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Category Archives: Drama

The Spook Who Sat By the Door (1973)

1973 action crimedrama film based on the 1969 novel of the same name by Sam Greenlee (which was first published in the United Kingdom by Allison and Busby after being rejected by American publishers). It is both a satire of the civil rights struggle in the United States of the late 1960s and a serious attempt to focus on the issue of Black militancy. Dan Freeman, the titular protagonist, is enlisted by the Central Intelligence Agency (CIA) in its elitist espionage program, becoming its token Black person. After mastering agency tactics, however, he becomes disillusioned and drops out to train young Black people in Chicago to become “Freedom Fighters”. As a story of one man’s reaction to white ruling-class hypocrisy, the film is loosely autobiographical and personal.

The novel and the film also dramatize the CIA’s history of giving training to persons and/or groups who later utilize their specialized intelligence training against the agency – an example of “blowback.”

Directed by Ivan Dixon, co-produced by Dixon and Greenlee, from a screenplay written by Greenlee with Mel Clay, the film starred Lawrence CookPaula Kelly, Janet League, J. A. Preston, and David Lemieux. It was mostly shot in Gary, Indiana, because the themes of racial strife did not please Chicago’s then-mayor Richard J. Daley. The soundtrack was an original score composed by Herbie Hancock, who grew up in the same neighborhood as Greenlee.

In 2012, the film was added to the National Film Registry, which annually chooses 25 films that are “culturally, historically or aesthetically significant”.

 

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Tommaso Blu (1986)

1h 30m
A factory worker in the south of Italy, frustrated by work and marriage, withdraws into nature, but in the search for love and human warmth he ends up “on the dog” in the sense of the word.

 

Working Class Heroes (2022) Original title: Heroji radnicke klase

1h 25m
A group of illegal construction workers, left without money and basic rights, fight their bosses with all they have left, building a hoax “Potemkin’s village” to con a development fund. Close to deadline it’s a fight for life and death.

 

Miss Marx (2020)

1h 47m
Bright and passionate, Eleanor links feminism and socialism. Partaking in workers’ battles, she fights for women’s rights and against child labor. Meeting Edward Aveling in 1883, her life is overtaken by a tragic love affair
Director

“L’Internationale” by Downtown Boys, from the film MISS MARX

 

Full Time (2021) Original title: À plein temps

  • 1h 28m

Just when Julie finally gets an interview for a job that will let her raise her children better, she runs into a national transportation strike.

“Full Time,” Reviewed: A Hectic Thriller of Everyday Life

 

Unrest (2022) Original title: Unrueh

1h 33m

In late 19th century Switzerland, a factory worker becomes involved with a local group of anarchist watchmakers.


‘Unrest’ Review: The Times Are Not A-Changin’

 

FAIR PLAY (2023)

R; 1h 53m
Luke and Emily don’t just live together – they also work together as analysts in the high-stakes and high-pressure world of finance, forced to abide by company policy and keep their relationship secret. When a job opens up above them, Emily is thrilled to hear whispers that it might be going to Luke. But when it ultimately ends up hers, the couple is forced into a difficult situation. With the tables turned, Luke finds it harder to support her success and the pair start to unravel. With a delicacy that more genre films aiming to tackle weightier topics could afford to emulate, Domont cooly constructs a contemporary story about how a gendered disparity in finance and power can wreck a seemingly successful relationship.Back in 1994, the corporate thriller Disclosure posited that the only thing scarier than a woman scorned was a woman scorned who was also your boss, painting a laughably dated portrait of the evils of having women climb the corporate ladder. Fair Play, while recalling many a Michael Douglas thriller from Fatal Attraction to A Perfect Murder, is a smart rebuke to such misogyny. The biggest threat here ends up being a man’s ego.(Benjamin Lee, The Guardian)

Director/Writer: Chloe Domont

Stars

 

R.M.N. (2022)

  Unrated; 2h 5m

Romanian New Wave auteur Cristian Mungiu (“4 Months, 3 Weeks, 2 Days”) returns to masterful form with this drama, set in the filmmaker’s homeland and focusing on Matthias (Marin Grigore), a man who returns to his small village after walking off his slaughterhouse job in Germany, only to find the townspeople roiled by the presence of foreign workers. Ann Hornaday writes: “So much fear and misplaced anger are at play in Matthias’s increasingly hysterical behavior that ‘R.M.N.’ might as well be an X-ray of contemporary America.” (PG-13, 106 minutes.)

 

Between Two Worlds (2021) (Ouistreham)

Based on French journalist Florence Aubenas’s bestselling non-fiction work Le Quai de Ouistreham, investigating rising precarity in French society through her experiences in the northern port city of Caen.

‘Between Two Worlds’ Review: Juliette Binoche Goes Undercover

 

Do Not Expect Too Much from the End of the World (2023)

An overworked and underpaid production assistant drives around Bucharest to shoot the casting for a workplace safety video commissioned by a multinational company.