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Category Archives: Strikes-Strikebreaking-Lockouts

Misery in the Borinage (MISÈRE AU BORINAGE) [1933]

25m; France

Synopsis: This is one of the first documentaries ever made that show the lives of coal miners and their families. This film is a social documentary describing the fate of some 15,000 miners in the Borinage, who in 1932 staged a strike in protest against the announcement by Belgian mine-owners of a 5% cut in wages. The film is still extremely moving and portrays men who were often treated worse than animals.

 

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Moms on Strike (2003)

93m; U.S.

Director: James Keach

Cast: Faith FordTim Matheson and Florence Henderson

Synopsis (IMDB): She was an overworked mom trying to get her family’s attention. She didn’t know she would become a national sensation.

 

The Molly Maguires (1970)

124m; U.S.

Director: Martin Ritt

Cast: Sean Connery, Richard Harris and Samantha Eggar

Synopsis (IMDB): Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish emigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage and murder. A detective, also an Irish emigrant, is hired to infiltrate the group and report on its members. But on which side do his sympathies lie?

 

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Motel the Operator (Motl Der Operator) [1939]

88m; U.S.

Director: Joseph Seiden

Cast: Chaim Tauber, Seymour Rechzeit and Yetta Zwerling

Synopsis (IMDB): Motl, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide.

Contact: Based on a play by Chaim Tauber Music by Sholem Secunda Yiddish with New English Subtitles; two suggestions from the National Center for Jewish film sharon rivo ncjf@brandeis.edu; co sponsor with Josh Speisier and teh DCJCC screening room;http://www.jewishfilm.org/motl.html

 

Mother Jones: America’s Most Dangerous Woman (2007)

23m; U.S.

Director: Rosemary Feurer & Laura Vazquez

Synopsis: Short, effective doc about legendary labor heroine Mary Harris Jones, the legendary labor heroine known as Mother Jones, examining the ways that Jones’ organizing career influenced early 20th century American history. The film demonstrates how the labor leader used class and gender boundaries to shape an identity that allowed her to become an effective labor organizer in the early 20th century. The documentary also evokes the terrible conditions and labor oppression that motivated Jones to traverse the country, mobilizing thousands to fight back. The film uses authentic photographs and live footage, including the only known film of Mother Jones on her deathbed, proclaiming that she still considered herself a radical and “longs for the day when labor will have the destination of the nation in her own hands.”

Contact: www.motherjonesmuseum.org http://www.laborheritagefoundation.org / Laura Vazquez, PHD, dept of Comm, Northern Illinois University, 815-753-7132 lvazquez@niu.edu Rosemary Feurer”

 

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The Mother (Mat) [1926]

90m; U.S.S.R.

Director: Vsevolod Pudovkin

Synopsis: Set in Russia during the harsh winter of 1905. A mother finds herself caught in emotional conflict between her husband and son when they find themselves on opposite sides of a worker’s strike. The son is a supporter of the workers but the father has been blackmailed into supporting the bosses and blacklegs. Despite the grief which follows the mother gradually comes to support the strikers and eventually is prepared to risk everything in standing up to police and Cossak troops in a demonstration endangering both herself and her precious son.

 

Movin’ On (1968)

60m; U.S.

Director: Harold Meyer

Synopsis: This roaring railroad film (1968) reveals the incredible history of railroading from the 1830s until today. The Hell on Wheels towns, the Chinese and Irish immigrants building a railroad with their sweat and brawn but battling each other along the way, the robber barons and their union busting, Mr. Pullman and his Pullman car, the glitter of the “golden age”, Eugene V. Debs, the glory days of the passenger trains of the 1930s and 40s.

 

Native Land (1942)

80m; U.S.

Director: Leo Hurwitz, Paul Strand

Cast:  Paul Robeson, Fred Johnson and Mary George

Synopsis (IMDB): Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. In dramatizations, we see a farmer beaten for speaking up at a meeting, a union man murdered in a boarding house, two sharecroppers near Fort Smith Arkansas shot by men deputized by the local sheriff, a spy stealing the names of union members, and a dead Chicago union man eulogized. In archival footage we witness police and goons beating lawfully assembled union organizers, and we see men at work and union families at play. The narration celebrates patriotism and democracy.

 

Newsies (1992)

121m; U.S.

Director: Kenny Ortega

Cast: Christian Bale, Bill Pullman and Robert Duvall

Synopsis (IMDB): July, 1899: When Joseph Pulitzer and William Randolph Hearst raise the distribution price one-tenth of a cent per paper, ten cents per hundred, the newsboys, poor enough already, are outraged. Inspired by the strike put on by the trolley workers, Jack “Cowboy” Kelly (Christian Bale) organizes a newsboys’ strike. With David Jacobs (David Moscow) as the brains of the new union, and Jack as the voice, the weak and oppressed found the strength to band together and challenge the powerful.

 

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The Night Before the Strike (1990)

105m; South Korea

Director: Chang Yoon-Hyun, Eun Lee, Dong-hong Jang, Jae-kyu Lee

Cast: Su-chang Kong, Kyeong-cheol Min, Eun-chae Kim

Synopsis (www.//koreafilm.org): Dongseong Metal employs over 200 impecunious workers at its production plant. One day, a new worker named Ju Wan-ik joins the Forging Team, and the team members welcome him with drinks and good cheer. Han-su, who is also a member of the Forging Team, longs to shake off the insufferable shackles of poverty. His dream, which he is determined to realize, is to work hard, save, and become rich someday. But to the management, the workers are mere machines that are unfortunately prone to breakage. Director Kim meticulously lays down his plans against the impending unionization of his laborers, and Han-su is recruited by his manager to stand on the side of the company.