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Category Archives: Experimental

The Shutdown (2009)

10m; U.K.

Director: Adam Stafford

Synopsis: A mesmerizing portrait of the influence of an oil refinery in a Scottish town. Stirring narration coupled with stunning images mark this moving short.

Contact: Screened at 2009 SilverDoc

 
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Posted by on June 13, 2012 in Documentary, Experimental

 

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The Temptation of St Tony (2009)

110m; Estonia/Finland/Sweden

Director: Veiko Õunpuu

Synopsis: Veiko Õunpuu’s follow-up to the award-winning AUTUMN BALL (2008 AFI European Union Film Showcase) confirms him as one of Europe’s brightest young talents. Filmed in striking widescreen black and white, Õunpuu’s tale follows the passive, put-upon Tony (hangdog Taavi Eelmaa) through increasingly surreal tableaux: his father’s funeral procession, interrupted by a car crash; a bourgeois dinner party disrupted by vagrants; the shuttering of a factory and firing of its workers; and a rural police station manned by comically grotesque cops from which Tony, on a whim, helps a mysterious young beauty to escape. Following her to a sinister cabaret, Tony may have discovered the heart of darkness of today’s Eastern Europe. Winner, Horizons Award, 2009 Venice Film Festival; East of the West Award, 2010, Karlovy Vary Film Festival; Official Selection, 2010 Sundance and Rotterdam Film Festivals.

 

The Hawks and the Sparrows (Uccellacci e uccellini) [1966]

89m; Italy

Director: Pier Paolo Pasolini

Contact: Totò, Ninetto Davoli and Femi Benussi

Synopsis: Humorous jaunt of working class young man and father to the big city accompanied by a crow who talks revolution and whom they eventually kill and eat.

 

What Would The Drop Know About That? (2007)

13m; Germany

Director: Jan Zabeil

Contact: http://www.ish.fm/site/index.php?article_id=14&clang=0

 
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Posted by on June 13, 2012 in Experimental, Service Workers

 

See You at Mao (AKA British Sounds) [1970]

52m; France/U.K.

Director: Jean-Luc Godard & Jean-Henri Roger

Synopsis: After taking film to “zero” with -Le Gai Savoir-, Godard and the Dziga Vertov Group put out several Maoist/Marxist films, including this one. The main idea of British Sounds is exactly the soundtrack; the images are primarily still, with minimal camera movement: mostly tracks and pans. British Sounds is didactic and academic, but not without artistic merit, particularly the use of red and the jump-cutting fists that punch through the British flag repeatedly. The film has six parts, including the famous ten-minute track through an auto assembly line and a four-minute shot of a woman’s nude torso; it is also filled with speech, whether it’s a text from Engels read aloud or a newscaster talking about the necessities of burning women and children. A real agit-prop film, but, as Godard said about the later -Vladimir and Rosa-, also “a time piece.”

 

Solitary Life Of Cranes (2008)

27m; U.K. 

Directro: Eva Weber

Synopsis: In this companion piece to CITY OF CRANES (SILVERDOCS ’08), anonymous crane operators muse about their unique occupation while the camera voyeuristically captures London scenes. This is a wonderful short that contemplates the modern metropolis and its unceasing development.

 

Pigpen (1969)

99m; France

Director: Pier Paolo Pasolini

Cast: Pierre Clémenti, Jean-Pierre Léaud and Alberto Lionello

Synopsis (IMDB): Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm’s pigs, because he doesn’t like human relationships.

 
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Posted by on April 20, 2012 in Experimental

 

Performing the Border (1999)

42m

Director: Ursula Biemann

Synopsis (Women Make Movies): A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas. This imaginative, experimental work investigates the growing feminization of the global economy and its impact on Mexican women living and working in the area. Looking at the border as both a discursive and material space, the video explores the sexualization of the border region through labor division, prostitution, the expression of female desires in the entertainment industry, and sexual violence in the public sphere. Candid interviews with Mexican women factory and sex workers, as well as activists and journalists, are combined with scripted voiceover analysis, screen text, scenes and sounds recorded on site, and found footage to give new insights into the gendered conditions inscribed by the high-tech industry at its low-wage end.

Website: http://www.wmm.com/filmcatalog/pages/c474.shtml

 
 

Remote Sensing (2001)

53m

Director: Ursula Biemann

Synopsis (Women Make Movies): In Biemann’s latest video, she traces the routes and reasons of women who travel across the globe for work in the sex industry. By using the latest images from NASA satellites, the film investigates the consequences of the U.S. military presence in South East Asia as well as European migration politics. This video-essay takes an earthly perspective on cross-border circuits, where women have emerged as key actors and expertly links new geographic technologies to the sexualization and displacement of women on a global scale. By revealing how technologies of marginalization affect women in their sexuality, REMOTE SENSING aspires to displace and resignify the feminine within sexual difference and cultural representation.

Website: http://www.wmm.com/filmcatalog/pages/c564.shtml

 

Homebound (Balikbayan) [2003]

5m

Directors: Larilyn Sanchez, Riza Manalo

Synopsis (IFFR): A woman who works outside the Philippines to earn money for her family sees herself forced to send her mother back home alone. She can’t pay for her own journey, but as compensation she gives her mother gifts from the rich world.

 
 
 
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