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The Spook Who Sat By the Door (1973)

1973 action crimedrama film based on the 1969 novel of the same name by Sam Greenlee (which was first published in the United Kingdom by Allison and Busby after being rejected by American publishers). It is both a satire of the civil rights struggle in the United States of the late 1960s and a serious attempt to focus on the issue of Black militancy. Dan Freeman, the titular protagonist, is enlisted by the Central Intelligence Agency (CIA) in its elitist espionage program, becoming its token Black person. After mastering agency tactics, however, he becomes disillusioned and drops out to train young Black people in Chicago to become “Freedom Fighters”. As a story of one man’s reaction to white ruling-class hypocrisy, the film is loosely autobiographical and personal.

The novel and the film also dramatize the CIA’s history of giving training to persons and/or groups who later utilize their specialized intelligence training against the agency – an example of “blowback.”

Directed by Ivan Dixon, co-produced by Dixon and Greenlee, from a screenplay written by Greenlee with Mel Clay, the film starred Lawrence CookPaula Kelly, Janet League, J. A. Preston, and David Lemieux. It was mostly shot in Gary, Indiana, because the themes of racial strife did not please Chicago’s then-mayor Richard J. Daley. The soundtrack was an original score composed by Herbie Hancock, who grew up in the same neighborhood as Greenlee.

In 2012, the film was added to the National Film Registry, which annually chooses 25 films that are “culturally, historically or aesthetically significant”.

 

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The Union (2024)


Mike (Mark Wahlberg), a construction worker from Jersey, is quickly thrust into the world of super spies and secret agents when his high school sweetheart, Roxanne (Halle Berry), suddenly comes back into his life and recruits him on a high-stakes U.S. intelligence mission. Watch on Netflix.

Netflix hit “The Union” is a miss
Reviewed by Chris Garlock (Labor Heritage Foundation newsletter)
The Union is a hit on Netflix, but it’s not really about the labor movement, and it’s a pretty lousy movie, despite starring Mark Wahlberg and Halle Berry. Wahlberg plays Mike, a construction worker in New Jersey, who finds himself thrust into the world of super spies when his high school sweetheart, Roxanne (played by Berry), enlists his help on a high-stakes US intelligence mission for a shadowy group of ex-agency operatives called The Union. It’s a telling sign that a film called The Union doesn’t bother to say whether Mike’s construction job is union or not. J.K. Simmons runs the team and does have a cool class-conscious rationale for its existence: “(We’re the) invisible army that keeps the world running. The people who do the actual work. Street smarts over book smarts. Blue collar, not blue blood. Able to build our cities, keep production lines humming.  That’s who we are.  We get shit done.” Unfortunately that’s about the only nod to labor in the film, which has been getting abysmal viewer reviews, the best of which call it “generic” and “cheesy”. Action fans will be disappointed by the rote gunplay, endless — and pointless — car chases and lame dialogue from movie stars who  — like us — deserve better. And the big plot twist involving a traitor in The Union is not only completely unbelievable, but misses an obvious opportunity to take a shot at scabs. Hate to say it, but this is one union you won’t want to join. 
Got an opinion you’d like to share about labor art you’ve seen or heard lately? Email us at info@laborheritage.org.

 

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