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Category Archives: Themes

WILD MOUSE [WILDE MAUS]

A music critic in midlife crisis seeks revenge on the boss who fired him in this satirical seriocomedy, the directorial debut of actor Josef Hader (THE BONEMAN, STEFAN ZWEIG: FAREWELL TO EUROPE). Unwilling to come clean about his termination, Georg (Hader) pretends to go to work each day, but instead hangs out in Vienna’s Prater amusement park, where he befriends ride operator Erich (Georg Friedrich), previously his childhood tormentor. Georg becomes increasingly attracted to Erich’s Romanian girlfriend Nicoletta (Crina Semciuc), more alienated from his therapist wife, Johanna (Pia Hierzegger) and more aggressive in his stealth harassment of his ex-boss (Jörg Hartmann). Official Selection, 2017 Berlin Film Festival. DIR/SCR Josef Hader; PROD Veit Heiduschka, Michael Katz. Austria/Germany, 2017, color, 103 min. In German and Italian with English subtitles. NOT RATED
Run Time: 103 Minutes
Genre: Dark comedy

 

NOTHING FACTORY, THE [A FÁBRICA DE NADA]

This multilayered examination of the struggle of the blue-collar working class holds a mirror to the political landscape in contemporary Portugal, and runs the gamut from cinema vérité to neorealist musical. Employees at an elevator parts manufacturer catch thieves robbing the factory. But the thieves have been hired by the management, who soon order the workers to report for their shifts and do nothing until the company-wide layoffs can begin. Factions form around those who want to strike and save their jobs and those who just want a decent severance package. FIPRESCI Prize, 2017 Cannes Film Festival; Official Selection, 2017 Toronto, Karlovy Vary, Busan film festivals. DIR/SCR/PROD Pedro Pinho; SCR/PROD Tiago Hespanha, Luisa Homem, Leonor Noivo; PROD João Matos, Susana Nobre. Portugal, 2017, color, 177 min. In Portuguese and French with English subtitles. NOT RATED
Run Time: 177 Minutes
Genre: Drama

 

MINER, THE [RUDAR]

2018 Oscar Selection, Slovenia
Since leaving Bosnia in the 1970s, Alija (Leon Lučev) has been working as a miner in Slovenia’s Zasavje coal region. One of many migrant workers employed in a failing industry, Alija is afraid to refuse when he is tasked with opening a long-sealed mineshaft to declare it empty. When he opens the abandoned shaft, however, Alija uncovers some terrible secrets. Refusing to bow to his employers’ demands to stay quiet, Alija sets out to expose the truth. Based on a true story, Slovenian director Hanna Slak’s (BLIND SPOT) powerful third feature reveals a dark chapter in Slovenia’s history with honesty and compassion. Winner, Best Director and Best Actor, 2017 Festival of Slovenian Film. DIR/SCR Hanna Slak; PROD Miha Knific, Siniša Juričić. Slovenia/Croatia, 2017, color, 98 min. In Slovenian with English subtitles. NOT RATED
Run Time: 98 Minutes
Genre: Thriller

 
Video

A BETTER LIFE

(Chris Weitz, US 2011, 98 min., 35mm)
Set in contemporary East Los Angeles the film, whose plot partially parallels that of Bicycle Thief, sympathetically depicts experiences of undocumented Mexican immigrants including manual labor, schools, gangs, family, ICE and deportation. Mexican-American actor Demián Bichir received an Oscar nomination for his moving portrayal of a father who risks everything to make una vida mejor for his son.

 

Death in Sarajevo

Smrt u Sarajevu

DANIS TANOVIC
Bosnia & Herzegovina, 2016
85 minutes, Color
Official website

Winner of the Jury Grand Prix and the International Film Critics Award at last year’s Berlin International Film Festival, Death in Sarajevo is a timely drama from acclaimed Bosnian filmmaker Danis Tanovic (FFDC 2015’s Tigers, the 2001 Foreign Language Oscar®-winning No Man’s Land). At Sarajevo’s Hotel Europe, preparations are under way to host the European Union’s centenary commemorating the assassination of Franz Ferdinand by Gavrilo Princip that triggered World War I, a French actor is in the Presidential Suite rehearsing the Bernard-Henri Levy play from which the hotel got its name, and a TV crew is filming local scholars discussing regional history. Manager Omer is dealing with a cash flow problem and a looming strike by workers while his assistant, Lamija, tries to keep things organized in the face of growing discord. What could possibly go wrong in the course of this highly charged history lesson?—Eddie Cockrell

In Bosnian with English subtitles

 

Xmas without China (2013)

Directed By: Alicia Dwyerl
Runtime: 70 min
Stars: – – –

Synopsis: Exploring the intersection of commercialism and immigration in American culture, the documentary filmmakers follow their friend and fellow filmmaker Tom Xia on an intimate, humorous journey to get to know his neighbors

 

When Two Worlds Collide (2016)

Directed By: Heidi Brandenburg, Mathew Orzel
Runtime: 1 hr 43 min
Stars: – – –

Synopsis: An indigenous environmental activist takes on the large businesses that are destroying the Amazon.

 
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Posted by on March 2, 2017 in Documentary, Environment

 

Union Maids (1976)

Directed By: Julia Reichert
Runtime: 50 min
Stars: Kate Hyndman, Stella Nowicki, Sylvia Woods

Synopsis: actions of the time and the current state of the labor movement. Accompanied by a lot of vintage folk music.

 

Limpiadores (2015)

Directed by: Fernando González Mitjáns
Running Time: 25 min
Starring:  

Website: N/a

Synopsis: Before professors and students arrive for their morning classes at some of London’s most prestigious universities, these are the people who are finishing work. Fleeing the social and political instability of their home countries, many Latin Americans come to London looking for work opportunities and a safe environment to raise and educate their children. In turn, they are confronted with discrimination, labour exploitation and social “invisibility”. Outsourced as cleaning staff, Latin American immigrants have suffered for years in the hands of profit-led outsourcing businesses.

 

Last Reel (2015)

Directed by: Steven Bognar
Running Time: 8 min
Starring:  

Website: N/a

Synopsis:  Film projectionists at the Little Art Theatre in Ohio speak about the craft of 35mm projection and the heartache in transitioning to digital formats, feeling the loss of yet another handcrafted profession.