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Category Archives: A: Highly Recommended Labor Films

Matewan (1987)

135m; U.S.
Director: John Sayles
Cast: Chris Cooper, James Earl Jones, Mary McDonnell, David Strathairn

Synopsis: John Sayles, one of the leading independent directors in the world, came to WV in 1983 to film one of the most famous confrontations between laborer and owners in the town of Matewan, Mingo County, WV, 1920. It took him four years to finally finish the film, directing “Brother from another Planet” during that time period. Coal miners, struggling to form a union, are up against company operators and Baldwin-Felts agents. Black and Italian miners, brought in by the company to break the strike, are caught between the two forces. Union activist and ex-Wobbly Joe Kenehan (Chris Cooper), sent to help organize the union, determines to bring the local, black, and Italian groups together. Drawn from an actual incident; the characters of Sheriff Sid Hatfield (David Strathairn), Mayor Cabell Testerman (Josh Mostel), C. E. Lively (Bob Gunton) , and Few Clothes Johnson were based on real people. James Earl Jones plays Few Clothes Johnson, a black coal miner who joins the union to stop massive abuses. The execution of Sheriff Hatfield on the steps of the McDowell County Courthouse steps by Baldwin-Felts agents led to the 1921 Battle of Blair Mountain, the largest armed labor conflict in American history. Music by WV native Hazel Dickens. Nominated for an Oscar by Haskell Wexler for best cinematography. Filmed in Thurmond and the New River Gorge, WV.

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In this scene, Chris Cooper’s organizer character gives an impassioned speech about the meaning of being in a union, with an explicit attack on racism and other forces that would divide workers.

 

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Note by Note: The Making of Steinway L1037 (2007)

81m; U.S.
Director: Ben Niles

In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?

Pianos in the conditioning roomPianos rest in the conditioning room for up to eight weeks to season the wood.

The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.

Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.

From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.

Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.

The bridgeThe bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.

Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.

 

Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.

In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.

Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.

PBS website source: http://www.pbs.org/programs/note-by-note/

 

Norma Rae (1979)

110m; U.S.

Director: Martin Ritt

Cast: Sally Fields, Beau Bridges, Ron Liebman

Synopsis: Sally Fields won an Oscar for Best Actress for her portrayal of a Southern textile worker in the 1970s.  Faced with problems and challenges both personal and at work, Norma Rae proves receptive to the message of a union organizer seeking to start a drive at her plant.  The film is based on the real story of Crystal Lee Sutton and the ACTWU’s drive to organize JP Stevens’ plants in the South in the 1970s.

 

 

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North Country (2005)

126m; U.S.

Director: Niki Caro

Cast: Charlize Theron, Jeremy Renner and Frances McDormand

Synopsis (IMDB): A fictionalized account of the first major successful sexual harassment case in the United States — Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.

(NYT) Set in and around the iron mines of Northern Minnesota between 1989 and 1991, Niki Caro’s muscular and absorbing drama addresses workplace sexual harassment at its most primitive and bludgeoning. A dowdy Charlize Theron is Josey Aimes, a poor single mother and newly hired miner. Hated by the men and unprotected by the union, Josey and her peers are relentlessly groped and sadistically bullied — behavior that reflects a community riddled with regressive misogyny.

Driven by righteous anger and inspired by a spearheading real-life lawsuit, the movie rises above its fight-the-power formula with a fabulous cast — including Sissy Spacek, Frances McDormand and Woody Harrelson — and a potent sense of place. In Chris Menges’s gorgeously smoky shots of blasted earth and gnashing machinery, spraying explosions and blackened pits, we see an oppressively alien landscape that’s hostile to man and woman alike. JEANNETTE CATSOULIS

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The Navigators (2001)

96m; U.K.

Director: Ken Loach

Cast: Dean Andrews, Thomas Craig and Joe Duttine

Synopsis (IMDB): In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords. A cheery camaraderie is soon replaced by uncertainty and turmoil when their depot manager fills them in on the details of the new arrangement. Privatization means that the customer now comes first, something that is instilled into the men in new training sessions. But there are inconsistencies and shortsightedness to the new ways. Men used to working together now find themselves belonging to different, competing companies. Some even have to tender for their old jobs. Others decide to take the redundancy packages offered by the firm. As always, corners are cut in the interest of lowering costs, leading to a series of misadventures.

Contact: “From: Cary Jones cjones@firstlookmedia.com To: manderson@igc.org Subject: Date: Tue, May 7, 2002, 9:35 PM Dear Mr. Garlock: Jon Flanders sent me a copy of your inquiry regarding our film “The Navigators”. We do not have any plans to open the film until later in the fall at the very earliest. When we do open the film in the Rochester area, it might be possible to arrange a special premiere in conjunction with the opening. While I can’t tell you for sure where we will open the film, in the past we’ve often booked our films in the Little Theatre. You may want to contact them about your interest in the film. Thanks for your interest in the Navigators. Cary Jones Tiffany Naiman International Marketing Coordinator Overseas Filmgroup A Division of First Look Media 8000 Sunset Blvd., East Penthouse Los Angeles, CA 90046 Tel: 323.337.1000 Fax: 323.337.1078

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The Organizer (I Compagni) [1963]

126m; Italy

Director: Mario Monicelli

Cast: Marcello Mastroianni, Renato Salvatori and Gabriella Giorgelli

Synopsis: Exploited textile factory workers in Turin, Italy at the turn of the century and the beginnings of their fight for better working conditions.

 

 

 

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Office Space (1999)

89m; US

Director: Mike Judge

Writers: Mike Judge (Milton animated shorts), Mike Judge (screenplay)

Cast: Ron Livingston, Jennifer Aniston and David Herman

Synopsis (IMDB): In the Initech office, the insecure Peter Gibbons hates his job and the abusive Division VP Bill Lunbergh that has just hired two consultants to downsize the company. His best friends are the software engineers Michael Bolton and Samir Nagheenanajar that also hate Initech, and his next door neighbor Lawrence. His girlfriend Annie is cheating on him but she convinces Peter to visit the hypnotherapist Dr. Swanson. Peter tells how miserable his life is and Dr. Swanson hypnotizes him and he goes into a state of ecstasy. However, Dr. Swanson dies immediately after giving the hypnotic suggestion to Peter. He dates the waitress Joanna and changes his attitude in the company, being promoted by the consultants. When he discovers that Michael and Samir will be fired, they decide to plant a virus in the account system to embezzle fraction of cents in each financial operation into Peter’s account..

 

 

Outsourced (2006)

103m; US

Director: John Jeffcoat

Writers: George Wing, John Jeffcoat

Cast: Josh Hamilton, Ayesha Dharker and Asif Basra

Outsourced is a modern day comedy of cross-cultural conflict and romance. Todd Anderson (Josh Hamilton) spends his days managing a customer call center in Seattle until his job, along with those of the entire office, are outsourced to India. Adding insult to injury, Todd must travel to India to train his new replacement. As he navigates through the chaos of Bombay and an office paralyzed by constant cultural misunderstandings, Todd yearns to return to the comforts of home. But it is through his team of quirky yet likable Indian call center workers, including his friendly and motivated replacement, Puro (Asif Basra), and the charming, opinionated Asha (Ayesha Dharker), that Todd realizes that he too has a lot to learn – not only about India and America, but about himself. He soon discovers that being outsourced may be the best thing that ever happened to him. (Shadowcatcher Entertainment)

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Riffraff (1936)

94m; U.S.

Director: J. Walter Ruben

Cast:  Jean Harlow, Spencer Tracy and Una Merkel

Synopsis: Fisherman Dutch marries cannery worker Hattie. After he is kicked out of his union and fired from his job he leaves Hattie who steals money for him and goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie.

 

 

 

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Roger & Me (1989)

91m; U.S.

Director: Michael Moore

Synopsis: Michael Moore’s documentary about the decline of Flint, Michigan and the role of GM in the deindustrialization of a once-thriving industrial city.

 

 

 

 

 

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