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Category Archives: Working Class

Between a Rock and a Hard Place (1981)

59m; U.S.

Director: Ken Fink

Synopsis: New Yorker filmmaker Ken Fink made this film after interviewing hundreds of coal miners. He eventually interviewed members of three different generations – a retired miner, a black middle-aged miner, and a miner who tried to leave the mountains only to return. They give their attitudes toward their profession, often reflecting the deep frustrations involved with the industry. This film is partially funded by the Humanities Foundation of West Virginia and has been shown on WSWP TV. It was also shown at film festivals throughout the United States. A recent book, “Glass Castles” talks about these filmmakers coming to Welch, the county seat of McDowell County.

Contact: WVLC and Icarus Films

 
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Posted by on January 24, 2012 in Blacks, Documentary, Working Class

 

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Big Brother is Watching-The Other Side of Samsung (2006)

40m; South Korea

Director: Labor News Production

Synopsis: Samsung’s surveillance of workers outside workplace

Contact: www.lnp89.org

 

The Big City (1966)

83m; Brazil

Director: Carlos Diegues

Cast: Leonardo Villar, Anecy Rocha, Antonio Pitanga, Joel Barcellos, Sérgio Bernardes, Hugo Carvana

Synopsis: Luzia comes from the backwoods of Northeast Brazil to Rio de Janeiro, in search of her fiancé. But soon she’ll find out he has turned into a dangerous criminal and is being looked after by the police.

 

 
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Posted by on January 24, 2012 in Women, Working Class

 

The Wednesday Play: The Big Flame (1969)

77m

Director: Ken Loach

Broadcast Date: February 19,1969

Network: BBC1

Synopsis (BFI): ‘The Big Flame’ was writer Jim Allen‘s second Wednesday Play (BBC, 1964-70), and his first with director Kenneth Loach. After ‘The Lump’ (tx. 1/2/1967), about the exploitation of casual labour in the building trade, Allen used his Marxist credentials to depict striking Liverpool dockers enacting a Communist-style system of workers’ control.

The play was filmed in Loach‘s accustomed drama-documentary format, honed on previous Wednesday Plays like ‘Up the Junction’ (tx. 3/11/1965) and ‘Cathy Come Home’ (tx. 16/11/1966). Real dockers appear, and the actors speak not well-rehearsed lines but in the disjointed, often incoherent, manner of authentic speech. It is captured on murky 16mm film, giving the picture the same quality as contemporaneous newsreel footage. Only the occasional voiceovers diverge from the apparent objectivity of this fly-on-the-wall aesthetic.

Allen‘s script is remarkably prophetic; it foreshadowed Britain’s massive industrial unrest of 1973-4 and its conclusion prefigures the explosive clash of worker and state in the miners’ strike of 1984. Although they would work together frequently, Loach considered ‘The Big Flame’ to be Allen‘s “definitive script”.

The mix of radical politics and the documentary approach proved incendiary. Anticipating controversy, the BBC postponed the play’s transmission twice. When finally screened, it was labelled a “Marxist play presented as sermon” by the Daily Mail and it rekindled the press’s vociferous interest in the ongoing debate about television drama-documentary.

Mary Whitehouse, secretary of the National Viewers’ and Listeners’ Association, complained that the play was “a blueprint for the communist takeover of the docks” and wrote to both Prime Minister Harold Wilson and Conservative leader Ted Heath to urge a review of the BBC‘s charter. The play’s subject would become all too real for Heath, who, as the next Prime Minister, presided over a period of bitter industrial conflict.

 
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Posted by on January 24, 2012 in Drama, Working Class

 

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The Big One (1997)

91m; U.S.

Director: Michael Moore

Synopsis: On his book tour, Michael Moore exposes more wrongdoing by greedy big businesses and callous politicians around America.

 

Bitter Rice (1949)

108m; Italy

Director: Giuseppe De Santis

Synopsis: Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder

 
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Posted by on January 24, 2012 in Drama, Farm & Food, Working Class

 

Black Badge (2008)

38m; South Korea

Director: Jungmin Cho

Synopsis: Fired for trying to organise a union, contract workers at GM Daewoo go to extreme measures, holding a sit-in strike from the perch of a CCTV tower. With undertones of Michael Moore’s Roger and Me, the film exposes the brutal treatment irregular workers face in their struggle

 

Black Fury (1935)

94m; U.S.

Director: Michael Curitz

Cast: Paul Muni, 

Synopsis: An immigrant coal miner finds himself in the middle of a bitter labor dispute between the workers and the mine owners.

 

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Belfast, Maine (1999)

245m; U.S.

Director: Frederick Wiseman

Synopsis (from NYT): Frederick Wiseman, one of the giants of American documentary filmmaking, spent a month in the fall of 1996 shooting 110 hours of footage of life in a small New England town, and this four-hour-and-eight-minute feature was the result. As is his custom, Wiseman has added no narration or explanatory titles and prevents his camera from intruding any more than is necessary; the result is a lively and direct look at how a community functions. The city of Belfast, Maine has suffered an economic downturn in recent years, and the town is gearing up for a new business (a credit card collection facility) that it hopes will give the local economy a boost. In the meantime, the people of Belfast go on with their lives, trapping lobsters, canning fish, making doughnuts, teaching school, handling court cases, helping the poor and indigent, staging a local production of Death of a Salesman, celebrating holidays, and trying to make the most of their evenings and weekends. Belfast, Maine enjoyed an enthusiastic response in its screening at the 1999 Montreal Film Festival and was scheduled for broadcast on PBS early in 2000.

 
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Posted by on January 24, 2012 in Documentary, Working Class

 

Cradle Will Rock (2000)

132m; U.S.

Director: Tim Robbins

Cast: Hank Azaria, Rubén Blades and Joan Cusack, Bill Murray, Carey Elwes, Vanessa Redgrave

Synopsis (IMDB): In 1930s New York Orson Welles tries to stage a musical on a steel strike under the Federal Theater Program despite pressure from an establishment fearful of industrial unrest and red activity. Meanwhile Nelson Rockefeller gets the foyer of his company headquarters decorated and an Italian countess sells paintings for Mussolini.

Trailer