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Category Archives: Strikes-Strikebreaking-Lockouts

Locked Out in America: Voices from Ravenswood

30m; U.S.

Director: Barbara Kopple

Synopsis: Documentary examines lockout at the dispute between the Ravenswood Aluminum Company and Local 5668 of the United Steelworkers in Ravenswood, WV.

 

Lockout (2007)

56m; Australia

Director: Jason van Genderen

Synopsis: Story of the 1929 Australian mineworker lockout, aka the Rothbury Riots, that country’s most violent industrial conflict.

Contact: greg@lockout.tv 61 413 017 771 (Cell)

 

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The Long Walk Home (1990)

97m; U.S.

Director: Richard Pearce

Cast: Sissy Spacek, Whoopi Goldberg and Dwight Schultz

Synopsis (IMDB): Two women, black and white, in 1955 Montgomery Alabama, must decide what they are going to do in response to the famous bus boycott lead by Martin Luther King.

 

Made in Dagenham (2010)

113m; U.K.

Director: Nigel Cole

Cast: Sally HawkinsBob Hoskins and Andrea Riseborough

Synopsis: A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

 

Man of Iron (1981)

153m

Director: Andrzej Wajda

Cast: Jerzy Radziwilowicz, Krystyna Janda and Marian Opania

Synopsis (IMDB): Andrzej Wajda’s account of the events at the Gdansk shipyard in the summer of 1980. Winkiel (Marian Opania), a burned-out, alcoholic journalist is assigned to look into the activities of Maciek Tomzyk (Jerzy Radziwilowicz), the charismatic and articulate leader of striking shipyard workers. He turns out to be the son of Mateusz Birkut. The journalist makes use of her own reputation as a youthful radical, implying a solidarity with Tomzyk even as she searches for the dirty laundry the party bosses hope she’ll find. But as she interviews the labour leader’s associates and his detained wife, Agnieszka (Krystyna Janda), and hears of his travails and of his father’s death in the 1970 crackdown against the workers, Opania begins to feel his former idealism returning, forcing her to consider putting her own career at risk to side with the strikers.

 

The Masses and the Millionaires: the Homestead Strike (1974)

30m; U.S.

Director: Robert Saudek Associates

Synopsis: Homestead steel strike in PA.

 

Memorial Day Massacre (1937)

It’s a dramatic, shocking and violent film. Some 200 uniformed policemen armed with billy clubs, revolvers and tear gas angrily charge an unarmed crowd of several hundred striking steelworkers and their wives and children who are desperately running away. The police club those they can reach, shoving them to the ground and ignoring their pleas as they batter them with further blows. They stand above the fallen to fire at the backs of those who’ve outraced them.

Police drag the injured along the ground and into patrol wagons, where they are jammed in with dozens of others who were also arrested. Four are already dead from police bullets, six others are to die shortly. Eighty are wounded, two dozen others so badly beaten that they, too, must be hospitalized.

The close-ups are particularly brutal. As one newspaper reviewer noted, “In several instances from two to four policemen are seen beating one man. One strikes him horizontally across the face, using his club as he would a baseball bat. Another crashes it down on top of his head and still another is whipping him across the back.”

The film ends with a sweaty, fatigued policeman looking into the camera, grinning, and motioning as if dusting off his hands.

The film was made in 1937. It was not, however, one of those popular cops and robbers features of the thirties. It was not fictional. It was an on-the-scene report of what historians call “The Memorial Day Massacre,” a newsreel segment filmed by Paramount Pictures as it was happening on the south side of Chicago on May 30, 1937.

We’re accustomed these days to the use of videotaped evidence to show wrongdoing by abusive law enforcement officers. Video technology was unknown in 1937, of course, and though film was available, it had rarely – if ever – been used for that purpose.

The 1937 film, in fact, was initially kept from the general public by Paramount’s executives. Fearful of “inciting riots,” they refused to include it in any of their newsreels that were shown regularly in movie theaters nationwide.

But the film was shown to a closed session of a Senate investigating committee chaired by Robert LaFollette Jr. of Wisconsin. The committee, concerned primarily with civil liberties, was outraged — particularly since the Chicago police had acted in violation of the two-year-old federal law that guaranteed workers the right to strike and engage in other peaceful union activities.

The committee found that strikers and their families, while noisily demanding collective bargaining rights as they massed in front of the South Chicago plant operated by Republic Steel, had indeed been generally peaceful. But that was beside the point to the police in Chicago and other cities with plants operated by Republic and two other members of the “Little Steel” alliance that also were struck. For as the committee concluded, the police had been “loosed … to shoot down citizens on the streets and highways” at the companies’ behest. The companies even supplied them with weapons and ammunition from their own stockpiles.

The committee said the companies had spent more than $40,000 on machine guns, rifles, shotguns, revolvers, tear gas canisters and launchers and 10,000 rounds of ammunition to use against strikers. Republic alone had more supplies than any law enforcement agency in the entire country.

The companies were prepared to go to any extreme to remain non-union. Two closed their plants temporarily, anticipating that most of the 85,000 strikers would soon be forced to return to work because they had little – if any – savings. But though Republic Steel closed most of its plants, it continued to operate the Chicago plant and a few others.

Republic fired union members at the plants that remained open and, with police help, cleared out union sympathizers and brought in strikebreakers to replace them. The strikebreakers, guarded by police day and night, ate and slept in the plants to avoid confronting the pickets outside.

Municipal police, company police and National Guardsmen harassed and often arrested pickets for doing little more than lawfully picketing. Six strikers were killed outside Republic’s Ohio plants in Cleveland, Youngstown, Canton and Massillon.

The killings and other violence, the steadily increasing financial pressures on strikers, unceasing anti-union propaganda – all that and more combined to end the strike in mid-July, two months after it had begun.

But the steelworkers didn’t give up. Determined to not have made such great sacrifices in vain, they turned to the labor-friendly administration of President Franklin Roosevelt for help. They got it in 1941, when heavy pressures from the administration finally forced the steel companies to recognize their employees’ legal right to unionization and the many benefits, financial and otherwise, that it brought them and the many other industrial union members who followed their lead.

NOTE: A videotape of the uncut newsreel segment, “Memorial Day Massacre of 1937,” is available from the Illinois Labor History Society (ilhs@prodigy.net). 

Copyright(c)Dick Meister

 

Mills of the Gods (1934)

66m; U.S.

Director: Roy William Neill

Synopsis: With the family plow factory on the verge of going belly up, matriarch May Robson finds her trust fund kids just don’t give a darn, but as rioting workers battle police, granddaughter Fay Wray finds solidarity and love with union leader Victor Jory.

 

Mine Wars (2004)

55m; U.S.

Director: Bill Richardson

Synopsis: Bill Richardson tells of the coal miners’ war for freedom through the use of film, telling this powerful and important story in the context of U.S. history. The critically acclaimed feature film uses over 800 vintage photos and music of the era to convey a sense of time and place.

Contact: Bill Richardson 29 Skyview Drive, Apt. #1, Belfry, KY 41514; e-mail brichard@wvu.edu.

 

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Mine War on Blackberry Creek (1986)

28m; U.S.

Director: Anne Lewis

Synopsis: The documentary of the strike of the UMWA coal miners against the A.T. Massey Co., a subsidiary of Royal Dutch Shell and the Flour Corp. This is an intimate look at both workers and strikebreakers. This area of WV is where mine wars have been fought since the 1920’s.

Contact: Anne Lewis 512-656-0507 (cell) http://www.annelewis.org

 

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