Companion pieces to Mr. Hanson and Mr. Nilsson’s 1978 feature “Northern Lights,”
The first of the three films is “Prairie Fire,”
The other two films, “Rebel Earth” and “Survivor”
John Hanson and Rob Nilsson, co-directors of Cannes Camera d’Or winner Northern Lights and fellow members of San Francisco’s Cine Manifest film collective, collaborated on this remarkable series of documentaries underwritten by the North Dakota Humanities Council and the North Dakota AFL-CIO. In Prairie Fire, 97-year-old ex-organizer and poet Henry Martinson recounts the 1916 birth of the Socialist Nonpartisan League—also the subject of Northern Lights—his narrative accompanied by images shot by Nilsson’s own grandfather, Frithjof Holmboe. Rebel Earth finds Martinson, accompanied by a younger farmer, revisiting the scenes of his life, seeking out the spot of his Divide County homestead. Survivor, finished the year before Martinson’s death, focuses on the biography of its subject, found in a funny and expansive mood. A gorgeously-shot work of documentary-as-historical corrective, which finds hope for the future through excavating a radical past.
Awards:
President’s Award, Full Frame Documentary Film Festival ’18
Best International Short: Baltimore International Black Film Festival ’18
Honourable Mention, Documentary Short: Roxbury International Film Festival ’18
Festivals:
Full Frame Documentary Film Festival ’18
Freep Film Festival ’18
DOXA Documentary Film Festival ’18
Roxbury International Film Festival ’18
Rhode Island International Film Festival ’18
Montreal International Black Film Festival ’18
Baltimore International Black Film Festival ’18
St. Louis International Film Festival ’18
North Carolina Black Film Festival ’18
“O’Dell shares his insightful outlook on past and present race relations in the United States, augmented beautifully with the stark and poignant imagery” – Danielle Piper, The Georgia Straight straight.com/movies/1069136/doxa-2018-review-issue-mr-odell
Stars: Regina Hall, Haley Lu Richardson, Dylan Gelula, Zoe Graham, Ann McCaskey
Rating: R
Running Time: 1h 30m
Genre: Comedy
The general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day.
Invisible Hands is the first feature documentary that exposes child labor and child trafficking within the supply chains of the world’s biggest corporations.
A self-reflexive restaging of a violent episode in Bisbee, Ariz., in 1917, when striking miners were rounded up and left for dead in the desert.
An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past.
“BISBEE ’17 is a nonfiction feature film by Sundance award winning director Robert Greene set in Bisbee, Arizona, an eccentric old mining town just miles away from both Tombstone and the Mexican border.
Radically combining documentary and genre elements, the film follows several members of the close knit community as they collaborate with the filmmakers to commemorate the 100th anniversary of the Bisbee Deportation, where 1200 immigrant miners were violently taken from their homes by a deputized force, shipped to the desert on cattle cars and left to die.
When the last copper mines closed in 1975, the once-booming Bisbee nearly became another Arizona ghost town, but was saved by the arrival of a generation of hippies, artists and eccentrics that give the place its strange vibe today. Bisbee is considered a tiny “blue” dot in the “red” sea of Republican Arizona, but divisions between the lefties in town and the old mining families remain. Bisbee was once known as a White Man’s Camp, and that racist past lingers in the air.
As we meet the townspeople, they begin to confront the violent past of the Deportation, a long-buried secret in the old company town. As the 100th anniversary of Bisbee’s darkest day approaches, locals dress as characters on both sides of the still-polarizing event, staging dramatic recreations of scenes from the escalating miner’s strike that lead to the Deportation. Spaces in town double as past and present; reenactors become ghosts in the haunted streets of the old copper camp.
Richard plays the sheriff in a Western, Fernando portrays a Mexican miner in a Musical, a local politician is in her own telenovela. These and other enacted fantasies mingle with very real reckonings and it all builds towards a massive restaging of the Deportation itself on the exact day of its centennial anniversary.” – David Mckeown
Beginning with a mining explosion in Mongolia and ending in a ghost city west of Beijing, political documentarian Zhao Liang’s visionary new film Behemoth details, in one breathtaking sequence after another, the social and ecological devastation behind an economic miracle that may yet prove illusory.
A horrific, at times surreal documentary portrait of migrant iron and coal workers in Inner Mongolia.
A WOMAN CAPTURED follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person.
Director:Hazuan Hashim & Phil Maxwell | Producer:Hazuan Hashim & Phil Maxwell Genre:Documentary | Produced In:2009 | Story Teller’s Country:United Kingdom
Tags: Conflict, Culture, Europe, Politics, United Kingdom, War
Synopsis:Featuring veteran anti-war campaigner Tony Benn and peace campaigners from around the world, the film examines works by artists in response to the wars in Iraq and Afghanistan. Twelve artists provide a candid analysis of war through their work and take the viewer on a journey that celebrates humanity and the struggle for peace. Shot in 14 different countries including Iraq and the U.S.A., the film subtly contrasts the difference between destruction and creativity. Six years in the making, this truly independent production without any budget has been made possible through collaboration with other film-makers and a passion for peace and humanity.