Kailash (original title)
1h 32min | Documentary | 2 November 2018 (USA)
The story of how Kailash Satyarthi launched a built a global movement to rescue children from slavery.
Entire film available online here
Initial release: January 18, 2018
Category Archives: 2020 Shortlist
Life on the Line
2015 ‧ Drama/Action ‧ 1h 37m
After a family tragedy, Beau Ginner rises to be foreman in a Texas lineman team, upgrading overhead power cables and preventing disasters. However, there is friction when his college-bound niece Bailey’s on-off boyfriend Duncan joins the crew, while another new recruit is hiding PTSD symptoms.
Release date: 2016 (USA)
Director: David Hackl
Music composed by: Jeff Toyne
Executive producers: Chad Dubea, Rosa Morris Peart, Shawn Williamson, Bryant Pike, Jamie Goehring
Producers: Phillip Glasser, Marvin Peart
https://www.nytimes.com/2016/11/18/movies/life-on-the-line-review-john-travolta-kate-bosworth.html
https://www.rogerebert.com/reviews/life-on-the-line-2016
Nightcaller
Director: Alexander Humilde
2018; 6m
“In the urban jungle of Manila, the call centre capital of the world, anonymous call centre agents from Manila spill the beans on the Philippines’ most in-demand job. Their stories reveal prevalent truths about the effects of rapid westernization, all of which take place just on the other side of our phone calls.”
Alexander Humilde’s Nightcaller documentary debuts on Air Canada flights
Mine 9
2019 ‧ Drama ‧ 1h 23m
Miners struggle to survive after an explosion leaves them trapped two miles underground.
Release date: April 12, 2019 (USA)
Director: Eddie Mensore
Music composed by: Mauricio Yazigi
Producer: Eddie Mensore
Screenplay: Eddie Mensore
‘Mine 9’ Review: A Tense Disaster Drama, Undermined by Clichés
Solidarity
Film about the construction industry blacklist in the UK.
Directed by Lucy Parker
2019; 75 mins
SOLIDARITY is about the secretive methods used against UK activists and trade unionists. Blacklisted construction workers and activists spied on by the police share their ongoing struggles.
Blacklisting in the UK construction industry impacted thousands of workers who were labelled ‘troublemakers’ for speaking out and secretively denied employment. Activists uncovered alarming links between workplace blacklisting and undercover policing. SOLIDARITY attentively follows meetings between activists and law students, brought together for the film, revealing the determination of a community working together to find a route to justice.
The first feature length film from artist filmmaker Lucy Parker, Solidarity has been made alongside and features members of Blacklist Support Group, core participants in Undercover Policing Inquiry, and members of other campaigning groups including Voice of Domestic Workers, Cleaners and Allied Independent Workers Union, Independent Workers of Great Britain, GMB, RMT, Unite British Airways Mixed Fleet, County Durham Teaching Assistants, BECTU Picturehouse and many individual trade unionists.
Funded by Arts Council England, Barry Amiel & Norman Melburn Trust, Lipman Miliband Trust, Kingston University and donations from trade union branches and individuals.
Info and a trailer here: https://vimeo.com/331182945
WEBSITE
CONTACT INFO
City Projects
46 Brookbys’s Walk, London, E9 6DA
0781 306 2595
Email: info@cityprojects.org
Twitter: @solidarity_film
Made in Bangladesh
2019 ‧ Drama ‧ 1h 30m
Made in Bangladesh is a 2019 Bangladeshi drama film directed by Rubaiyat Hossain. It was screened in the Contemporary World Cinema section at the 2019 Toronto International Film Festival.
Initial release: September 6, 2019
Director: Rubaiyat Hossain
Language: Bengali language
‘Made in Bangladesh’: Film Review | TIFF 2019
Notes by Steve Cook, President, Washington Baltimore News Guild; cookstevend@gmail.com
Tells the story of a garment worker who decides to organize her coworkers into a union after a fire kills her best friend. The young woman, Shimu, has to overcome skepticism from her coworkers, resistance from her husband, double-crossing from a coworker, pressure from her bosses, bureaucratic inertia from the government, and a host of obstacles like we all face.
I want everyone in my shop and other open shops to see this movie. It really lays out what we all face in organizing, but the stakes are clear as day in a way that it often is difficult to communicate to our units. It would be great if it were available in DVDs, so locals could show it, or people could share it in their homes, or pass it around.
The film also highlights the universal struggles unions face anywhere in the world. The things I described above are things we face in our own organizing efforts. I also took away a message of solidarity with working people regardless of their nationality, geographic location, gender, or ethnicity. Their struggle is our struggle. These are messages that people must hear again and again. Cameron Bailey, the TIFF artistic director called Shimu, “the Norma Rae we need now.”
This movie has distribution in France starting Dec. 5 though an outfit called Pyramide International, which TIFF lists as the international sale agent. As far as I know, no one has picked it up in North America. I think it would be ideal for the DC Labor Filmfest, but also would be great if it could get exposure in North America in the meantime. If you have connections in the distribution industry, perhaps you could spread awareness of the movie among them.
The contact information for Pyramide in the TIFF book are sales@pyramidefilms.com, and 0033142960220.
I also am including some links that give you a fuller idea of what Made in Bangladesh is about. I hope I’ve given enough description of how important I think this movie is. Please feel free to contact me for a fuller description or for any way that I may be able to help.
Steve Cook, President, Washington Baltimore News Guild; cookstevend@gmail.com
https://www.tiff.net/events/made-in-bangladesh
Q&A following the TIFF screening.
https://www.youtube.com/watch?v=bPNS4XEoZRU
Pyramide International
http://inter.pyramidefilms.com/pyramidefilms-international-catalogue/made-in-bangladesh.html
Sorry We Missed You
2019 ‧ Drama ‧ 1h 40m
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It’s hard work, and his wife’s job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
Initial release: May 16, 2019 (France)
Director: Ken Loach
Producer: Rebecca O’Brien
Screenplay: Paul Laverty
Nominations: Palme d’Or, Cannes Best Actress Award, MORE
Production companies: Wild Bunch, Why Not Productions, Sixteen Films
Sorry We Missed You review – Ken Loach’s superb swipe at zero-hours Britain
