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Category Archives: Arts/Culture

Camera Buff (1979) (aka Amator)

Director: Krzysztof KieslowskiCameraBuff
117M

Writers: Krzysztof Kieslowski (dialogue), Jerzy Stuhr(dialogue)

Camera Buff (PolishAmator, meaning “amateur”) is a 1979 Polish film written and directed by Krzysztof Kieślowski and starring Jerzy Stuhr. The film is about a humble factory worker whose newfound hobby, amateur film, becomes an obsession, and transforms his modest and formerly contented life.[1] Camera Buff won the Polish Film Festival Golden Lion Award and the Moscow International Film Festival FIPRESCI Prize and Golden Prize in 1979, and the Berlin International Film Festival Otto Dibelius Film Award in 1980. (Wikipedia)
 

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Celebrate Moe!

13m; VHS; year unknown
Produced by SEIU

About Bread and Roses Cultural Project founder Moe Foner, who, years before he went to work for labor unions, had played saxophone in a swing band with his brothers. They did gigs at upstate Borscht Belt retreats and Manhattan hotels, and along the way came to know many other musicians, as well as actors and artists. The Brothers Foner were leftists with a vision; one went on to lead the furriers’ union, two others became renowned historians. Moe worked for several unions before landing at 1199 in 1952, back when it was a small union of pharmacy employees. Even then, he was looking for ways to integrate culture with his union work. He found a sympathetic ear in 1199’s founding president, Leon Davis, one that continues with current union head Dennis Rivera, who oversaw a vastly transformed organization, representing more than 200,000 workers.

The project took its name from the slogan advanced by striking workers in the bitter 1912 textile strike in Lawrence, Massachusetts, “We Want Bread and Roses Too.”

 
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Posted by on February 21, 2012 in Arts/Culture, Documentary

 

Dadetown (1995)

105m

Director: Russ Hexter

Synopsis (WorldCat): Interviews in the Michael Moore/Roger and me tradition examine life in small-town America, class conflicts and the collapse of an upstate New York community, Dadetown, when the town’s once-prosperous factory, reduced to the manufacture of paper clips and staples, finally closes.

 

Billy Elliot (2000)

110m; UK

Director: Stephen Daldry

Cast: Jamie Bell, Julie Walters and Jean Heywood

Synopsis (IMDB): County Durham, during the endless, violent 1984 strike against the Thatcher closure of British coal mines. Widower Jackie Elliot and his firstborn, fellow miner Tony, take a dim view of 11 year-old second son Billy’s poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey, encourages Billy’s desire, aroused by the teacher, who judged him talented enough for private lesson, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother’s opposition to indispensable support.

Trailer

 

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A Life in Print: Xavier Viramontes, Printmaker (2006)

60m

Director: Michel Fraser

Synopsis (A Life in Print): A LIFE IN PRINT is a one-hour documentary profiling San Francisco Bay area printmaker Xavier Viramontes, one of the most influential artists of our time and a founding member of Galeria de la Raza.  His iconoclast silkscreen poster Boycott Grapes for the United Farmworkers awakened a nation and rallied the Chicano movement in art.

Website: http://www.alifeinprint.net

Contact: Lindsay Dedo ldedo@cinemaguild.com

 
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Posted by on January 24, 2012 in Arts/Culture, Biography, Documentary

 

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Bloody Mondays and Strawberry Pies (2008)

87m

Director: Coco Schrijber

Synopsis (Boston Globe): The Dutch filmmaker Coco Schrijber has handcrafted a rapturous, often profound visual essay about the metaphysics of time – about how we spend our lives fleeing from the silence of existence by filling our days with busy-ness. It’s a film to come back and touch in your thoughts for quite a while.

Using fluid pacing and some lovely visual rhyme schemes, Schrijber circles around a handful of subjects. A young German woman named Lena works at a baked-goods factory, glazing strawberry tarts and pensively wondering if this is where she’ll spend the next 30 years. There are interviews with 101-year-old Wall Street legend Irving Kahn and Nancy Wake, a dashing WWII British spy who is now an infirm 96. They have lived great lives that each acknowledges is turning to dust in the end.

With patience and surprisingly few pretensions, in fact, “Bloody Mondays’’ builds a case for boredom as a necessary antechamber to spiritual grace. It is the place where we can, if we’re willing, begin to contemplate everything we devote entire lives working to avoid: our coming deaths, our present purposes, and so on and so on, into the painter’s tireless blue infinite.

 
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Posted by on January 24, 2012 in Arts/Culture, Documentary, Philosophy

 

Note by Note: The Making of Steinway L1037 (2007)

81m; U.S.
Director: Ben Niles

In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?

Pianos in the conditioning roomPianos rest in the conditioning room for up to eight weeks to season the wood.

The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.

Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.

From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.

Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.

The bridgeThe bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.

Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.

 

Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.

In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.

Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.

PBS website source: http://www.pbs.org/programs/note-by-note/

 

Reds (1981)

194m; U.S.

Director: Warren Beatty

Cast: Warren Beatty, Diane Keaton, Edward Hermann, Jerzy Kosinski, Maureen Stapelton, Gene Hackman

Synopsis: Reds is the epic biography of early 20th century U.S. communist author and activist Jack Reed and his stormy off-again, on-again love affair with free-thinker Louise Bryant.  The film covers some of Reed’s time in the United States (including relationships with the IWW and the Socialist Party) and their time together in Russia during the Bolshevik revolution which led Reed to write the book Ten Days that Shook the World.  The film also covers attempts to build a communist party in the U.S., the post-World War I “Red Scare” and the early years of the U.S.S.R.  Maureen Stapelton won an Oscar for her portrayal of Emma Goldman and Beatty won for Best Director.  Interspersed throughout the film are interviews with many of the people who knew Reed and Bryant.  Long but highly recommended.

Click here to read Jon Garlock’s introduction to Reds at the Rochester (NY) Labor Film Series.

Trailer

The Russian Revolution Montage

John Reed’s Speech on Freedom and Revolution