“The old American dream just seems to be gone,” says Walt Hill, a longtime United Steelworkers Union member and the Contract Coordinator for Local 1196 in the decaying steel town of Brackenridge, Pennsylvania. Local 1196 takes the viewer on the ground as days on strike turn to weeks, weeks turn to months, and union leaders realize they’re playing with a short stack, and against long odds.
A skateboarder played by Andrew Lutheran (Goldbergs, breaking bad, Palo Alto) gets offered a full time job by a mysterious man played by Iddo Goldberg (Peaky blinders, Snowpiercer) to stand in a square all day. He is making more money the longer he stands there but his life is passing him by.
R; 1h 53m Luke and Emily don’t just live together – they also work together as analysts in the high-stakes and high-pressure world of finance, forced to abide by company policy and keep their relationship secret. When a job opens up above them, Emily is thrilled to hear whispers that it might be going to Luke. But when it ultimately ends up hers, the couple is forced into a difficult situation. With the tables turned, Luke finds it harder to support her success and the pair start to unravel. With a delicacy that more genre films aiming to tackle weightier topics could afford to emulate, Domont cooly constructs a contemporary story about how a gendered disparity in finance and power can wreck a seemingly successful relationship.Back in 1994, the corporate thriller Disclosure posited that the only thing scarier than a woman scorned was a woman scorned who was also your boss, painting a laughably dated portrait of the evils of having women climb the corporate ladder. Fair Play, while recalling many a Michael Douglas thriller from Fatal Attraction to A Perfect Murder, is a smart rebuke to such misogyny. The biggest threat here ends up being a man’s ego.(Benjamin Lee, The Guardian)
‘Foreign Parts’ portrays a hidden enclave of automobile shops and junk-yards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City’s development scheme.
Romanian New Wave auteur Cristian Mungiu (“4 Months, 3 Weeks, 2 Days”) returns to masterful form with this drama, set in the filmmaker’s homeland and focusing on Matthias (Marin Grigore), a man who returns to his small village after walking off his slaughterhouse job in Germany, only to find the townspeople roiled by the presence of foreign workers. Ann Hornaday writes: “So much fear and misplaced anger are at play in Matthias’s increasingly hysterical behavior that ‘R.M.N.’ might as well be an X-ray of contemporary America.” (PG-13, 106 minutes.)
Based on French journalist Florence Aubenas’s bestselling non-fiction work Le Quai de Ouistreham, investigating rising precarity in French society through her experiences in the northern port city of Caen.
An overworked and underpaid production assistant drives around Bucharest to shoot the casting for a workplace safety video commissioned by a multinational company.