The effort to protect the privatization of Gezi Park in Istanbul touched off one of the biggest protests and demonstrations in Turkey. This film shows how the people tried to protect the park from developers and property speculators who the AKP Prime Minister Erdogan represents.
The families of those immigrated for various reasons live in the four edge districts of Ankara which are located in the boundaries of Çankaya. The families who have lived for years in this region are exposed to an enforced immigration for urban transformation. The movie expresses the urban transformation and immigration subjects through the viewpoint of the children of those families.
A strong cast and good acting punctuate this drama about well-worn themes in contemporary cinema and educational discourse—failed public schools and the teachers allegedly indifferent to the pervasive, seemingly intractable social problems in them. Adrien Brody plays a substitute teacher who, in his one-month stint in a long-suffering public school, encounters teachers barely hanging on to their jobs and vocational motivation, and teenage students struggling with identity problems, abuse, and serious adult dilemmas such as prostitution. Hard-hitting indictment of not just the problems afflicting US public education but also some of the remedies advanced to solve them.
2009
USA
Documentary
Directors: Steven Fischler, Joel Sucher
Writer: Joel Sucher
60 Minutes
This captivating documentary braids past and present, tracing the technological and financial changes in the US garment industry. Rich in ethnic and labor history, Dressing America illustrates the impact of corporate competition, outsourcing, and deunionization on an industry where small and family shops were once prevalent.
Men of the Cloth is an inspiring portrait of Nino Corvato, Checchino Fonticoli and Joe Centofanti, three Italian master tailors who confront the decline of the apprentice system as they navigate their challenging roles in the twilight of their career. The film unravels the mystery of their artistry and reveals how their passionate devotion to their Old World craft is akin to a religion.
–Written by Vicki Vasilopoulos
2014
Documentary
Directors: Patrick Moreau, Grant Peelle
Writers: Margaret Apple, Marshall Davis Jones
Only a 9-year-old would dream a lemonade stand could change the world. After seeing a photo of two enslaved boys in Nepal, Vivienne Harr is moved to help in the only way she knows how: by setting up her lemonade stand. With the goal of freeing 500 children from slavery, she sets up her stand every day, rain or shine. In telling Vivienne’s story, #standwithme examines the realities of modern-day slavery, the role we play in it as consumers, and the importance of knowing the story behind what we buy.
Director: Diego Luna
Writers: Keir Pearson (screenplay), Timothy J. Sexton
Stars: Michael Peña, America Ferrera, Rosario Dawson
The film follows Chávez’s efforts to organize 50,000 farm workers in California, some of whom were braceros—temporary workers from Mexico permitted to live and work in the United States in agriculture, and required to return to Mexico if they stopped working. Working conditions are very poor for the braceros, who also suffer from racism and brutality at the hands of the employers and local Californians. To help the workers, César Chávez (Michael Peña) forms a labor union known as the United Farm Workers (UFW). Chávez’s efforts are opposed, sometimes violently, by the owners of the large industrial farms where the braceros work. The film touches on several major nonviolent campaigns by the UFW: the Delano grape strike, the Salad Bowl strike, and the 1975 Modesto march.
Nermina Lukac’s electrifying performance as Raša is the heart of director Gabriela Pichler’s feature debut. A Montenegrin-born young woman living in rural Sweden, Raša is laid off from her job at a food-packing plant. Her ensuing job search pulls us through the maze of limited prospects and frustrating bureaucracy facing the country’s working immigrant population. Affable, resilient, street smart and soft-hearted, Raša’s natural magnetism draws us in completely. We feel every ounce of her disappointment, fear and elation as she soldiers on, looking for work. An Audience Award winner at the Venice Film Festival, EAT SLEEP DIE’s assured naturalism and political conviction single out Pichler as a bold, exciting new cinematic voice. Her film is a positive rallying cry for low-wage workers who dream of a life that won’t merely add up to the three verbs that form the film’s title.
– Mike Dougherty, American Film Institute
2014
101m
China
Directed by Zhang Wei
With: Yao Anlian, Tang Yan, Zhao Ju, Huang Jingyi, Gao Xueqin, Yun Mengjie; Chen Liang. (Mandarin dialogue)
The title figure in “Factory Boss” is one who normally garners little sympathy, particularly in the West, where cheap Chinese labor has undercut local production. Yet helmer Zhang Wei and thesp Yao Anlian create a complex character virtually impossible not to identify with, at least partially: Caught between a rock and a hard place — the paper-thin profit margins offered by Western conglomerates vs. rising worker demands at home — he inevitably winds up treating everyone unfairly, including himself. For growing ranks of China watchers, “Factory Boss” offers an engrossing expose of the built-in impasses of global economics from an unexplored perspective.
Ronnie Scheib, Variety http://variety.com/2014/film/reviews/film-review-factory-boss-1201300789/