critically-curates-documentaries/article34400377/

The Platform: “Complicit…forces one to ponder how much a life is truly worth in our profit obsessed world.”
http://www.the-platform.org.uk/2017/03/25/film-nights-for-human-rights-complicit/

PressReader: “Complicit reveals the human costs of global outsourcing while highlighting the choices made by a group of inspired activists seeking change.”
https://www.pressreader.com/canada/the-globe-and-mail-metro-ontario-edition/20170324/282535838196685

In The Seats: “Complicit is pointed exploration into the various levels of corporate and governmental corruption impacting China’s manufacturing industry. Aiming to inspire consumers to stand up and demand better from corporations, Complicit is a film worth putting our electronics down for.

http://intheseats.ca/human-rights-watch-festival-2017-review-complicit/
The Georgia Straight: “Complicit reveals the inhumane ways in which hopeful, hardworking citizens are exposed to toxic chemicals on the job and the shady attempts by multi-billion-dollar corporations to shed all responsibility. The result is equal parts devastating, gut-wrenching, and infuriating—a necessary call for westerners to re-evaluate their relationship with capitalism and its astronomical cost.

 

The Long Ride

The Long Ride is a timely new feature-length documentary about the historic 2003 Immigrant Workers Freedom Ride that sparked the new Civil Rights Movement for immigrant workers in the United States. Alarmed by increasing abuse of immigrants in the workplace, more than 900 immigrants and allies traveled across America to focus public attention on the plight of immigrant workers and to call for reform of the broken immigration system. They were inspired by the 1961 Civil Rights Movement Freedom Riders who risked their lives fighting to end segregation. The film chronicles their journey and the on-going fight for immigrant rights to this day. With Freedom Riders as our navigators, the film puts a human face on this controversial issue and examines the human costs as lawmakers consider overhaul of the U.S. immigration system.

http://www.thelongride.film

Valerie Lapin Ganley
Producer/Director
Share Productions
Valerie@ShalomIreland.com
(650)455-3300
http://www.share.productions
http://www.thelongride.film
http://www.shalomireland.com

 

Bricks

Carine Chichkowsky, a French filmmaker with the production company Survivance. She’s the producer of a new film called BRICKS, which looks at the brick manufacturing industry in Spain as a metaphor for the ramifications of the 2008 housing crisis.
Here’s the trailer. https://vimeo.com/169657849

 

 

We the Workers

Chosen by Ai Weiwei as a companion piece to his “Trace” exhibit at the Hirshhorn, is a documentary about workers’ rights in China. Shot over six years, the film depicts labor activists striving to better the lives of the country’s workers — their aims do not go over well, as they are threatened and attacked on a regular basis.

 

GHOSTS

96 min/Broomfi eld/UK/2006
Broomfield’s fictional feature film, Ghosts (2006), is based on interviews and articles gathered by the journalist Hsai-Hung Pai during her investigation into the 2004 Morecambe Bay cockling tragedy. Twenty-three undocumented migrant workers from China, all unfamiliar with the geography, language and customs of the area, were drowned after being caught out by incoming tides on the extensive mud flats of Morcambe Bay. Their deaths are dramatised in Ghosts which, whilst focusing on a single doomed work crew, is the story of workers who, in desperate need to support their families in China, resort to illegal immigration to countries such as the UK where they became part of the significant number of foreign-born precariat under-class workers. Th e cockle gatherers are representative of a signifi cant class of modern slavery, being bound to criminal gang bosses by a debt servitude that leaves them unable to escape their dangerous jobs. Broomfield deftly dramatises the process in which a Chinese worker pays smugglers a significant sum of money, before taking terrible risks (such as being transported by container), in order to enter the British workforce, where they are subsequently crowded into tiny cottages and treated akin to slaves before being sent out to work in conditions and environments that are dangerous and unsupervised.
(London Labour Film festival 2017)

 

WILD MOUSE [WILDE MAUS]

A music critic in midlife crisis seeks revenge on the boss who fired him in this satirical seriocomedy, the directorial debut of actor Josef Hader (THE BONEMAN, STEFAN ZWEIG: FAREWELL TO EUROPE). Unwilling to come clean about his termination, Georg (Hader) pretends to go to work each day, but instead hangs out in Vienna’s Prater amusement park, where he befriends ride operator Erich (Georg Friedrich), previously his childhood tormentor. Georg becomes increasingly attracted to Erich’s Romanian girlfriend Nicoletta (Crina Semciuc), more alienated from his therapist wife, Johanna (Pia Hierzegger) and more aggressive in his stealth harassment of his ex-boss (Jörg Hartmann). Official Selection, 2017 Berlin Film Festival. DIR/SCR Josef Hader; PROD Veit Heiduschka, Michael Katz. Austria/Germany, 2017, color, 103 min. In German and Italian with English subtitles. NOT RATED
Run Time: 103 Minutes
Genre: Dark comedy

 

NOTHING FACTORY, THE [A FÁBRICA DE NADA]

This multilayered examination of the struggle of the blue-collar working class holds a mirror to the political landscape in contemporary Portugal, and runs the gamut from cinema vérité to neorealist musical. Employees at an elevator parts manufacturer catch thieves robbing the factory. But the thieves have been hired by the management, who soon order the workers to report for their shifts and do nothing until the company-wide layoffs can begin. Factions form around those who want to strike and save their jobs and those who just want a decent severance package. FIPRESCI Prize, 2017 Cannes Film Festival; Official Selection, 2017 Toronto, Karlovy Vary, Busan film festivals. DIR/SCR/PROD Pedro Pinho; SCR/PROD Tiago Hespanha, Luisa Homem, Leonor Noivo; PROD João Matos, Susana Nobre. Portugal, 2017, color, 177 min. In Portuguese and French with English subtitles. NOT RATED
Run Time: 177 Minutes
Genre: Drama