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Category Archives: Genre

We are the 99 percent (2012)

Director: Shabnam Hameed

Synopsis: We are the 99% is about (extra)ordinary working people who struggle to change the system in the wake of the global financial crisis.
Nurses, Jill and Maria set up a medical tent disobeying council ordinances to provide care for people who could not afford treatment.
Workers Peter and Julian fight for basic working conditions.
Sparrow faces the dilemma of how to sustain a democracy when racial tensions explode.
Over the course of 2 months, in the microcosm of Zuccotti Park they endeavour to create a good society and ultimately are brutally evicted igniting a world wide movement.

Watch the trailer at http://www.youtube.com/watch?v=un3v6qbZw9o

Shabnam Hameed
+61 (0) 415 817 931 (Australia)
SKYPE: shabnamhameed
shabnam.hameed@gmail.com

 

Exit (2008)

41m; U.S.

Director: Sharon Lockhart

Synopsis: Companion film to Lunch Break (2008, 80 min., HD); here, Lockhart reverses the gaze, with a fixed camera and a nod to Lumière.

 

Everlasting Moments (2009)

131m; Sweden

Director: Jan Troell

Cast:  Maria Heiskanen, Mikael Persbrandt and Jesper Christensen

Synopsis: Sweden, early 1900s. In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life. The camera grants Maria new eyes with which to see the world, and brings the charming photographer “Piff Paff Puff” into her life. Trouble ensues when Maria’s alcoholic, womanizing husband, feels threatened by the young man and his wife’s newfound outlook on life.

 
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Posted by on February 11, 2012 in Drama, Women, Working Class

 

The One Percent (2006)

doc; 80m, US
Directed by Jamie Johnson

In this hard-hitting but humorous documentary, director Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson’s thesis is that this wealth in the hands of so few people is a danger to our very way of life. Johnson captures his story through personal interviews with Robert Reich, Adnan Khashoggi, Bill Gates Sr., and Steve Forbes, during which both Johnson’s and his subjects’ knowledge and humor shine. And he’s not afraid to butt heads with Milton Friedman, the economist who coined the term “the trickledown effect.” He also shows how the other half lives, using real-world examples of the wealth gap: he takes a tour of a dilapidated housing project in Chicago, rides around with an enlightened taxi driver, and sees the human toll of the unfair economics of the Florida sugar industry. Johnson’s film is at its most powerful when it reveals how the super-rich work to preserve their own monetary dominance. As a member of the “Johnson & Johnson” family, he gets rare access to an exclusive wealth conference at which the über rich learn strategies for preserving their fortunes, and learns the personal management styles of some of the countries wealthiest employers. No great society has survived such a massive wealth gap; who knows if ours will? Written by Schafer, Nancy on IMDB

 

Degrees of Shame (1997)

U.S.
30m
Director: Barbara Wolff

Synopsis: Exploitation of part-time faculty in American higher education.

In 1960 Edward R. Murrow made a television documentary about the plight of migrant farm workers. Harvest of Shame examined the working conditions and economic realities of those least respected but absolutely vital workers in the agricultural industry, the harvesters.

To Barbara Wolf, a Cincinnati-based video documentarian, the economic situation and working conditions of adjunct professors suggested an information economy parallel to migrant farm workers.  As with migrant farm workers, hiring of adjuncts is often done at the last minute, the extremely low pay is based on the number of courses taught, there are no benefits, there is no job security, and many adjuncts teach at more than one institution (often in different cities) trying to piece together a living.
Following the logic of Harvest of Shame, Ms. Wolf interviews a variety of adjunct faculty, who make visible the working lives of these faculty members who now do more than 40% of the teaching in America’s institutions of higher education.  Interviews with university administration officials, union leaders, legislators, and other observers document both the problem and possible solutions.
Murrow concluded Harvest of Shame by asking his viewers to cultivate “an enlightened, aroused and perhaps angered public opinion” and to demand a change. Wolf sees her documentary as both informational and, in Murrow’s tradition, as a tool for change.

order from:

Barbara Wolf Video Work
1709 Pomona Court
Cincinnati, Ohio 45206
Phone (513) 861-2462
Br_wolf@hotmail.com

 

Cathy Come Home (1966)

75m; U.K.

Director: Ken Loach

Cast:  Carol White, Ray Brooks and Winifred Dennis

Synopsis: From the BBC’s influential ‘Wednesday Play’ series. This tells the bleak tale of Cathy, who loses her home, husband and eventually her child through the inflexibility of the British welfare system. A grim picture is painted of mid-sixties London, and though realistic the viewer cannot but realise that a political point is being made. One of the consequences of this film was the enormous public support for the housing charity ‘Shelter’, whose public launch came shortly after the programme was first shown.

 
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Posted by on February 1, 2012 in Children, Drama, Women, Working Class

 

Bob & Me

30m; U.S.

Synopsis: Budget cuts at the University of Maryland

 
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Posted by on January 31, 2012 in Documentary, Public Sector

 

Body of War (2007)

87m; U.S.

Director: Phil Donahue, Ellen Spiro

Synopsis (IMDB): The story of an injured American veteran returning home from the war Iraq is set against the backdrop of a critical indictment of the government’s handling of the U.S.-led invasion.

 
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Posted by on January 31, 2012 in Documentary, Safety & Health, War

 

Boiler Room (1992)

U.S.

Director: John Sjogren

Synopsis: The boiler room is from where telemarketers make their sales pitches. This film depicts an uncaring profession – where getting the almighty dollar is the primary objective – inside or outside of the law, and, no matter who’s.

 
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Posted by on January 31, 2012 in Drama, White Collar, Working Class

 

Bolivia (2001)

75m; Argentina

Director: Adrián Caetano

Synopsis: A Bolivian immigrant working illegally as a cook in a small restaurant in Buenos Aires suffers abuse and discrimination from its customers.