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Category Archives: Immigrants/Immigration

A Job at Ford’s: PBS Great Depression Series (1993)

PBS Great Depression Series, #1

Producer: WGBH, Boston

Narrator: Joe Morton

51 minutes

The first film in the WGBH Great Depression Series, this documentary uses the rise of the Ford system of manufacturing and workplace control as a prism into the onset of the socioeconomic cataclysm by the end of the 1920s known as the Great Depression. Stocked with oral histories with workers, managers, and working-class families, as well as archival film footage, it analyzes the ways in which the automobile, as a product of labor and a catalyst for deep transformations in American society, dominated American life and dictated its economic fortunes. Cars offered far greater access to travel and cultural experiences, especially for women and rural residents, than ever before. Auto work also attracted migrants from across the country, as well as from Mexico, to manufacturing centers in Detroit and the industrial North. Crucially, “A Job at Ford’s” illustrates the repressive labor-relations system that governed not only the workplace environment of auto workers, but also the daily lives of their families in order to ensure compliance with Henry Ford’s desires for social control. Additionally, the film devotes ample time to Ford’s anti-Semitic, racist beliefs, to the worsening conditions of the Depressions, the struggles of everyday people to survive largely without the direct help of the federal government, and the community-based efforts of political radicals and neighborhood groups to respond to the crises. Culminating with the Ford Hunger March in which Ford security guards killed four marchers and wounded over sixty others, the film conveys violence as not only a real threat to organizing at this time, but also a thread through, and force mitigating, working-class daily life in the early twentieth century.

 

Mean Things Happening: PBS Great Depression Series (1993)

PBS Great Depression Series, #5

Producer: WGBH, Boston

Narrator: Joe Morton

51 minutes

This documentary examines the efforts that tenant farmers and steelworkers undertook to organize and unionize amidst The Great Depression of the 1930s. Using interviews, film footage, and historians’ reflections, it recounts the privation and violent conditions facing H.L. Mitchell and the Southern Tenant Farmers Union (STFU), and industrial workers who formed the Steelworkers Organizing Committee (SWOC) of the burgeoning Congress of Industrial Organizations (CIO). Racism, paternalistic company towns, heavy-handed anti-unionism and violent opposition posed grave obstacles to organizers in the Southern agricultural fields and Northern industrial cities alike. A key element to the success of the SWOC and CIO on the one hand, and the failure of the STFU on the other, was the legal framework protecting organizing, rights, and concerted activity for private-sector workers with the passage of the National Labor Relations Board (NLRB), which expressly excluded agricultural and domestic workers who comprised much of the South’s workforce. The result was the rise of powerful unionism in much of the more industrialized North, Midwest, and West, and the concomitant absence of effective unionism from the more agricultural South and Southwest, in the Depression-riddled 1930s.

 

Anak (2000)

Director: Rory B. Quintos
Writers: Ricardo Lee (story), Raymond Lee (story)
Stars: Vilma Santos, Claudine Barretto, Joel Torre
Phillipines

The main character is a Filipina overseas contract worker, one of the many residents of the archipelago who is forced to leave her family and take a higher paying job in a more prosperous Asian country. While she is working her employer refuses to let her take a vacation, nor does he deliver her mail to her. She is unaware, therefore, that her husband has died. When she finally returns to the Philippines she is met with resentment and hatred by her children. The movie studies how she overcomes these feelings and rebuilds the relationship with her family.

 

Milan (2004)

Director: Olivia M. Lamasan
Writers: Raymond Lee (story), Raymond Lee (screenplay)
Stars: Claudine Barretto, Piolo Pascual, Ilonah Jean
Phillipines

Trials and tribulations of Filipino workers dreaming of a bright future in a foreign land.

 

A Mother’s Story (2011)

Director: John-D Lazatin
Writer: Senedy Que
Stars: Pokwang, Noni Buencamino, Rayver Cruz
Phillipines

Make-up artist grabs a chance to work as illegal immigrant in the US and finds that the grass is not greener on the other side.

 

Dreamwork China (2013)

55m
written/directed by Tommaso Facchin and Ivan Franceschini
website

The dreams and rights of a new generation in the world’s factory. In the suburbs of Shenzhen, in Guangdong province, young workers talk about their lives, existences built on a precarious balance between hope, struggles and wishes for the future. Around them activists and ZNGOs strive to give sense and meaning to works like rights, dignity and equity.

 

The Second Cooler (est 2013)

Writer / Director Ellin JimmersonThe Second Cooler
Narrated by Martin Sheen
Run time: approximately 87 minutes
Anticipated release date is Winter, 2013
Sub-titled in English and Spanish

SYNOPSIS
Documentary about illegal immigration shot primarily in Alabama, Arizona, and northern Mexico. The premise is that Arizona is the new Alabama, the epicenter of an intense struggle for migrant justice. The documentary’s purpose is to bring basic immigration issues into focus. Those issues include the impact of free trade agreements on migration, the lack of a legal way for poor Latin Americans to come to the United States, the inherent abuses of the guest worker program, the fact that many migrants are indigenous people, anti-immigrant politics, the reality of thousands of migrant deaths at the border, and an escalating ideology of the border.
The Second Cooler raises the question “Who benefits?” from illegal migration. It has interviews with 25 illegal migrants, including three children under the age of 12. It follows several of them throughout the film. In addition, it includes interviews with 55 professionals including historians, lawyers, clergy, labor union organizers, politicians, a Border Patrol agent, human rights advocates and others who untangle the threads of a complicated issue. When a viewer reaches the end of The Second Cooler, he or she will understand why 12 million migrants are in the United States illegally and will be able to offer an informed answer to the question, “Who benefits?”

 

Living As Brothers (2012)

Time: 90 min.
Director: Kevin Fraser
Producer: Kevin Fraser
Country: Canada
Language: English

“Living as Brothers” looks at the lives of Jamaican migrant men toiling in the orchards of Niagara-on-the-Lake, unseen by the thousands of tourists who descend on the small town each year. In their own words, these men, some of whom have been returning for over twenty years, tell of the second life they’ve created for themselves in Canada, the reasons for their making this journey, and their struggles back in rural Jamaica. Told over a season of picking fruit, their story is arduous, stressful, and precarious, one that offers few second chances.

http://www.kevinfraser.ca/index.html
www.kevinfraser.ca/livingasbrothers/
http://www.whatsupyukon.com/article-view.cfm?ArticleID=1484
http://www.stcatharinesstandard.ca/2012/11/16/filmmaker-tells-niagara-farmings-untold-stories

Contact: Kevin Fraser 

 

 

A Day’s Work (2008)

2008
written/directed by Rajeev Dassani
35mm in color, 17m
screening formats available: 35mm print, HDCAM, Digibeta, Betacam, DV or DVCAM, and DVD.

Alone in Los Angeles, Enrique doesn’t speak a word of English. Forced to work as a day laborer to earn money for loved ones back home, his loyalties are put to the test when a simple job escalates into a matter of life and death.

Synopsis: Enrique is a young man far from home trying to make a living wage as a day laborer on the streets of Los Angeles. He thinks he has finally caught a break when Marcus and Kathy pick him up, along with two other immigrant laborers, to help them move. On the job Enrique meets and befriends their teenage son Zack as he helps pack up his childhood room. But things quickly take a turn for the worst when Marcus attempts to pay the men with a check, unaware that day laborers are often cheated out of their wages with bad checks. A simple misunderstanding explodes into a violent standoff with Enrique stuck in the middle.

“A Day’s Work” examines the hopes and fears inherent to the immigrant story, both on the part those crossing the border and those learning to live in a rapidly changing America. When violence erupts, the prejudices of all involved are brought to light and mistrust, assumption and language stand as barriers to an easy resolution.

http://www.daysworkfilm.com/index.html

 

Men at Lunch (2012)

80m; Ireland

Director: Seán Ó Cualáin

Synopsis: New York City, 1932. The country is in the throes of the Great Depression, the previous decade’s boom of Italian, Irish, and Jewish immigrants has led to unprecedented urban expansion, and in the midst of an unseasonably warm autumn, steelworkers risk life and limb building skyscrapers high above the streets of Manhattan. In Men at Lunch, director Seán Ó Cualáin tells the story of Lunch atop a Skyscraper, the iconic photograph taken during the construction of the GE Building that depicts eleven workmen taking their lunch break while casually perched along a steel girder, 850 feet above the ground. For decades, this image has captivated imaginations the world over. But who are these men? And where did they come from?

Contact: http://tiff.net/filmsandschedules/tiff/2012/menatlunch
Distributor contact: John Bione JBione@firstrunfeatures.com
“Men on a Skyscraper” portable sculpture: Sergio Furnari: info@sergiofurnari.com or call 917-687-5593; http://www.sergiofurnari.com/store.htm

Trailer