A skateboarder played by Andrew Lutheran (Goldbergs, breaking bad, Palo Alto) gets offered a full time job by a mysterious man played by Iddo Goldberg (Peaky blinders, Snowpiercer) to stand in a square all day. He is making more money the longer he stands there but his life is passing him by.
Just when Julie finally gets an interview for a job that will let her raise her children better, she runs into a national transportation strike.
“Full Time,” Reviewed: A Hectic Thriller of Everyday Life
R; 1h 53m
Luke and Emily don’t just live together – they also work together as analysts in the high-stakes and high-pressure world of finance, forced to abide by company policy and keep their relationship secret. When a job opens up above them, Emily is thrilled to hear whispers that it might be going to Luke. But when it ultimately ends up hers, the couple is forced into a difficult situation. With the tables turned, Luke finds it harder to support her success and the pair start to unravel. With a delicacy that more genre films aiming to tackle weightier topics could afford to emulate, Domont cooly constructs a contemporary story about how a gendered disparity in finance and power can wreck a seemingly successful relationship.Back in 1994, the corporate thriller Disclosure posited that the only thing scarier than a woman scorned was a woman scorned who was also your boss, painting a laughably dated portrait of the evils of having women climb the corporate ladder. Fair Play, while recalling many a Michael Douglas thriller from Fatal Attraction to A Perfect Murder, is a smart rebuke to such misogyny. The biggest threat here ends up being a man’s ego.(Benjamin Lee, The Guardian)
Director/Writer: Chloe Domont
1h 21m
‘Foreign Parts’ portrays a hidden enclave of automobile shops and junk-yards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City’s development scheme.
Directors Verena Paravel & J.P. Sniadecki
Unrated; 2h 5m
Romanian New Wave auteur Cristian Mungiu (“4 Months, 3 Weeks, 2 Days”) returns to masterful form with this drama, set in the filmmaker’s homeland and focusing on Matthias (Marin Grigore), a man who returns to his small village after walking off his slaughterhouse job in Germany, only to find the townspeople roiled by the presence of foreign workers. Ann Hornaday writes: “So much fear and misplaced anger are at play in Matthias’s increasingly hysterical behavior that ‘R.M.N.’ might as well be an X-ray of contemporary America.” (PG-13, 106 minutes.)
When a policeman falls in love with a prostitute, he doesn’t want her to see other men, so he creates an alter-ego who will be her only customer.
Based on French journalist Florence Aubenas’s bestselling non-fiction work Le Quai de Ouistreham, investigating rising precarity in French society through her experiences in the northern port city of Caen.
‘Between Two Worlds’ Review: Juliette Binoche Goes Undercover
In modern-day Helsinki, two lonely souls in search of love meet by chance in a karaoke bar. However, their path to happiness is beset by obstacles – from lost phone numbers to mistaken addresses, alcoholism, and a charming stray dog.
NYT review: Can a Rom-Com Make Sense in Dark Times? Yes, When It’s From This Master.
An overworked and underpaid production assistant drives around Bucharest to shoot the casting for a workplace safety video commissioned by a multinational company.
THE LABOR FILM DATABASE 