R; 1h 37m
Emily (Aubrey Plaza) is saddled with student debt and locked out of the job market due to a minor criminal record. Desperate for income, she takes a shady gig as a “dummy shopper,” buying goods with stolen credit cards supplied by a handsome and charismatic middleman named Youcef (Theo Rossi). Faced with a series of dead-end job interviews, Emily soon finds herself seduced by the quick cash and illicit thrills of black-market capitalism, and increasingly interested in her mentor Youcef. Together, they hatch a plan to bring their business to the next level in Los Angeles.
Director
Category Archives: Crime-Action
Emily the Criminal (2022)
The Spook Who Sat By the Door (1973)
1973 action crime–drama film based on the 1969 novel of the same name by Sam Greenlee (which was first published in the United Kingdom by Allison and Busby after being rejected by American publishers). It is both a satire of the civil rights struggle in the United States of the late 1960s and a serious attempt to focus on the issue of Black militancy. Dan Freeman, the titular protagonist, is enlisted by the Central Intelligence Agency (CIA) in its elitist espionage program, becoming its token Black person. After mastering agency tactics, however, he becomes disillusioned and drops out to train young Black people in Chicago to become “Freedom Fighters”. As a story of one man’s reaction to white ruling-class hypocrisy, the film is loosely autobiographical and personal.
The novel and the film also dramatize the CIA’s history of giving training to persons and/or groups who later utilize their specialized intelligence training against the agency – an example of “blowback.”
Directed by Ivan Dixon, co-produced by Dixon and Greenlee, from a screenplay written by Greenlee with Mel Clay, the film starred Lawrence Cook, Paula Kelly, Janet League, J. A. Preston, and David Lemieux. It was mostly shot in Gary, Indiana, because the themes of racial strife did not please Chicago’s then-mayor Richard J. Daley. The soundtrack was an original score composed by Herbie Hancock, who grew up in the same neighborhood as Greenlee.
In 2012, the film was added to the National Film Registry, which annually chooses 25 films that are “culturally, historically or aesthetically significant”.
The Union (2024)
Mike (Mark Wahlberg), a construction worker from Jersey, is quickly thrust into the world of super spies and secret agents when his high school sweetheart, Roxanne (Halle Berry), suddenly comes back into his life and recruits him on a high-stakes U.S. intelligence mission. Watch on Netflix.
Netflix hit “The Union” is a miss
Reviewed by Chris Garlock (Labor Heritage Foundation newsletter)
The Union is a hit on Netflix, but it’s not really about the labor movement, and it’s a pretty lousy movie, despite starring Mark Wahlberg and Halle Berry. Wahlberg plays Mike, a construction worker in New Jersey, who finds himself thrust into the world of super spies when his high school sweetheart, Roxanne (played by Berry), enlists his help on a high-stakes US intelligence mission for a shadowy group of ex-agency operatives called The Union. It’s a telling sign that a film called The Union doesn’t bother to say whether Mike’s construction job is union or not. J.K. Simmons runs the team and does have a cool class-conscious rationale for its existence: “(We’re the) invisible army that keeps the world running. The people who do the actual work. Street smarts over book smarts. Blue collar, not blue blood. Able to build our cities, keep production lines humming. That’s who we are. We get shit done.” Unfortunately that’s about the only nod to labor in the film, which has been getting abysmal viewer reviews, the best of which call it “generic” and “cheesy”. Action fans will be disappointed by the rote gunplay, endless — and pointless — car chases and lame dialogue from movie stars who — like us — deserve better. And the big plot twist involving a traitor in The Union is not only completely unbelievable, but misses an obvious opportunity to take a shot at scabs. Hate to say it, but this is one union you won’t want to join.
Got an opinion you’d like to share about labor art you’ve seen or heard lately? Email us at info@laborheritage.org.
No God, No Master (2013)
Directed by: Terry Green
Running Time: 1 hr 34 min
Starring: N/A
Website: http://www.montereymedia.com/nogodnomaster/
Synopsis: He becomes immersed in an investigation that uncovers an anarchist plot to destroy democracy. Inspired by true events of the 20s the film sets the stage for a timely thriller with resoundingly similar parallels to the contemporary war on terrorism and the role government plays to defeat it.
La Cola (The Line)
The Line is a drama from Argentina. Written and directed by Enrique 
Liporace and Ezequiel C. Inzaghi, starring renowned Argentine acting professionals such as Alejandro Awada, Lucrecia Oviedo, Ana María Picchio and Antonio Gasalla.
The Line focuses on the experiences of Félix Cayetano Gómez, who lives in the city of Buenos Aires and has to scramble daily to make ends meet. This man discovers a way to earn money by waiting in lines to run different errands or do paperwork for other people, in exchange of a sum of money.
But Félix is not the only one who works as a “line man”, there are many others doing the same job and all of them dream about forming an employee’s union that can group and protect them.
At some point in the story, those other workers reveal to Félix a criminal plan that would allow him to collect much more money: it is related to waiting in lines to do education, health and work related paperwork. As a consequence of his job, the main character will become a witness and an accomplice of a tragic but comical reality that will also affect his own life.
Original Title: La cola.
Starring: Alejandro Awada, Lucrecia Oviedo, Antonio Gasalla, Ana María Piccio.
Genre: Drama.
Directed by: Enrique Liporace, Ezequiel C. Inzaghi.
Country of Origin: Argentina.
Running Time: 99 minutes.
Rated: PG-13
Released in Buenos Aires: September 13th, 2012.
Trailer: http://www.youtube.com/watch?v=l-_73RuRg_w
No God, No Master (2013)
American independent crime suspense thriller directed, written, and produced by Terry Green and starring David Strathairn, Ray Wise, Sam
Witwer, Edoardo Ballerini and Alessandro Mario. No God, No Master was filmed in Milwaukee, Wisconsin. The story includes references to the Ludlow Massacre and depictions of the Sacco and Vanzetti trial and the Wall Street bombing.
When a series of package bombs show up on the doorsteps of prominent politicians and businessmen in the summer of 1919, U.S. Bureau of Investigation Agent William Flynn (David Strathairn) is assigned the task of finding those responsible. He becomes immersed in an investigation that uncovers an anarchist plot to destroy democracy. Inspired by true events of the 20s the film sets the stage for a timely thriller with resoundingly similar parallels to the contemporary war on terrorism and the role government plays to defeat it.
‘No God, No Master,’ a Look at 1919-20 Raids – NYTimes.com
The Hunger Games (2012)
142m; U.S.
Director: Gary Ross
Cast: Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth, Woody Harrelson, Donald Sutherland
Synopsis: In a dystopic future North America called Panem, the wealthy elite who live in the central city (known as the Capitol) exploit the impoverished workers of the rest of the country who are divided into twelve districts. The Capitol employs a range of social controls, including the Hunger Games, an annual event where two children from each district are thrown into an arena and fight until only one is left alive.
Into these games is thrust Katniss Everdeen, the daughter of a coal miner, who must use her wits and skills to survive while trying to maintain her humanity, even as her examples of resistance and solidarity begin to inspire some of the districts towards rebellion.
Trailer
The Girl from Monday (2005)
84m; U.S.
Director: Hal Hartley
Cast: Bill Sage, Sabrina Lloyd and Tatiana Abracos
Synopsis (IMDB): In the not-distant-future, the market has taken over everything, thanks to the marketers. The consumer is king, and those who see value outside of the marketplace are “enemies of the consumer”, terrorists, and “partisan” enemies that the state must dispose of. Protagonist Jack seems to be at one with the media corporations (after all, his marketing ideas led to the institutionalization of the exchange of sex for enhanced buying power), but is he somehow involved with the feeble and pathetic resistance movement? Does he love Cecile, his colleague, or is she a pawn in his game? And what of the mysterious girl from Monday? Are immigrants from the star system “Monday” really assisting the partisans?
The Train (1964)
133m; U.S.
Director: John Frankenheimer
Cast: Burt Lancaster, Paul Scofield and Jeanne Moreau
Synopsis: It is the fall of 1944 and the Allies are advancing to liberate Paris. German Colonel Von Waldheim decides to seize hundreds of France’s most famous artworks and ship them back to Germany via train. The French resistance wants to stop this and a team of working-class train operators and workmen are given the mission.
Thelma & Louise (1991)
130m; U.S.
Director: Ridley Scott
Cast: Susan Sarandon, Geena Davis and Harvey Keitel
Synopsis (IMDB): Louise is working in a fast food restaurant as a waitress and has some problems with her friend Jimmy, who, as a musician, is always on the road. Thelma is married to Darryl who likes his wife to stay quiet in the kitchen so that he can watch football on TV. One day they decide to break out of their normal life and jump in the car and hit the road. Their journey, however, turns into a flight when Louise kills a man who threatens to rape Thelma. They decide to go to Mexico, but soon they are hunted by American police.
THE LABOR FILM DATABASE 