‘Overpass Light Brigade’ is a short film that tells the story behind Wisconsin’s Holders of the Lights using innovative time-lapse photography and interviews with founding members and other activists. The film showcases OLB’s simple, beautiful approach to performance art and creating “the people’s bandwidth,” that beckons any who want to creatively join public discourse and voice concerns an elitist political system clamors to quiet.
Directed by: Dusan Harminc, Matt Mullins
A stunning feature length debut by an SVA Soc Doc MFA graduate, Justin Thomas, who follows the evolution of Brooklyn street kid, subway train tagger and local community organizing legend, Dennis Flores. Dennis had the courage to pick up a camera, when he saw his neighbors being physically abused for simple demanding decent housing and better treatment by the local police. Of course Dennis himself quickly becomes the target of those for whom telling the truth is not necessarily considered part of the daily job.
https://www.facebook.com/truthlens2014
Behind every activist that fought for civil rights or occupied Wall Street, there was a loved one who also sacrificed. Tatanka follows the bizarre and heartrending journey of one man whose unchecked idealism helped change the world but nearly tore his family apart. This is a very personal and provocative look at a turbulent and life-changing time in our history. Featuring Joan Baez, Cesar Chavez and Daniel Ellsberg.
Directed by: Jacob Bricca
(Nicole Karsin, 2012, 82 min)
122 tribes of indigenous people caught between revolutionary guerillas and Colombian armed forces are an endangered species.
http://wewomenwarriors.com
PBS Great Depression Series, #2
Producer: WGBH, Boston
Narrator: Joe Morton
53 minutes
This film, the second in the PBS Great Depression Series, examines the plight of farmers, sharecroppers, and agricultural workers before and particularly during the onset of The Great Depression. Devoting ample time to the hardships of agricultural labor, it focuses on the devastating effects that environmental factors such as drought wrought on farmers, migrant laborers, and sharecroppers alike. Sliding farm prices due to the glut of products on the market spurred a cycle of diminishing returns for most farmers, exacerbating their indebtedness and causing foreclosures, homelessness, privation, and starvation. “The Road to Rock Bottom” also devotes considerable time to the allure that Charles “Pretty Boy” Floyd had among many impoverished Americans in the early Depression era. A bank robber, Floyd enjoyed popular support–and occasionally some protection–among struggling farming communities, for Floyd’s targeting banks tapped into their resentment at institutions that, on the one hand many blamed for causing the Great Depression and, on the other, were increasingly foreclosing on their farms and homes. The inability and unwillingness of the federal government to devote far more resources to battling the onslaught of poverty and desperation receives ample attention in the documentary as well. Many politicians, including President Herbert Hoover, believed that increasing the federal government’s role in the daily lives of its citizens would foster dependency that ran counter to the themes of individualism permeating both America’s political parties at that time, and long-standing American political traditions. Culminating the film is the Bonus Army’s march to and occupation of parts of Washington D.C. Its unsuccessful efforts to pressure Congress to pay the service bonus to military veterans earlier than promised resulted in violent clashes between the Army (led by Chief of Staff Douglas MacArthur) and the Bonus marchers, sealing the fate of the Hoover presidency well before his overwhelming electoral defeat to Franklin D. Roosevelt in the 1932 presidential elections.
PBS Great Depression Series, #7
Producer: WGBH, Boston
Narrator: Joe Morton
53 minutes
The seventh and final installment in the PBS Great Depression series, this film links the onset of World War II and the role of the United States as the primary producer of war materiel with the lingering struggles of the Great Depression. Blending oral history with photos from Dorothea Lange and others, archival films, and audio clips, “Arsenal of Democracy” details the persistent plight of the poor throughout the 1930s, especially for migrant workers, farmers, and the homeless who, despite the historical attention they received, often remained outside the public and political scope at that time. It also explores the social, cultural, and economic changes that the transition from peace to war wrought, such as the racism and discrimination that African Americans and Asians experienced during the 1930s and in hiring and job opportunities; the internment of Japanese Americans after Japan bombed Pearl Harbor on December 7, 1941; the use of racist imagery in wartime propaganda; greater employment opportunities for women and African Americans in wartime production; California’s incredible growth due to massive outlays of federal spending; and the end of the Great Depression.
Directors: Faythe Levine & Sam Macon
Director of Photography: Travis Auclair
Editor: Bill Marmor
Produced by: Timm Gable & Jonah Mueller
US; 75m
View official trailer: http://vimeo.com/61006621
website: http://signpaintermovie.blogspot.com/
Press inquiries: signpaintermovie@gmail.com
There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade.
In 2010 filmmakers Faythe Levine and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features the stories of more than two dozen sign painters working in cities throughout the United States. The documentary and book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco’s New Bohemia Signs and New York’s Colossal Media’s Sky High Murals.
Directed by Lenny Feinberg & Chris Foster
83m; US
An in-depth look at the newspaper industry as it struggles to remain financially viable and to keep the presses rolling. Through the voices of prominent journalists including Bob Woodward of the Washington Post and David Carr of the New York Times, we reveal an industry in the midst of a financial death spiral, as readers abandon print for online news sources. We see publishers and editors desperately trying to create a sustainable business model for their dying papers.
Our film examines the importance journalism has on our society by following two fearless investigators into the badlands of North Philadelphia. With the economic crisis in the newsroom threatening to shutter their struggling tabloid, these courageous women bring down a dangerous and corrupt narcotics squad.
If the American newspaper dies, who will conduct investigative journalism, who will hold public officials accountable?
Click here to see the trailer
For more information on the film visit blackandwhiteanddeadallover.net
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