Category Archives: Arts/Culture
Camera Buff (1979) (aka Amator)
Director: Krzysztof Kieslowski
Celebrate Moe!
13m; VHS; year unknown
Produced by SEIU
About Bread and Roses Cultural Project founder Moe Foner, who, years before he went to work for labor unions, had played saxophone in a swing band with his brothers. They did gigs at upstate Borscht Belt retreats and Manhattan hotels, and along the way came to know many other musicians, as well as actors and artists. The Brothers Foner were leftists with a vision; one went on to lead the furriers’ union, two others became renowned historians. Moe worked for several unions before landing at 1199 in 1952, back when it was a small union of pharmacy employees. Even then, he was looking for ways to integrate culture with his union work. He found a sympathetic ear in 1199’s founding president, Leon Davis, one that continues with current union head Dennis Rivera, who oversaw a vastly transformed organization, representing more than 200,000 workers.
The project took its name from the slogan advanced by striking workers in the bitter 1912 textile strike in Lawrence, Massachusetts, “We Want Bread and Roses Too.”
Dadetown (1995)
105m
Director: Russ Hexter
Synopsis (WorldCat): Interviews in the Michael Moore/Roger and me tradition examine life in small-town America, class conflicts and the collapse of an upstate New York community, Dadetown, when the town’s once-prosperous factory, reduced to the manufacture of paper clips and staples, finally closes.
Billy Elliot (2000)
Director: Stephen Daldry
Cast: Jamie Bell, Julie Walters and Jean Heywood
Synopsis (IMDB): County Durham, during the endless, violent 1984 strike against the Thatcher closure of British coal mines. Widower Jackie Elliot and his firstborn, fellow miner Tony, take a dim view of 11 year-old second son Billy’s poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey, encourages Billy’s desire, aroused by the teacher, who judged him talented enough for private lesson, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother’s opposition to indispensable support.
Trailer
A Life in Print: Xavier Viramontes, Printmaker (2006)
60m
Director: Michel Fraser
Synopsis (A Life in Print): A LIFE IN PRINT is a one-hour documentary profiling San Francisco Bay area printmaker Xavier Viramontes, one of the most influential artists of our time and a founding member of Galeria de la Raza. His iconoclast silkscreen poster Boycott Grapes for the United Farmworkers awakened a nation and rallied the Chicano movement in art.
Website: http://www.alifeinprint.net
Contact: Lindsay Dedo ldedo@cinemaguild.com
Bloody Mondays and Strawberry Pies (2008)
87m
Director: Coco Schrijber
Synopsis (Boston Globe): The Dutch filmmaker Coco Schrijber has handcrafted a rapturous, often profound visual essay about the metaphysics of time – about how we spend our lives fleeing from the silence of existence by filling our days with busy-ness. It’s a film to come back and touch in your thoughts for quite a while.
Using fluid pacing and some lovely visual rhyme schemes, Schrijber circles around a handful of subjects. A young German woman named Lena works at a baked-goods factory, glazing strawberry tarts and pensively wondering if this is where she’ll spend the next 30 years. There are interviews with 101-year-old Wall Street legend Irving Kahn and Nancy Wake, a dashing WWII British spy who is now an infirm 96. They have lived great lives that each acknowledges is turning to dust in the end.
With patience and surprisingly few pretensions, in fact, “Bloody Mondays’’ builds a case for boredom as a necessary antechamber to spiritual grace. It is the place where we can, if we’re willing, begin to contemplate everything we devote entire lives working to avoid: our coming deaths, our present purposes, and so on and so on, into the painter’s tireless blue infinite.
Note by Note: The Making of Steinway L1037 (2007)
81m; U.S.
Director: Ben Niles
In our age of mass-production and consumption, what is the role of the musician — both an instrument’s craftsman and its player? Musically, what have we gained? More importantly, what are we losing?
Pianos rest in the conditioning room for up to eight weeks to season the wood.The most thoroughly handcrafted instruments in the world, Steinway pianos are as unique and full of personality as the world-class musicians who play them. However, their makers are a dying breed: skilled cabinetmakers, gifted tuners, thorough hand-crafters.
Note By Note is a feature-length independent documentary that follows the creation of a Steinway concert grand — #L1037 — from forest floor to concert hall. It explores the relationship between musician and instrument, chronicles the manufacturing process, and illustrates what makes each Steinway unique in this age of mass production.
From the factory floor in Queens to Steinway Hall in Manhattan, each piano’s journey is complex — spanning 12 months, 12,000 parts, 450 craftsmen, and countless hours of fine-tuned labor. Filmed in key Steinway locations — the factory, Steinway’s reserved “Bank,” and private auditions — Note By Note is a loving celebration of not only craftsmanship, but also a dying breed of person who is deeply connected to working by hand.
Richly cinematic and surprisingly emotional, Note By Note has found diverse audiences, both in America and around the globe. From musicians to wood-workers, educators to journalists, jazz-aficionados to indie rockers, the film brings together many interests in the themes it weaves.
The bridge must be notched for the strings in the “belly” department. It takes years of training for the craftsmen to master the task of notching the bridge.Historically, the film touches on the impact of the digital era on a stalwart business like Steinway. Artistically, it touches on the creative process as various artists select concert pianos for upcoming performances — each piano’s attributes and nuances as discrete and intriguing as the next.
Lastly, the film touches on musical themes throughout — weaving a common thread of emotion and delight in a carefully selected score that ranges from cartoon favorites “Tom & Jerry” to complex modern pieces performed by famed pianist Pierre Laurent Aimard.
In the end, this is an ode to the most unexpected, and perhaps ironic, of unsung heroes. It reminds us how extraordinary the dialogue can be between an artist and an instrument — crafted out of human hands but borne of the materials of nature.
Recommended for viewers of all ages, the film is frequently used in educational settings and for community events such as fundraisers or study groups. The website, http://notebynotethemovie.com/ offers additional information about various parts of the film, as well as interactive features such as “Piano Stories” where fans share tales of their own relationships with their Steinway.
PBS website source: http://www.pbs.org/programs/note-by-note/


