Tokyo. Ryo goes to his job at the railway company where he’s task is remove the remains of the railroad due to the numerous suicides. Saki, a young girl, wanders around her city contemplating an apathetic society. Her walk drives her to the platform of station where Ryo finds her…
Acen’s girlfriend, Yuli, is a caregiver, and she always waits for him to come back; Anan misses his home in Indonesia by viewing the sea. One day, he meets Dora. They fall in love with each other, and Anan feels the love of a girl who comes from his homeland.
“Do you feel cheaper?” We are filming Lithuanian migrant working men in Sweden. They do not want to be on camera, they do not want to participate in creating one more media image for guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow.
Through sincere and frustrating negotiation to get access to film the migrant workers, Second Class becomes a discussion about class, the value of work and human. While showing the filming process film raises questions about power relations in film industry itself. 2015 Brazilian International Labour Film Festival
From his village to the big city, Sylvain is trying to make it in Ouagadougou, the capital city of Burkina Faso, one of the world’s five poorest countries. There, he found a job as a bar manager at Le coin des Amis, a “buvette” owned by Hortense, a policewoman trying to make ends meet. Work is home for Sylvain: he works seven days a week and sleeps in the backroom. He has only one thing in mind: saving up enough money to get his driver’s license. If he succeeds, he could drive a merchandise truck, a job that would allow him to find a wife and start a family. In Burkina Faso, you are not really an adult until you are married. That is why he saves 100% of the 20$ he makes every month. In a year’s time he will have saved up enough cash to start his lessons. 2015 Brazilian International Labour Film Festival
Since 2009, Burkina Faso knows a situation of “mining boom” after a campaign of geological exploration and an incitement of foreigner investments. But thanks to a favourable mining code and a discriminatory legislation, this “mining boom” looks like a huge operation of looting the resources of the country, enriching the managers of this network and droping the populations loosing their grounds.
Yen is an albino. She struggled through study and became a teacher. Hao-hao wrote to Yen and told her that he finally got a job. Ah-chih suffers from physical handicaps and creates great paintings. The director compares those who suffer from physical handicaps but being hard-working like angels sent by God.
Driving around under the lights of the city, Lucky, a social worker, is looking for Romane, a young teenager who has ran away. On his way, he meets Vladimir, an unconventional person, horrified by the moral decadence around him. Through the gaze of these characters, A Reality Every Second immerses us into the universe of those we are usually turning away from. 2015 Brazilian International Labour Film Festival
Filmmakers: Beto Novaes and Claisson Vidal
Brazil | 2015 | Documentary | 30 minutes
The documentary portrays life trajectories of women farmers participating actively in agroecological movements in Brazil. They are protagonists of important social changes in the Brazilian countryside. Moreover, these women organise the movements themselves, autonomously, as social and political leaders that are questioning stereotypes of the social imaginary. 2015 Brazilian International Labour Film Festival; http://www.bilff.org
DIR/PROD Sinead O’Brien. Ireland, 2014, color, 80 min. In English. NOT RATED
This moving documentary explains how a strike over the sale of South African fruit in Ireland became the focus of world attention as a key battleground in the fight against apartheid. The film takes audiences back to 1984, the height of apartheid in South Africa. Mary Manning, a 21-year-old Dunnes Stores checkout girl, refused to sell two Outspan grapefruits under direction from her union in support of the anti-apartheid struggle. She and ten other supporters were suspended and a strike ensued. The eleven knew little about apartheid and assumed they’d be back to work before long, but the arrival on the picket line of activist Nimrod Sejake changed everything, setting the strikers on a path never expected. His influence on the strikers and their struggle to bring about change proved to be the central turning point in their motivation for not only continuing the strike but advancing it to the international stage.
Nominated for Prix Europa 2014
Winner of Best Feature Documentary – Galway Film Fleadh 2014
Director contact: sinead.obrien.dublin@gmail.com Find us on facebook.com/bloodfruit2014
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