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Category Archives: A: New/Just Added

Local 1196: A Steelworkers Strike (2023)

59 minutes

“The old American dream just seems to be gone,” says Walt Hill, a longtime United Steelworkers Union member and the Contract Coordinator for Local 1196 in the decaying steel town of Brackenridge, Pennsylvania.
Local 1196 takes the viewer on the ground as days on strike turn to weeks, weeks turn to months, and union leaders realize they’re playing with a short stack, and against long odds.

Screen here and/or read more. Directed by Samuel George
Samuel.george@bfna.org

 

Full Time (2023)

  • 16m

ComedyShort

A skateboarder played by Andrew Lutheran (Goldbergs, breaking bad, Palo Alto) gets offered a full time job by a mysterious man played by Iddo Goldberg (Peaky blinders, Snowpiercer) to stand in a square all day. He is making more money the longer he stands there but his life is passing him by.

 

Full Time (2021) Original title: À plein temps

  • 1h 28m

Just when Julie finally gets an interview for a job that will let her raise her children better, she runs into a national transportation strike.

“Full Time,” Reviewed: A Hectic Thriller of Everyday Life

 

Unrest (2022) Original title: Unrueh

1h 33m

In late 19th century Switzerland, a factory worker becomes involved with a local group of anarchist watchmakers.


‘Unrest’ Review: The Times Are Not A-Changin’

 

FAIR PLAY (2023)

R; 1h 53m
Luke and Emily don’t just live together – they also work together as analysts in the high-stakes and high-pressure world of finance, forced to abide by company policy and keep their relationship secret. When a job opens up above them, Emily is thrilled to hear whispers that it might be going to Luke. But when it ultimately ends up hers, the couple is forced into a difficult situation. With the tables turned, Luke finds it harder to support her success and the pair start to unravel. With a delicacy that more genre films aiming to tackle weightier topics could afford to emulate, Domont cooly constructs a contemporary story about how a gendered disparity in finance and power can wreck a seemingly successful relationship.Back in 1994, the corporate thriller Disclosure posited that the only thing scarier than a woman scorned was a woman scorned who was also your boss, painting a laughably dated portrait of the evils of having women climb the corporate ladder. Fair Play, while recalling many a Michael Douglas thriller from Fatal Attraction to A Perfect Murder, is a smart rebuke to such misogyny. The biggest threat here ends up being a man’s ego.(Benjamin Lee, The Guardian)

Director/Writer: Chloe Domont

Stars

 

Foreign Parts (2010)

  Not Rated

  1h 21m

‘Foreign Parts’ portrays a hidden enclave of automobile shops and junk-yards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants – where wrecks, refuse, and recycling form a thriving commerce – as it struggles for daily survival and contests New York City’s development scheme.

Directors Verena Paravel & J.P. Sniadecki

 

Irma la Douce (1963)

When a policeman falls in love with a prostitute, he doesn’t want her to see other men, so he creates an alter-ego who will be her only customer.

 

Between Two Worlds (2021) (Ouistreham)

Based on French journalist Florence Aubenas’s bestselling non-fiction work Le Quai de Ouistreham, investigating rising precarity in French society through her experiences in the northern port city of Caen.

‘Between Two Worlds’ Review: Juliette Binoche Goes Undercover

 

Do Not Expect Too Much from the End of the World (2023)

An overworked and underpaid production assistant drives around Bucharest to shoot the casting for a workplace safety video commissioned by a multinational company.

 

Singing for Justice

Singing for Justice tells the story of Faith Petric, a political radical, community organizer and charismatic performer who united folk music and progressive causes from the 1930s through the early 2000s. Narrated largely by Faith herself, the film weaves her musical and political journeys to showcase the central role of folk music in the transformational social movements of the 20th century.

Co-director: Estelle Freedman
ebf@stanford.edu
info@singingforjustice.com

www.singingforjustice.com