Private Joe Bauers, the definition of “average American”, is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes five centuries in the future. He discovers a society so incredibly dumbed down that he’s easily the most intelligent person alive.
NYT article here
“Sorry to Bother You” comes out in wide release in July 2018. The film is visually ingenious and funny, yet grounded by pointed arguments about the obstacles to black success in America, the power of strikes and the soul-draining predations of capitalism.
Directed by: Fritz Lang Running Time: 148 min Starring: N/A Website: http://www.kinolorber.com/sites/metropolis/ Synopsis: In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
85 min | Adventure, Comedy, Fantasy | 5 June 2015 (USA)
Director: Craig Goodwill
Writers: Christopher Bond, Jessie Gabe (story)
Stars: Zoie Palmer, Julian Richings, Rob Ramsay
In Patch Town’s dark modern fairy tale, newborn babies are plucked from cabbage patches, turned into plastic dolls, and sold as playthings in a nightmarish, oppressive society. Jon (Rob Ramsay), a discontented factory worker slaving away on a baby-harvesting production line, uncovers a secret from his past that sends him searching for his long-lost mother (Zoie Palmer). As Jon embarks on his journey with his loving wife Mary (Stephanie Pitsiladis), the sinister Child Catcher (Julian Richings) and his diminutive beet-munching henchman (Ken Hall) throw a wrench into his plans. An eye-popping fantasy-adventure, quirky comedy, and rousing musical rolled into one, Patch Town “combines Soviet-era iconography, Eastern European folklore and Western consumer-culture critique with a dash of song and dance” (Peter Debruge, Variety).
The director Craig Goodwill’s musical fairy tale, inspired by Eastern European folklore, features vivified toys that revolt against an unscrupulous corporate overlord.
– NYT review
Cast: Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth, Woody Harrelson, Donald Sutherland
Synopsis: In a dystopic future North America called Panem, the wealthy elite who live in the central city (known as the Capitol) exploit the impoverished workers of the rest of the country who are divided into twelve districts. The Capitol employs a range of social controls, including the Hunger Games, an annual event where two children from each district are thrown into an arena and fight until only one is left alive.
Into these games is thrust Katniss Everdeen, the daughter of a coal miner, who must use her wits and skills to survive while trying to maintain her humanity, even as her examples of resistance and solidarity begin to inspire some of the districts towards rebellion.
Cast: Bill Sage, Sabrina Lloyd and Tatiana Abracos
Synopsis (IMDB): In the not-distant-future, the market has taken over everything, thanks to the marketers. The consumer is king, and those who see value outside of the marketplace are “enemies of the consumer”, terrorists, and “partisan” enemies that the state must dispose of. Protagonist Jack seems to be at one with the media corporations (after all, his marketing ideas led to the institutionalization of the exchange of sex for enhanced buying power), but is he somehow involved with the feeble and pathetic resistance movement? Does he love Cecile, his colleague, or is she a pawn in his game? And what of the mysterious girl from Monday? Are immigrants from the star system “Monday” really assisting the partisans?
Synopsis: Alex Rivera, Why Cybraceros? (5 min. 1997, USA) takes the form of a mock promotional film. It is based on a real promotional film produced in the late 1940’s by the California Grower’s Council, titled Why Braceros? This film was used by the Grower’s Council to defend the use ofbraceros, or temporary Mexican farmhands. I use footage from this old industrial to briefly lay out the history of the Bracero Program in the United States. At the half way point the piece takes a sharp turn as the narrator advocates a futuristic Bracero Program in which only the labor is imported to the United States. The workers themselves are left at home in Mexico, as they Tele-commute to American farms over the high-speed Internet. The narrator explains that in this imagined future there is no difference between rich and poor on the Internet, this is a future in which truly everyone can work from home, even braceros.
This dystopic concept, of a world in which immigrants can labor in America but never live in, or become the responsibility, of American society, is to me not only a bizarre twist on the American Dream; in some ways this is the realization of the American Dream. The United States has always benefited from the low wage (and sometimes free) labor of recent immigrants, who are drawn to America, in part, by The Dream of instant success. Simultaneously, nearly every wave of new immigrants suffers through several decades of intense discrimination, and usually a combination of verbal and physical attacks. TheCybracero, as a trouble free, no commitment, low cost laborer, is the perfect immigrant. The Cybracero is the hi-tech face of the age-old American Dream.
