2019 ‧ Drama ‧ 1h 23m
Miners struggle to survive after an explosion leaves them trapped two miles underground.
Release date: April 12, 2019 (USA)
Director: Eddie Mensore
Music composed by: Mauricio Yazigi
Producer: Eddie Mensore
Screenplay: Eddie Mensore
‘Mine 9’ Review: A Tense Disaster Drama, Undermined by Clichés
Film about the construction industry blacklist in the UK.
Directed by Lucy Parker
2019; 75 mins
SOLIDARITY is about the secretive methods used against UK activists and trade unionists. Blacklisted construction workers and activists spied on by the police share their ongoing struggles.
Blacklisting in the UK construction industry impacted thousands of workers who were labelled ‘troublemakers’ for speaking out and secretively denied employment. Activists uncovered alarming links between workplace blacklisting and undercover policing. SOLIDARITY attentively follows meetings between activists and law students, brought together for the film, revealing the determination of a community working together to find a route to justice.
The first feature length film from artist filmmaker Lucy Parker, Solidarity has been made alongside and features members of Blacklist Support Group, core participants in Undercover Policing Inquiry, and members of other campaigning groups including Voice of Domestic Workers, Cleaners and Allied Independent Workers Union, Independent Workers of Great Britain, GMB, RMT, Unite British Airways Mixed Fleet, County Durham Teaching Assistants, BECTU Picturehouse and many individual trade unionists.
Funded by Arts Council England, Barry Amiel & Norman Melburn Trust, Lipman Miliband Trust, Kingston University and donations from trade union branches and individuals.
Info and a trailer here: https://vimeo.com/331182945
WEBSITE
CONTACT INFO
City Projects
46 Brookbys’s Walk, London, E9 6DA
0781 306 2595
Email: info@cityprojects.org
Twitter: @solidarity_film
2019 ‧ Drama ‧ 1h 30m
Made in Bangladesh is a 2019 Bangladeshi drama film directed by Rubaiyat Hossain. It was screened in the Contemporary World Cinema section at the 2019 Toronto International Film Festival.
Initial release: September 6, 2019
Director: Rubaiyat Hossain
Language: Bengali language
‘Made in Bangladesh’: Film Review | TIFF 2019
Notes by Steve Cook, President, Washington Baltimore News Guild; cookstevend@gmail.com
Tells the story of a garment worker who decides to organize her coworkers into a union after a fire kills her best friend. The young woman, Shimu, has to overcome skepticism from her coworkers, resistance from her husband, double-crossing from a coworker, pressure from her bosses, bureaucratic inertia from the government, and a host of obstacles like we all face.
I want everyone in my shop and other open shops to see this movie. It really lays out what we all face in organizing, but the stakes are clear as day in a way that it often is difficult to communicate to our units. It would be great if it were available in DVDs, so locals could show it, or people could share it in their homes, or pass it around.
The film also highlights the universal struggles unions face anywhere in the world. The things I described above are things we face in our own organizing efforts. I also took away a message of solidarity with working people regardless of their nationality, geographic location, gender, or ethnicity. Their struggle is our struggle. These are messages that people must hear again and again. Cameron Bailey, the TIFF artistic director called Shimu, “the Norma Rae we need now.”
This movie has distribution in France starting Dec. 5 though an outfit called Pyramide International, which TIFF lists as the international sale agent. As far as I know, no one has picked it up in North America. I think it would be ideal for the DC Labor Filmfest, but also would be great if it could get exposure in North America in the meantime. If you have connections in the distribution industry, perhaps you could spread awareness of the movie among them.
The contact information for Pyramide in the TIFF book are sales@pyramidefilms.com, and 0033142960220.
I also am including some links that give you a fuller idea of what Made in Bangladesh is about. I hope I’ve given enough description of how important I think this movie is. Please feel free to contact me for a fuller description or for any way that I may be able to help.
Steve Cook, President, Washington Baltimore News Guild; cookstevend@gmail.com
https://www.tiff.net/events/made-in-bangladesh
Q&A following the TIFF screening.
https://www.youtube.com/watch?v=bPNS4XEoZRU
Pyramide International
http://inter.pyramidefilms.com/pyramidefilms-international-catalogue/made-in-bangladesh.html
2019 ‧ Drama ‧ 1h 40m
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It’s hard work, and his wife’s job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
Initial release: May 16, 2019 (France)
Director: Ken Loach
Producer: Rebecca O’Brien
Screenplay: Paul Laverty
Nominations: Palme d’Or, Cannes Best Actress Award, MORE
Production companies: Wild Bunch, Why Not Productions, Sixteen Films
Sorry We Missed You review – Ken Loach’s superb swipe at zero-hours Britain
A film by Brazilian director Leon Hirszman called ABC da Greve [The “ABC” of the Strike, a pun on São Paulo’s ABC region, where the strike began], about the Brazilian metalworkers strike of 1979.
Lula, The Rhetoric of the Image, Past and Present
2h | Drama | 18 April 1982 (USA)
Brazilian drama film directed by Leon Hirszman, based on Gianfrancesco Guarnieri’s play of the same name. Union leader’s son doesn’t want to engage in a strike, because his wife is pregnant, thus disregarding his father’s tradition of political activism. The film revolves around a working-class family in São Paulo in 1980. Otávio, a syndicalist leader, and Romana are the parents of Tião, whose girlfriend, Maria, becomes pregnant. Fearing to be fired and thus unable to support his now fiancée, Tião does not participate on a strike, which starts a series of family conflicts.
Drama, Short | 2 October 1912 (USA)
Jack Adams, spokesman for workmen in a factory, pleads with the owner, Griscom, against a twenty percent cut in wages. Griscom refuses to consider the men’s side, so the men walk out. Jack, seeking work at another factory, is “black-listed.” He leaves in an ugly mood. Unable to find work anywhere, he is reduced to starvation. His wife needs a doctor. Jack sends a note to Griscom pleading to be taken back. Griscom answers, “Glad to see you so humble, but you can’t work for me.” Jack, irate, determines on vengeance. Outside Griscom’s mansion Jack is overcome by weakness. Elsie, Griscom’s favorite child, finds Jack, and has him taken into the house. Griscom comes in, suspects Jack’s intentions, and accuses him. Jack tells of his terrible suffering. Elsie tries to console him. Jack is overcome. Griscom relents and offers food. Jack refuses. Elsie puts her arms around Jack, and he accepts the food. The touching scene penetrates the armor of Griscom’s selfishness, and he offers his hand to Jack, who accepts it.
Drama directed by Ray Enright and starring James Cagney as a truck driver who gets mixed up in a union dispute after a union leader is killed and his girlfriend is kidnapped after witnessing the crime.
Trucker Eddie Kennedy gets involved with the law when he has an car accident with Ann Reid and knocks the owner of a dairy out. He evades a penalty when he claims, that he had done it as an act of solidarity with the farmers. The farmers start an boycott action against this dairy, so the owner has to bring milk from elsewhere to his dairy, but the farmers closed the road, and Kennedy is arrested once more. He leaves jail at night to meet Ann, but meanwhile the owner has asked some mobsters to deliver the milk. One of the farmers is murdered, Ann Reid is missing and Eddie Kennedy is accused of murder.
1936 crime film starring James Cagney and Mae Clarke. In the film, an honest inspector for the New York Department of Weights and Measures takes on corrupt merchants and politicians.
Directed by John G. Blystone
Written by James Edward Grant (story)
Screenplay by Henry McCarty
Starring James Cagney
Mae Clarke
Release date: December 1936
Running time: 75 minutes
Country United States
Language English
Full film here
THE LABOR FILM DATABASE 